Adobe 22012057DM User Guide

Adobe 22012057DM - Soundbooth CS3 - PC Manual

Get Adobe 22012057DM - Soundbooth CS3 - PC PDF manuals and user guides
UPC - 883919114866
View all Adobe 22012057DM manuals
Add to My Manuals
Save this manual to your list of manuals

Adobe 22012057DM manual content summary:

  • Adobe 22012057DM | User Guide - Page 1
    ADOBE®SOUNDBOOTH™ CS3 USER GUIDE
  • Adobe 22012057DM | User Guide - Page 2
    as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted Adobe, the Adobe logo, Adobe Premiere, After Effects, Creative Suite, Encore, Flash, Photoshop, Soundbooth, and Version Cue are either registered trademarks or trademarks of Adobe
  • Adobe 22012057DM | User Guide - Page 3
    Contents Chapter 1: Getting started Installation 1 Adobe Help 2 Resources 5 Key features 10 Chapter 2: Digital audio fundamentals Understanding sound 56 Saving and exporting scores 58 Chapter 8: Working with Flash and video Working with Flash 60 Working with video 61 Chapter 9: Saving audio
  • Adobe 22012057DM | User Guide - Page 4
    iv Options for audio, AVI, and MOV formats 66 Options for additional video formats 68 Chapter 10: Keyboard shortcuts Finding and customizing shortcuts 76 Common shortcuts 77 Chapter 11: Digital audio glossary Common audio terms 79 Index 84
  • Adobe 22012057DM | User Guide - Page 5
    Close any other Adobe applications open on your computer. 2 Insert the installation disc into the disc drive, and follow the on-screen instructions. Note: For complimentary installation support, notifications of updates, and other services. ❖ To register, follow the on-screen instructions in the
  • Adobe 22012057DM | User Guide - Page 6
    • Troubleshooting • Customer support • Legal notices SOUNDBOOTH CS3 2 User Guide Adobe Help Adobe Help resources Documentation for your Adobe software is available in a variety of formats. In-product and LiveDocs Help In-product Help provides access to all documentation and instructional content
  • Adobe 22012057DM | User Guide - Page 7
    guides and white papers, may also be provided as PDFs. All PDF documentation is available through the Adobe Help Resource Center, at www.adobe.com/go/documentation. To see the PDF , if you see a Help topic with an Adobe Photoshop® CS3 icon and an Adobe After Effects® CS3 icon, you know that the
  • Adobe 22012057DM | User Guide - Page 8
    topic D. Previous/Next buttons (topics in sequential order) Accessibility features Adobe Help content is accessible to people with disabilities-such as mobility impairments, blindness, and low vision. In-product Help supports these standard accessibility features: • The user can change text size
  • Adobe 22012057DM | User Guide - Page 9
    SOUNDBOOTH CS3 5 User Guide Keyboard shortcuts for Help navigation (Windows) • To move between panes, , press Ctrl+equal sign. • To make text smaller, press Ctrl+hyphen. Resources Adobe Video Workshop The Adobe Creative Suite 3 Video Workshop offers over 200 training videos covering a wide range of
  • Adobe 22012057DM | User Guide - Page 10
    subject and typically runs about 3-5 minutes. Most videos come with an illustrated tutorial and source files, so you can print detailed steps and try the tutorial on your own. Using Adobe Video Workshop You can access Adobe Video Workshop using the DVD included with your Creative Suite 3 product
  • Adobe 22012057DM | User Guide - Page 11
    CS3 • Mac OS: [startup drive]/Applications/Adobe Soundbooth CS3 Documentation on DVD On the installation DVD, the Documentation folder contains a PDF version of Help, technical information, and other documents such as reference guides and specialized feature information. Online content from
  • Adobe 22012057DM | User Guide - Page 12
    Note: Bridge Home may not be available in all languages. SOUNDBOOTH CS3 8 User Guide Adobe Design Center Adobe Design Center offers articles, inspiration, and instruction from industry experts, top designers and Adobe publishing partners. New content is added monthly. You can find hundreds of
  • Adobe 22012057DM | User Guide - Page 13
    'll find RSS feeds, online seminars, SDKs, scripting guides, and other technical resources. Visit Adobe Developer Center at www.adobe.com/go/developer. Customer support Visit the Adobe Support website, at www.adobe.com/support, to find troubleshooting information for your product and to learn about
  • Adobe 22012057DM | User Guide - Page 14
    10 User Guide Adobe Labs Adobe Labs gives you the opportunity to experience and evaluate new and emerging technologies and products from Adobe. At Adobe tools to remove the background hiss and hum from the sound of an air conditioner, rumble noise coming from the tape in a video camera, clicks
  • Adobe 22012057DM | User Guide - Page 15
    SOUNDBOOTH CS3 11 User Guide animate a score's intensity Photoshop, cleanly removing an unwanted sound while leaving desirable audio intact. (See "Visually identifying noise" on page 41.) Record new assets Soundbooth lets you record original sounds for use in Adobe Premiere® Pro CS3 or Adobe Flash
  • Adobe 22012057DM | User Guide - Page 16
    2: Digital audio fundamentals An understanding of key audio concepts helps you get the most out of Adobe Soundbooth CS3. Understanding sound Sound waves Sound starts with vibrations in the air, like those produced by guitar strings, vocal cords, or speaker cones. These vibrations push nearby
  • Adobe 22012057DM | User Guide - Page 17
    SOUNDBOOTH CS3 13 User Guide A A 90º 0º 180º 360º C B 270º D A single cycle at left; a complete, 20-Hz waveform at right A. Wavelength B. Degree of phase C. Amplitude D. One second How sound waves interact
  • Adobe 22012057DM | User Guide - Page 18
    SOUNDBOOTH CS3 14 User Guide Digitizing audio Comparing analog and digital audio In analog and digital audio, sound is transmitted and stored in very different ways. Analog audio: positive and
  • Adobe 22012057DM | User Guide - Page 19
    SOUNDBOOTH CS3 15 User Guide Sample rate 11,025 Hz 22,050 Hz 32,000 Hz 44,100 and 16 bits per sample, a file requires 86 KB per second-about 5 MB per minute. That figure doubles to 10 MB per minute for a stereo CD, which has two channels. How Soundbooth digitizes audio When you record audio in
  • Adobe 22012057DM | User Guide - Page 20
    SOUNDBOOTH CS3 16 User Guide When you play a file in Soundbooth, the process happens in reverse. speakers. To sum up, the process of digitizing audio starts with a pressure wave in the air. A microphone converts this pressure wave into voltage changes. A sound card converts these voltage changes
  • Adobe 22012057DM | User Guide - Page 21
    for your working style. Customizing the workspace About workspaces Adobe video and audio applications provide a consistent, customizable workspace. windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors. B C A Example
  • Adobe 22012057DM | User Guide - Page 22
    SOUNDBOOTH CS3 18 User Guide Dock, group, or float panels You can dock panels together, move panels into or out of a group, and undock a panel so that it floats in a
  • Adobe 22012057DM | User Guide - Page 23
    SOUNDBOOTH CS3 19 User Guide Dock or group panels 1 If the panel you want to dock floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications. ❖ Select the panel you want to undock (if it's not visible, choose it from the Window
  • Adobe 22012057DM | User Guide - Page 24
    SOUNDBOOTH CS3 20 User Guide Resize panel groups When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons, all groups that share
  • Adobe 22012057DM | User Guide - Page 25
    SOUNDBOOTH CS3 21 User Guide Working with multiple monitors To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the
  • Adobe 22012057DM | User Guide - Page 26
    SOUNDBOOTH CS3 22 User Guide Position vertical and timeline rulers In the Editor panel, and buttons are distracting, deselect Use Gradients. Managing workspaces Choose a workspace Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for
  • Adobe 22012057DM | User Guide - Page 27
    SOUNDBOOTH CS3 23 User Guide Save a custom workspace As you customize a workspace, the application tracks your changes, storing the most recent layout. To store a specific layout more permanently, save a custom
  • Adobe 22012057DM | User Guide - Page 28
    such as microphones and tape decks. B. Sound card outputs connect to speakers and headphones. For a video about importing and recording audio, see www.adobe.com/go/vid0243. Set audio inputs and outputs The audio inputs and outputs you select determine the default hardware ports Soundbooth uses for
  • Adobe 22012057DM | User Guide - Page 29
    SOUNDBOOTH CS3 25 User Guide Note: The Surround, Center, and LFE channels are available only if and output ports. Select this option only if you have a very old sound card that doesn't support full-duplex operation. Opening and recording files Open existing files You can open audio in a variety of
  • Adobe 22012057DM | User Guide - Page 30
    Guide The menu at the top of the Editor panel lets you choose which open file to display. 1 Choose File > Open, or double-click the Files panel. 2 Select the desired files. (If you don't see the file you want, choose All Supported with Adobe Bridge Adobe Bridge CS3, included with Adobe Creative
  • Adobe 22012057DM | User Guide - Page 31
    27 User Guide 6 Enter to add audio markers (which you can later export as Adobe Flash cue points). 10 When you finish recording, click the Stop button , or application provided with the card (see the card's documentation for instructions). For a standard sound card, you use the mixer provided
  • Adobe 22012057DM | User Guide - Page 32
    SOUNDBOOTH CS3 28 User Guide Delete temporary files To increase performance and import a wide variety of rate, if possible. Clean Media Cache Database In MCDB files that Soundbooth shares with Adobe video applications, removes references to deleted PEK and CFA files. Playing audio Monitoring time
  • Adobe 22012057DM | User Guide - Page 33
    SOUNDBOOTH CS3 29 User Guide Change units in the timeline ruler or time display ❖ Right- Preferences dialog box. The default, 12 frames-per-second, matches the default in Adobe Flash Professional. If your Flash projects use a different frame rate, choose Edit Custom Time Format. Position the current
  • Adobe 22012057DM | User Guide - Page 34
    SOUNDBOOTH CS3 30 User Guide To start or stop playback without using the transport controls, press the spacebar. Go To Previous Moves the current-time indicator to the previous marker,
  • Adobe 22012057DM | User Guide - Page 35
    31 Chapter 5: Editing and repairing audio The intuitive visual tools in Adobe Soundbooth CS3 make it easy to edit, optimize, and repair audio. Displaying show or hide the spectral display. For a video about editing audio, see www.adobe.com/go/vid0244. See also "Waveform measurements" on page 12
  • Adobe 22012057DM | User Guide - Page 36
    SOUNDBOOTH CS3 32 User Guide About the waveform display The waveform display shows audio as a series of amplitude peaks and valleys. The x-axis (horizontal ruler) measures time, and the y-axis (
  • Adobe 22012057DM | User Guide - Page 37
    SOUNDBOOTH CS3 33 User Guide Spectral display, with high frequencies selected See also "Select frequency ranges" on page 37 "Repairing audio" on page 41 Customize the waveform display For stereo
  • Adobe 22012057DM | User Guide - Page 38
    SOUNDBOOTH CS3 34 User Guide 3 For Vertical Scale, enter a higher number to display frequencies more logarithmically, or a lower number to display them more linearly. A logarithmic display better reflects the uneven
  • Adobe 22012057DM | User Guide - Page 39
    navigator, drag left or right. SOUNDBOOTH CS3 35 User Guide Scrolling with the zoom navigator See also "Position the choose Window > Markers. A marker in the Markers and Editor panels See also "Set properties for Flash cue points" on page 60 "Export or import cue points in XML files" on page 61
  • Adobe 22012057DM | User Guide - Page 40
    see "Record a new file" on page 26. SOUNDBOOTH CS3 36 User Guide Move a marker • In the Editor panel, drag the marker to a new files in other formats, or to newly recorded audio, choose File > Export > Markers to manually create an XML file. When you next open the media file, choose File > Import
  • Adobe 22012057DM | User Guide - Page 41
    SOUNDBOOTH CS3 37 User Guide Extending a selection in the timeline ruler See also "Save entire files or selected ranges" on page 63 Select frequency ranges In the spectral display, three
  • Adobe 22012057DM | User Guide - Page 42
    SOUNDBOOTH CS3 38 User Guide Select all of a waveform • To select the visible range of a waveform, double-click in the Editor panel. Or choose Edit > Select View. • To select an
  • Adobe 22012057DM | User Guide - Page 43
    SOUNDBOOTH CS3 39 User Guide When you edit audio from a video file, trim handles and the Delete command silence audio without changing file length, maintaining synchronization with video. (See "Working
  • Adobe 22012057DM | User Guide - Page 44
    SOUNDBOOTH CS3 40 User Guide Precisely fade in or out 1 At the far left or right of the waveform, drag the Fade In or Fade Out handle inward. 2 (Optional) To
  • Adobe 22012057DM | User Guide - Page 45
    SOUNDBOOTH CS3 41 User Guide Maximize volume After you edit audio and apply effects, maximize volume as a finishing touch. Soundbooth offers two techniques that raise volume to 0.3 dBFS, just below
  • Adobe 22012057DM | User Guide - Page 46
    SOUNDBOOTH CS3 42 User Guide A B C Selecting various types of noise in the spectral display A. Hiss B. Crackle C. Rumble For a video about repairing audio, see www.adobe.com/go/vid0245. See also "About the spectral display" on page 32 "Select frequency ranges" on page 37 Remove background
  • Adobe 22012057DM | User Guide - Page 47
    SOUNDBOOTH CS3 43 User Guide Remove clicks, pops, or rumble The Clean Up Audio task helps you quickly remove sharp clicks and pops (such as crackle from vinyl records), or
  • Adobe 22012057DM | User Guide - Page 48
    SOUNDBOOTH CS3 44 User Guide Looping, stretching, and pitch shifting Create loops Audio that loops seamlessly creates a perfect soundtrack for many Flash animations and video spots. 1 In the Tasks panel, click Create Loop. In the transport controls, Soundbooth automatically enables the Loop Playback
  • Adobe 22012057DM | User Guide - Page 49
    SOUNDBOOTH CS3 45 User Guide See also "Select time ranges" on page 36 Undo and redo Undo or redo changes Each time you start Soundbooth, it keeps track of the
  • Adobe 22012057DM | User Guide - Page 50
    a new arrangement of existing ones. (Rearranging effects in a different sequence produces different sonic results.) For videos about applying effects, see www.adobe.com/go/vid0247 and www.adobe.com/go/vid0248. 1 If you want to process a specific range of audio, select it in the Editor panel. (If you
  • Adobe 22012057DM | User Guide - Page 51
    SOUNDBOOTH CS3 47 User Guide A B Accessing presets in the Effects panel A. Preset options for the Chorus/Flanger effect, because the delay settings don't change over time.) Further reducing a delay to 10-15 milliseconds adds stereo depth to a mono sound. Make sure the audio file is long enough for
  • Adobe 22012057DM | User Guide - Page 52
    SOUNDBOOTH CS3 48 User Guide Amount Controls the ratio of original to delayed sound. Advanced options Mode Specifies the type of hardware emulation, determining equalization and distortion characteristics. Tape and
  • Adobe 22012057DM | User Guide - Page 53
    SOUNDBOOTH CS3 49 User Guide Compressor The Compressor effect reduces dynamic range, producing consistent Attack Determines how quickly compression starts after audio exceeds the Threshold setting. The default, 10 milliseconds, works well for a wide range of source material. Use faster settings only
  • Adobe 22012057DM | User Guide - Page 54
    SOUNDBOOTH CS3 50 User Guide See also "Applying effects" on page 46 Standard options Mode build to maximum amplitude. To produce the most natural sound, specify a short pre-delay of 0-10 milliseconds. To produce interesting special effects, specify a long pre-delay of 50 milliseconds or more.
  • Adobe 22012057DM | User Guide - Page 55
    SOUNDBOOTH CS3 51 User Guide Curve Smoothing Creates curved transitions between control points, sometimes processing starts after audio passes the threshold. The defaults (5 milliseconds for limiting, 10 milliseconds for compression and expansion) work well for a wide range of source material
  • Adobe 22012057DM | User Guide - Page 56
    SOUNDBOOTH CS3 52 User Guide Makeup Gain Compensates for any change in overall level. Either or decrease control by narrowing or expanding each frequency band. Options include intervals of one octave (10 Bands), one-half octave (20 Bands), or one-third octave (30 Bands). Frequency sliders Set
  • Adobe 22012057DM | User Guide - Page 57
    SOUNDBOOTH CS3 53 User Guide Drag control points in the graph to visually adjust settings below. Highpass and Lowpass Enable Activate shelving filters at either end of the frequency spectrum.
  • Adobe 22012057DM | User Guide - Page 58
    SOUNDBOOTH CS3 54 User Guide See also "Waveform measurements" on page 12 "Applying effects" on page 46 Standard options Mode Specifies the phaser type. Amount Controls the ratio of original
  • Adobe 22012057DM | User Guide - Page 59
    With AutoComposer, anyone can create compelling, dynamic music for Adobe Flash animations, video soundtracks, and more. Get started with AutoComposer parts and parameters. You can preview these files in Adobe Bridge or the Mac OS QuickTime Player. 2. Add an audio or video clip for reference
  • Adobe 22012057DM | User Guide - Page 60
    56 User Guide 3 If video file D. Music track for your score See also "Browsing assets with Adobe Bridge" on page 26 "Open existing files" on page 25 "Working to quickly create music that enhances your audio, video, or Flash projects. 1 If your score accompanies a referenced clip, adjust the
  • Adobe 22012057DM | User Guide - Page 61
    SOUNDBOOTH CS3 57 User Guide 4 If desired, select Fade Out, and specify the number of seconds. keyframe with the value 1 at the beginning of a composition, and one with the value 10 at the end. Soundbooth automatically calculates, or interpolates, all the intermediate values using one of two
  • Adobe 22012057DM | User Guide - Page 62
    SOUNDBOOTH CS3 58 User Guide A B Transitions between keyframes A. Hold B. Linear See also "Position the current-time indicator" on page 29 Enable keyframe animation ❖ In the AutoCompose Score task, click Keyframing.
  • Adobe 22012057DM | User Guide - Page 63
    SOUNDBOOTH CS3 59 User Guide 2 Specify a filename and location. Then click Save. Soundbooth saves the score in SBSC format. Export a score as an audio or video file After you finish a musical score, export it to a file that you can incorporate into Flash or video projects. 1 If you offset the Start
  • Adobe 22012057DM | User Guide - Page 64
    the cue points For detailed instructions, see "Learning ActionScript in Flash" at www.adobe.com/go/fl_documentation_en. 2. Open an audio or video file in Soundbooth Sources can include Adobe Premiere Pro, After Effects, or other applications that export supported formats. (See "Choosing file formats
  • Adobe 22012057DM | User Guide - Page 65
    User Guide See also "Use markers" on page 35 Export or import cue points in XML files To edit cue points in Adobe Flash Professional or the Flash Video Soundbooth Soundbooth supports a variety of video workflows. Intuitive visual tools let you quickly repair a variety of common audio problems, from
  • Adobe 22012057DM | User Guide - Page 66
    CS3 62 User Guide Trim handles silence audio, maintaining video synchronization. (The Cut and Delete commands do the same.) See also "Choosing a video file format" on page 64 "Repairing audio" on page 41 "Creating scores with AutoComposer" on page 55 Editing audio clips from Adobe Premiere Pro CS3
  • Adobe 22012057DM | User Guide - Page 67
    63 Chapter 9: Saving audio and video files Adobe Soundbooth CS3 offers a comprehensive set file formats that support a wide variety of output types, ranging from the web to CD and DVD. Saving and closing files Save entire files or selected ranges Use the
  • Adobe 22012057DM | User Guide - Page 68
    Backspace. SOUNDBOOTH CS3 64 User Guide Choosing file formats Choosing an players. This format highly compresses file size, optimizing audio for fast downloads related video in an application like Adobe Premiere Pro. If the flexibility of Flash Video, MPEG1, QuickTime, Real Media, or Windows Media.
  • Adobe 22012057DM | User Guide - Page 69
    CS3 65 User Guide • For standard Adobe Flash Player can play either standalone FLV files, or those you embed into Flash animations in SWF format. Note: Though Soundbooth can save Adobe Flash Video files, it cannot open them. Microsoft AVI and DV AVI (.avi) The Windows version of Soundbooth supports
  • Adobe 22012057DM | User Guide - Page 70
    SOUNDBOOTH CS3 66 User Guide Windows Media Video (.wmv) The Windows version of Soundbooth supports Windows Media Video, Microsoft's format for compressed, streaming video. Typically, WMV files are viewed in Windows Media Player, but other applications and plug-ins also support this format. Options
  • Adobe 22012057DM | User Guide - Page 71
    Guide • CCITT u-Law An older version of CCITT compression that requires slightly more processing than A-Law. This compression scheme is the standard for North American and Japanese telephone systems. • GSM 6.1 Compresses audio at a ratio of 10 properly. To determine supported sample rates, consult
  • Adobe 22012057DM | User Guide - Page 72
    SOUNDBOOTH CS3 68 User Guide Options for additional video formats When you save in Adobe Flash Video, MPEG, RealMedia, or Windows Media format, the Export Settings dialog box appears. This dialog box, which Soundbooth shares with Adobe Premiere Pro, lets you access the wide array of video export
  • Adobe 22012057DM | User Guide - Page 73
    D SOUNDBOOTH CS3 69 User Guide E F Export Settings dialog box A. Source tab B. Output tab C. Source tab menu D. Image Area E. Export Settings F. Video, Audio, and other settings tabs Set the image preview pixel aspect ratio 1 Do either of the following: • (Adobe Premiere Pro) Select the sequence
  • Adobe 22012057DM | User Guide - Page 74
    SOUNDBOOTH CS3 70 User Guide Export settings presets When exporting with the Adobe Media Encoder, choosing a format with others and reload whenever needed. Note: Adobe Technical Support supports only Media Encoder presets that are included with Adobe applications. Create and save a custom preset
  • Adobe 22012057DM | User Guide - Page 75
    SOUNDBOOTH CS3 71 User Guide Delete custom presets 1 In the Export Settings dialog box, choose the preset you want to delete. 2 Do either of the from a project for reasons other than reduction of compressed file size, consider using the Noise & Grain effects in Adobe Premiere Pro or After Effects.
  • Adobe 22012057DM | User Guide - Page 76
    User Guide Video channel into the exported file for formats, such as Adobe Flash Video, that support alpha channels. TV Standard Conforms the output to the of systems, because a fixed data rate is less demanding on a media player and computer processor. However, a VBR file tends to have a higher
  • Adobe 22012057DM | User Guide - Page 77
    73 User Guide M frames (Advanced Audio Coding) A high-quality encoding format supported by many mobile devices. This codec is the default (This codec is available only in Adobe Premiere Pro.) • MainConcept MPEG Audio to different network speeds. The player software associated with the format detects
  • Adobe 22012057DM | User Guide - Page 78
    SOUNDBOOTH CS3 74 User Guide 2 In the Export Settings dialog box, choose a streaming option from the Preset menu. 3 On the Filters, Video the information that the log file includes (errors, warnings, settings, and render frame time). (Not supported for Windows Media, QuickTime, or Adobe Flash Video).
  • Adobe 22012057DM | User Guide - Page 79
    User Guide Add XMP metadata to an exported file Metadata is descriptive file information that can be searched and processed by a computer. Adobe's eXtensible Metadata Platform (XMP) lets you include metadata with a file to provide information about the contents of the file. Applications that support
  • Adobe 22012057DM | User Guide - Page 80
    76 Chapter 10: Keyboard shortcuts Keyboard shortcuts help you speed up the editing process. Finding and customizing shortcuts Find shortcuts ❖ To find shortcuts, do any of the following: •
  • Adobe 22012057DM | User Guide - Page 81
    SOUNDBOOTH CS3 77 User Guide Common shortcuts Shortcuts for playing and zooming audio This partial list includes the playing and zooming shortcuts that many Soundbooth experts find most useful. Result
  • Adobe 22012057DM | User Guide - Page 82
    "Repairing audio" on page 41 "Applying effects" on page 46 Windows shortcut Ctrl+U Ctrl+T * Ctrl+E Mac OS shortcut Command+U Command+T * Command+E SOUNDBOOTH CS3 78 User Guide
  • Adobe 22012057DM | User Guide - Page 83
    : Digital audio glossary The glossary is your guide to unfamiliar terms in common audio workflows and multiple Adobe Soundbooth CS3 features. If you don't find -bit resolution provides 65,536 levels and a 96-dB range. Soundbooth supports up to 32-bit resolution with 4,294,967,296 possible levels. For
  • Adobe 22012057DM | User Guide - Page 84
    SOUNDBOOTH CS3 80 User Guide codec (compressor/decompressor) An abbreviation for the data compression schemes used by the ACM, AVI, MPEG, and QuickTime formats and the analog-to-digital converters
  • Adobe 22012057DM | User Guide - Page 85
    SOUNDBOOTH CS3 81 User Guide F FFT (fast Fourier transform) An algorithm based on the Fourier theory that Soundbooth uses for filtering and spectral displays. The Fourier theory states that any
  • Adobe 22012057DM | User Guide - Page 86
    User Guide Nyquist sound waves. As a sound wave travels through the air, it compresses and expands air molecules in peaks and troughs, much like an ocean normally used to connect stereo system components, such as receivers, CD players, and cassette decks. real time In computer-based audio, real
  • Adobe 22012057DM | User Guide - Page 87
    SOUNDBOOTH CS3 83 User Guide sound card A hardware device that lets your computer play and record audio. sound wave A wave of air molecules. Humans can hear sound waves with frequencies of 20 to 20,000 Hz. spectral editing Editing audio using a display that visually represents audio frequencies.
  • Adobe 22012057DM | User Guide - Page 88
    of software 1 ADC, defined 79 Adobe Bridge about 26 Adobe Design Center 8 Adobe Flash cue points 60 video format 65 Adobe Help 2 Adobe Media Encoder about 68 Audio options 73 Filters options 71 Video options 72 Adobe Premiere Pro, editing audio from 62 Adobe Soundbooth, digitizing audio with 15
  • Adobe 22012057DM | User Guide - Page 89
    defined 80 Dynamics effect 51 E Edit In Adobe Soundbooth command 62 editing audio. See specific editing 7 F fades automatic 39 default curves for 39 manual 40 FFT, defined 81 files See also individual format 15 Files panel 26 Flanger effect 48 Flash cue points ActionScript for 60 exporting and
  • Adobe 22012057DM | User Guide - Page 90
    time format 29 transport 29 Premiere. See Adobe Premiere Pro preroll and postroll 29 presets 29 PCM, defined 82 PDF version of Help 7 PEK files 28 phase defined 82 illustrated 13 Phaser effect 53 option 71 scores animating 57 basic options 56 downloading and installing 7 exporting to audio or video
  • Adobe 22012057DM | User Guide - Page 91
    INDEX 87 sound card defined 83 See also input and output devices sound effects, downloading 7 sound wave, defined 83 sound, fundamentals of 12 spectral display about 32 customizing 33 selecting frequencies in 37 showing 31 spectral editing, defined 83 stereo
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
USER GUIDE
ADOBE
®
SOUNDBOOTH
™
CS
3