Behringer ULTRAMATCH PRO SRC2496 Manual
Behringer ULTRAMATCH PRO SRC2496 Manual
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Behringer ULTRAMATCH PRO SRC2496 manual content summary:
- Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 1
User Manual ULTRAMATCH PRO SRC2496 Audiophile 24-Bit/96 kHz A/D-D/A & Sample Rate Converter - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 2
with the ULTRAMATCH PRO 7 3.2 Sample rate conversion 9 3.3 Removing copy protect information 9 3.4 Noise reduction with emphasis 9 3.5 Line booster, signal refresher 10 3.6 Correcting incorrect sample rates 10 3.7 Vari-speed application 10 3.8 Format converter 10 3.9 Format interface 10 - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 3
3 ULTRAMATCH PRO SRC2496 Important Safety Instructions Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. All other installation - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 4
the ULTRAMATCH PRO SRC2496 to function as a universal inter-face between the various digital formats and sampling rates. Thus, incompatibilities between different equipment with regard to modified connectors, transmitted signals and applied standards are definitely a thing of the past. ◊ This manual - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 5
level perfectly to the circuitry of your ULTRAMATCH PRO. The level should be as high as possible, but the 0 dB SAMPLE RATE CONV and A/D & D/A CONV inform you about the operating mode of your SRC2496, i.e. sampling rate converter or A/D-D/A converter. (10) This LED array displays the sampling rate - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 6
6 ULTRAMATCH PRO SRC2496 (18) The SAMPLE RATE switch selects the sampling rate to which the input signal is to be converted or made available at the outputs. For this purpose, the SRC2496 must be set to internal mode, i.e. it has to function as a master unit (see sections (20) and (21) ). Reducing - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 7
in the SRC2496. Problems with the interfacing of optical and coaxial connectors, removing copy protect bits, converting sampling rates from 48 to 44.1 or 32 kHz-all of these tasks are quite common daily routines even in a home recording environment. Additionally, the ULTRAMATCH PRO is the - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 8
instructions on how to connect the SRC2496 (chapter 5 "Installation"). 3.1.2 Converting digital to analog Using the ULTRAMATCH PRO as a digital-to-analog converter Not so with the ULTRAMATCH PRO, as it can convert the broadcast signal from 32 kHz to any other common sampling rate and also remove any - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 9
9 ULTRAMATCH PRO SRC2496 3.2 Sample rate conversion No matter what type of digital audio signal you feed into the ULTRAMATCH PRO, it will convert it to a common standard format. Numerous conversion examples can be found in daily studio practice: • Conversion of 48 kHz DAT recordings to the CD - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 10
occur. 3.8 Format converter Digital data transfer is frequently affected by problems with the format required. While some devices specifically need S/PDIF signals on the input side, others can only output AES/EBU. With the SRC2496 this problem is now history. The input of your ULTRAMATCH PRO readily - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 11
send signals to the SRC2496 from unbalanced outputs (e.g. sound cards or mixing console outputs) in order to further process them in digitized form. Receiving analog signals (e.g. when using a high-end D/A converter between a CD-Player and amplifier) from the ULTRAMATCH PRO via unbalanced connectors - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 12
input is an absolute necessity, otherwise they do not accept the signal. ◊ The ULTRAMATCH PRO does not support the ADAT multi-track format, which can thus neither be looped through nor converted. (ADAT is a registered trademark of the Alesis Corporation) 5.3.4 Wordclock Feeding a wordclock signal - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 13
ULTRAMATCH PRO SRC2496 Word clock output device A signal ow Word clock input ULTRAMATCH terminating resistor Fig. 5.6: Unbalanced connection (termination) of the wordclock input to the ULTRAMATCH PRO 6. Specifications Synchronization Internal sampling rates note that high volume levels can - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 14
ULTRAMATCH PRO SRC2496 Analog Inputs Type Input impedance Converter Input level S/N-Ratio Analog Outputs Type Output impedance Converter converter +16 dBu @ 0 dBFS >108 dB >40 ns - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 15
Services US Inc. 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone: +1 425 672 0816 Fax: +1 425 673 7647 ULTRAMATCH PRO SRC2496 complies with the FCC rules as mentioned in the following paragraph: This equipment has been tested in accordance with the instructions, may cause harmful - Behringer ULTRAMATCH PRO SRC2496 | Manual - Page 16
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User Manual
ULTRAMATCH PRO SRC2496
Audiophile 24-Bit/96 kHz A/D-D/A & Sample Rate Converter