Denon AVR-5805MK2 Audyssey MultEQxt Information

Denon AVR-5805MK2 - AV Receiver Manual

Denon AVR-5805MK2 manual content summary:

  • Denon AVR-5805MK2 | Audyssey MultEQxt Information - Page 1
    Denon has chosen, for many of its acclaimed A/V receivers, with what we feel to be the most advanced and sonically beneficial Auto Setup and Room Eq system currently available, the MultEQxt system from Audyssey. Introduced first on the AVR-5805, MultEQxt is now available on the AVRs-4806 channel,
  • Denon AVR-5805MK2 | Audyssey MultEQxt Information - Page 2
    better represent the acoustical problems in the room. a filter for each loudspeaker channel including the subwoofer. The ends of the frequency spectrum. In Denon A/V receivers equipped with MultEQxt, you have a rooms when the receiver is in THX processing mode. This allows THX re-equalization to
  • Denon AVR-5805MK2 | Audyssey MultEQxt Information - Page 3
    settings described above. Finally, the 'Manual' setting is a traditional Graphic equalizer which most of the room problems occur. This belief is order to address crossover problems. MultEQxt will detect that to the satellite channels so that the optimum receiver or controller and in some products can
  • Denon AVR-5805MK2 | Audyssey MultEQxt Information - Page 4
    use ONLY the microphone that comes with the Denon A/V receiver, as the calibration curve built-in to the receiver is specific to that microphone. It is NOTE: Early production models of the AVR-5805 and 4806 did not accurately process low frequencies, however firmware has been released to correct this
  • Denon AVR-5805MK2 | Audyssey MultEQxt Information - Page 5
    for the screen loss. 14. What happens to the MultEQxt settings when the parameters are changed? MultEQxt corrects for room acoustical problems. Changes in the tone controls do not change the filter performance. They do change the tonal balance based on the preferences of the customer. The benefit
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Denon has chosen, for many of its acclaimed A/V receivers, with what we feel to be the most
advanced and sonically beneficial Auto Setup and Room Eq system currently available, the
MultEQxt system from Audyssey.
Introduced first on the AVR-5805, MultEQxt is now available
on the AVRs-4806, 4306, 3806 and the upcoming AVR-2807CI (March ’06).
Due to its
complexity and differentiation from competitors systems, there have been many questions to
what MultEQxt actually does, and with that, quite a lot of misinformation has been generated.
With the assistance of Audyssey, Denon would like to provide you with an informative insight
into this technology.
1.
What is MultEQxt?
Audyssey MultEQxt is an acoustical correction technology that calibrates a Denon A/V Receiver
so that it can achieve optimum performance for every listener within a large listening area.
There are two components to MultEQxt:
(i)
Automatic Setup (Auto Setup)
(ii)
Multi-listener equalization.
During Auto Setup, MultEQxt first finds how many loudspeakers are connected in the system,
then determines the loudspeaker type (satellite or subwoofer), checks the absolute polarity
(phase) of each channel, and identifies the optimum crossover frequency for each loudspeaker
and the subwoofer(s).
After that it calculates the distance between each loudspeaker and the
first microphone position in order to automatically set the appropriate delays.
Finally, it identifies
any level differences among the loudspeakers and automatically sets the trims.
The multi-listener equalization process combines measurements from several locations within
the listening area to create filters that address the acoustical problems arising from the
interaction of sound with the environment.
2.
How is MultEQxt different from other equalization methods?
1
There are two fundamental differences from every other Room Eq method available in AV
receivers today.
The first is that MultEQxt is not based on parametric equalization.
Parametric
equalization relies on a few bands that are centered at certain frequencies.
These bands do not
provide sufficient resolution to address many room acoustical problems.
Also, parametric bands
tend to interact so that changes at one frequency have undesirable results at nearby
frequencies.
Moreover, parametric equalization methods use a particular type of digital filter
called Infinite Impulse Response (IIR) that only attempts to correct the magnitude response in
the frequency domain.
These filters can cause unwanted effects, such as ringing or smearing,
in the time domain particularly as the bands get narrower.
MultEQxt uses Finite Impulse