Mackie 1604-VLZ4 Owner's Manual

Mackie 1604-VLZ4 Manual

Mackie 1604-VLZ4 manual content summary:

  • Mackie 1604-VLZ4 | Owner's Manual - Page 1
    1604-VLZ PRO 16-CHANNEL MIC/LINE MIXER OWNER'S MANUAL 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO POWER MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1604-VLZ PRO 16-CHANNEL MIC/ LINE MIXER
  • Mackie 1604-VLZ4 | Owner's Manual - Page 2
    , or its chassis damaged. 13. Servicing - The user should not attempt to service this Mackie product beyond those means described in this operating manual. All other servicing should be referred to the Mackie Service Department. 14. To prevent electric shock, do not use this polarized plug with an
  • Mackie 1604-VLZ4 | Owner's Manual - Page 3
    1604-VLZ PRO. Or you might be one of those people who never reads manuals pros: do NOT set levels using the old "Turn the trim up until the clip light comes on, then back off a hair" trick. When a Mackie Designs mixer 16. Other Nuggets of Wisdom For optimum sonic performance, the channel tech support,
  • Mackie 1604-VLZ4 | Owner's Manual - Page 4
    Mackie Designs professional compact mixer. The 1604-VLZ PRO "To wire your own cables: ," simply find that number in the manual and you've found your +15dB -45dB AUX U TRIM 16 U M-1IC0dGBAVIN 0 60 +15dB -45dB AUX U 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC
  • Mackie 1604-VLZ4 | Owner's Manual - Page 5
    15 FUSE 15 POWER SWITCH 16 POWER LED 16 PHANTOM SWITCH 16 PHANTOM LED 16 BNC LAMP SOCKET 16 CHANNEL STRIP DESCRIPTION 17 "U" LIKE RETURNS SOLO 27 MODIFICATIONS 27 1604-VLZ PRO BLOCK DIAGRAM 28 GAIN STRUCTURE DIAGRAM 29 SPECIFICATIONS 30 SERVICE INFO 31 APPENDIX A: CONNECTIONS
  • Mackie 1604-VLZ4 | Owner's Manual - Page 6
    ;;StereoPowerAmplifier 1604-VLZ PRO 8-Track Tracking 6 2 CH FULL SYMMETRY DUAL DIFFERENTIAL HIGH UNBAL AUX SENDS BAL/UNBAL 654321 DIRECT OUT BAL/UNBAL 87654321 13 12 11 10 9 8 7 6 5 4 3 CHANNEL INPUTS CHANNEL INSERTS 16 15 14 13 12 11 10 9 8 7 6 5 4 3 21 21 Digital Delay Mono in / stereo out
  • Mackie 1604-VLZ4 | Owner's Manual - Page 7
    1604-VLZ PRO Stereo Power Amplifier NOTE: for mono PA, use mono output to feed FOH. Drum Machine Guitar Effects 1 234 RL L L RL RL 16 15 14 13 12 11 10 9 8 3 2 RL RL 1 RL AUX SENDS BAL/UNBAL 654321 DIRECT OUT BAL/UNBAL 87654321 CHANNEL INSERTS 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 ;;
  • Mackie 1604-VLZ4 | Owner's Manual - Page 8
    ; 1604-VLZ PRO Video Setup 8 out Computer with Audio Card Studio Monitors HIGH OUT BAL/UNBAL AUX RETURNS 3 2 RL RL 1 RL L L R R TAPE TAPE OUT IN RL RL 16 MAIN INSERT STEREO MONO MAIN OUT BAL/UNBAL 15 14 AUX SENDS BAL/UNBAL 654321 DIRECT OUT BAL/UNBAL 87654321 13 12 11
  • Mackie 1604-VLZ4 | Owner's Manual - Page 9
    is the new 1604-VLZ PRO a compact, professional-quality tabletop mixer, it's rackmountable! Its unique rotating input pod makes this possible. One of the things that revolutionized the compact mixer industry was the "convertible pod" found on the original, classic CR-1604. Using an ordinary Phillips
  • Mackie 1604-VLZ4 | Owner's Manual - Page 10
    users were forced to go out and buy the XLR-10 mic input add-on module. No more. Each and every channel on the New Improved 1604-VLZ PRO has the legendary Mackie mic/line input circuit. It's like getting a free XLR-10 with your mixer! MIC INPUTS We use BAL BAL BAL BAL MIC 16 XDR MIC PRE MIC 15
  • Mackie 1604-VLZ4 | Owner's Manual - Page 11
    deliver the signal from the very end of the channel path; post-TRIM, post-EQ, post-LOW CUT, post-fader and post-MUTE. They are the key player in "split monitoring," making the 1604-VLZ PRO perfect for an 8-track studio. To wire your own cables: . 11 OO OO OO OO OO TRIM 1 U M-1IC0dGBAVIN 0 60
  • Mackie 1604-VLZ4 | Owner's Manual - Page 12
    or your headphones. But let's not forget that the 1604-VLZ PRO is a 4-bus mixer. These buses lead to the SUB OUTS , and are designed to accomplish the task of getting channels to the multitrack without using the direct outputs. For example, a channel is assigned to SUB OUT 1. SUB OUT 1's output is
  • Mackie 1604-VLZ4 | Owner's Manual - Page 13
    DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129 EFFECTS: SERIAL OR PARALLEL? You've heard us carelessly toss around the terms "serial" and "parallel." Here's what we mean by them: "Serial" means that the entire signal leaves the mixer (INSERT send
  • Mackie 1604-VLZ4 | Owner's Manual - Page 14
    To learn how signals are routed to these outputs: . To wire your own cables: . PHONES OUTPUT The 1604-VLZ PRO's stereo 1/4" phones jack will drive any standard headphone to very loud levels. Walkperson-type phones can also be used with an appropriate adapter. To learn how signals are routed to these
  • Mackie 1604-VLZ4 | Owner's Manual - Page 15
    cables must be wired thusly: ring tip sleeve (TRS plug) SEND to processor "tip" This plug connects to one of the mixer's Channel outputs: . To use these outputs to drive case you lose the cord provided with the 1604-VLZ PRO in trouble, but if you lose the 1604-VLZ PRO's BAL MIC 16 XDR MIC
  • Mackie 1604-VLZ4 | Owner's Manual - Page 16
    1604-VLZ PRO is conservatively designed, so heat buildup isn't a problem even in 24-hour-aday operation. There's nothing that will burn out or get used up. You may notice that the 1604-VLZ PRO look, refer to Appendix C. 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC
  • Mackie 1604-VLZ4 | Owner's Manual - Page 17
    channel strips look alike and function identically. The only difference is that the eight on the left have DIRECT OUT jacks and the eight on the right don't. We'll start at the bottom and work our way up. "U" LIKE UNITY GAIN Mackie mixers use the subgroup faders as a master control for those channels
  • Mackie 1604-VLZ4 | Owner's Manual - Page 18
    3-4 L - R If you're printing new tracks or bouncing existing ones, you'll also use the 1-2 and 3-4 switches, but not the L-R switch. Here, you don't want the all the channel assignment switches should be disengaged (up). The 1604-VLZ PRO is what we call a "true 4-bus mixer." Each channel can be
  • Mackie 1604-VLZ4 | Owner's Manual - Page 19
    mixer, always plug the left signal into an "odd" channel (1, 3, 5, etc.) and the right signal into the adjacent "even" channel (2, 4, 6, etc.). Then pan the odd channel hard left and the even channel hard right. CONSTANT LOUDNESS ! ! ! The 1604-VLZ PRO 1kHz 10kHz 20kHz Used in conjunction with
  • Mackie 1604-VLZ4 | Owner's Manual - Page 20
    that. But if you max the EQ on every channel, you'll get mix mush. Equalize subtly and use the left sides of the knobs (cut), as safely boost LOW EQ . Many times, bass shelving eq can really benefit voices. Trouble is, adding LOW EQ also boosts the subsonic debris: Stage rumble, mic handling
  • Mackie 1604-VLZ4 | Owner's Manual - Page 21
    exceptions, so feel free to try it both ways. Should you choose to use two aux sends, use the "odd" AUX (1, 3 or 5) to feed its left input and SHIFT Don't let the fact that there's only four AUX knobs per channel fool you - the 1604-VLZ PRO has six AUX SENDs. With the 5/6 SHIFT switch up, the knobs
  • Mackie 1604-VLZ4 | Owner's Manual - Page 22
    OUTPUT SECTION DESCRIPTION 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +10 U 1 +20 U 1 TO AUX SEND 1 +15 EFFECTS TO U MONITORS OO OO OO OO OO OO 2 +10 AUX SEND 2 +
  • Mackie 1604-VLZ4 | Owner's Manual - Page 23
    the L-R switch on a channel - the signal, stereo in this case, is sent to the MAIN the main mix? With the New Improved 1604-VLZ PRO, the engineer has several choices of what can also use the C-R OUTS for other applications. Its interrupt the mix, as we've already covered . Once again, engaging a SOLO switch
  • Mackie 1604-VLZ4 | Owner's Manual - Page 24
    seen this, but in case you missed it: The 1604-VLZ PRO's solo system comes in of the channel fader, and that would be a big problem. SOLO Mackie. No other company is so concerned about your level of SOLO awareness. We even force the soloed channel is wrong with your mixer. Hence the RUDE SOLO
  • Mackie 1604-VLZ4 | Owner's Manual - Page 25
    creating another standard, Mackie's compact mixers address the need using AUX 1 and 2 for this, with their PRE switches en- gaged . AUX SENDS 3 through 6 have no such control - they'll just send their mixes directly to their respective AUX SEND out- 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER
  • Mackie 1604-VLZ4 | Owner's Manual - Page 26
    we know there's no fader in this case.) During NORMAL (AFL) mode , you the right side. (If you ever use AUX 1 and 2 to create a 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER manual). If that turns out to be too loud or too quiet, adjust the effects device's outputs, not the mixer. That way, the mixer
  • Mackie 1604-VLZ4 | Owner's Manual - Page 27
    the channels feeding the unwanted signal to the effects device you do want to hear. Congratulations! You've just read about all the features of your 1604-VLZ PRO. You're probably ready for a cold one. Go ahead. The rest of the manual can wait. MODIFICATIONS For most folks, the 1604-VLZ PRO works
  • Mackie 1604-VLZ4 | Owner's Manual - Page 28
    1604-VLZ PRO BLOCK DIAGRAM CR/PHN R CR/PHN L LOGIC PFL SIP R SIP L AUX 6 AUX 5 AUX 4 AUX 3 AUX 2 AUX 1 SUB 4 SUB 3 SUB 2 SUB 1 MAIN R MAIN L 28 PHANTOM POWER (GLOBAL SWITCH TRIM MIC IN LINE IN DIRECT OUT (CH'S 1-8 ONLY) INPUT CHANNEL (1 OF 16 AUX RETURN 4 R MACKIE 1604-VLZ PRO SIGNAL FLOW 1/99
  • Mackie 1604-VLZ4 | Owner's Manual - Page 29
    MIX & SUBMASTERS 0dB to 'A' From 'B' +15dB up +22dBu max out +10dB up 0dB Channel SEND AUX MIX AUX 1 & 2 Master OUTPUT AUX SEND +22dBu max in +20dB up INPUT LEVEL 0dB to 'C' AUX RETURN MACKIE 1604-VLZ PRO LEVEL DIAGRAM +15db up 0dB to 'D' LEVEL SOLO +20db up 0dB to 'D' LEVEL (from
  • Mackie 1604-VLZ4 | Owner's Manual - Page 30
    Channel 1604 VLZ-PRO with pod normal 5.0" (127mm) 5.6" (142.2mm) 1604-VLZ PRO WEIGHT 20.0 lbs. (9.1 kg) 17.6" (447.0mm) 10 rack spaces 19.0" (482.6mm) 17.3" (442.0mm) 1604-VLZ PRO with pod to back 8.7" (221.0mm) 9.3" (236.2mm) 13.0" (325.1mm) 8 rack spaces 1604-VLZ PRO with optional rotopod
  • Mackie 1604-VLZ4 | Owner's Manual - Page 31
    1604-VLZ PRO is only available from Mackie Designs, located in sunny Woodinville, Washington. (Service for mixers living outside the United States can be obtained through local dealers or distributors.) If your mixer needs service, follow these instructions: 1. Review the preceding troubleshooting
  • Mackie 1604-VLZ4 | Owner's Manual - Page 32
    in the channel insert and bus insert jacks, input jacks and AUX returns. We also use these switches to ground the line-level inputs when nothing is plugged into them. In most cases, the plug must be inserted fully to activate the switch. Mackie takes advantage of this in some circuits, specifying
  • Mackie 1604-VLZ4 | Owner's Manual - Page 33
    most cases, the balanced ground (earth) will also be connected to the ground (earth) at the unbalanced input. If there are ground-loop problems, Mackie's single-jack inserts are the threeconductor, TRS-type 1⁄4" phone. They are unbalanced, but have both the mixer output (send) and the mixer input
  • Mackie 1604-VLZ4 | Owner's Manual - Page 34
    (to the first click) into a Mackie insert jack, the plug will not activate the jack switch and will not open the insert loop in the circuit (thereby allowing the channel signal to continue on its merry way through the mixer). This allows you to tap out the channel or bus signal at that point in
  • Mackie 1604-VLZ4 | Owner's Manual - Page 35
    and balanced circuits. Remember: Only mult or "Y" an output into several inputs. If you need to combine several outputs into one input, you must use a mixer, not a mult or a "Y." RING (RETURN) TIP (SEND) FROM PROCESSOR OUTPUT TO PROCESSOR INPUT RING (IN) TIP (OUT) RING TIP (RETURN) (SEND) TO
  • Mackie 1604-VLZ4 | Owner's Manual - Page 36
    1604-VLZ PRO 16-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS Session: Date: NOTES: TRIM 1 TRIM 2 TRIM 3 TRIM 4 TRIM 5 TRIM 6 TRIM 7 TRIM 8T U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-
  • Mackie 1604-VLZ4 | Owner's Manual - Page 37
    11 TRIM 12 TRIM 13 TRIM 14 TRIM 15 TRIM 16 U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN U M-1IC0dGBAVIN 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS 0 60 +15dB -45dB 0 60
  • Mackie 1604-VLZ4 | Owner's Manual - Page 38
    , based on a vignette by Ron Koliha, with tidbits borrowed from almost everywhere. Manual then defaced with proofreading pens in the hands of Mackie's legendary Tech Support staff. Manual composed on a rinky-dink PC using a low-budget word processor, then converted to this amazing piece of work
  • Mackie 1604-VLZ4 | Owner's Manual - Page 39
    the Service section of this manual. Do not use "packing peanuts," shredded newspapers, or other material with small particles, old underwear, or socks. Please seal the Mackie product in a plastic bag. 3. Also include a note explaining exactly how to duplicate the problem, a copy of the sales receipt
  • Mackie 1604-VLZ4 | Owner's Manual - Page 40
    Mackie Designs Inc. 16220 Wood-Red Road NE • Woodinville, WA 98071 • USA US and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 • www.mackie.com E-mail: [email protected]
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40

1604-VLZ PRO
16-CHANNEL
MIC
/
LINE MIXER
OWNER’S MANUAL
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
PAN
AUX
3
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
EQ
5
4
6
5/6
SHIFT
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
TRIM
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
SOLO
L -
R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
SOLO
L - R
3–4
1–2
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
OL
-20
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
TRACK
8
TRACK
7
TRACK
6
TRACK
5
TRACK
4
TRACK
3
TRACK
2
TRACK
1
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
+15
-15
800
2k
200
8k
100
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
1
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
2
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
3
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
4
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
5
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
6
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
7
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
8
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
9
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
10
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
11
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
12
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
MID
MID
MID
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
13
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
14
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
15
MUTE
U
O
O
+15
U
+15
-15
U
U
+15
-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
O
O
+15
16
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
AUX
SEND
STEREO AUX RETURN
EFFECTS TO
MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
PWR
PHAN
SOLO
SOLO
1
2
1
2
3
4
1
2
C-R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1–2
3–4
U
O
O
+20
U
O
O
+20
U
O
O
+15
U
O
O
+15
U
O
O
+20
U
O
O
+20
U
O
O
+10
U
O
O
+10
LEFT RIGHT
PHONES
LAMP
12V
0.5A
TAPE IN
SOLO
RUDE
SOLO
LIGHT
CTL ROOM / PHONES
SUBS 3–4
SUBS 1–2
MAIN MIX
CTL ROOM
SOURCE
TAPE
TAPE TO
MAIN MIX
MAIN
MIX
RIGHT
1
2
3
4
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
28
10
7
4
2
2
0
4
7
10
20
30
ASSIGN TO MAIN MIX
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
U
O
O
+20
O
O
O
O
MAX
0 dB=0 dBu
MAX
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
1604-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
1604-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
4
3
2
1
INSERT
INSERT
INSERT
LINE
INSERT
MIC 4
MIC 3
MIC 2
MIC 1
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
O
O
+6
PHANTOM
ON
POWER
ON
120 VAC 50/60 Hz 20W
1A/250V SLO-BLO
16
15
14
13
12
11
10
9
8
7
6
5
MIC 16
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
MIC 15
MIC 14
MIC 13
MIC 12
MIC 11
MIC 10
MIC 9
MIC 8
MIC 7
MIC 6
MIC 5
SUB OUT
C-R OUT
MAIN INSERT
(TIP SEND
RING RETURN)
TAPE
TAPE
MAIN OUT
AUX SEND
DIRECT OUT
AUX RETURN
3
R
L
MONO
R
R
R
R
L
R
L
R
L
R
L
L
L
L
1
4
2
5
1
2
3
4
3
1
6
4
2
7
5
3
8
6
4
1
2
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
INPUT
OUTPUT
R
L
(MONO)
(MONO)
(MONO)
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
TO REDUCE THE
RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR
REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE •
US PATENT NUMBER 29/049,129
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E