Mackie MS1402-VLZ Architect's Specs
Mackie MS1402-VLZ Manual
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- Mackie MS1402-VLZ | Architect's Specs - Page 1
; 1 stereo pair of Control Room outputs; 1 stereo pair of Alt 3-4 outputs; 2 Aux Send outputs; and 1 stereo headphone output. The mixer shall be capable of placement on a table or installation in a standard 19-inch rack mount (via optional rack rail brackets) and shall be entirely self-contained - Mackie MS1402-VLZ | Architect's Specs - Page 2
than 10 kΩ; Output impedance: Tape Out, 1.1 kΩ; All other outputs, 120Ω. The mixer shall be a Mackie Designs MicroSeries 1402-VLZ, and shall alternatively be referred to as an MS1402-VLZ. Because Mackie Designs constantly endeavors to improve its products with new components and manufacturing
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MORE INFORMATION
THESE SPECIFICATIONS
ARE AVAILABLE ON 3.5”
PC & MAC FORMAT DISK
IN POPULAR WORD
PROCESSOR FORMATS
■
CALL 800/258-6883
FAX 425/487-4337
OUTSIDE THE U.S., CALL
425/487-4333
FAX 425/485-1152
®
1. GENERAL CONFIGURA-
TION.
The mixer shall
accommodate 6 line or 6
microphone signals, mono
channels 1–6; 8 line signals,
stereo channels 7–14; 2
stereo pairs of Aux Return
inputs; 6 Send/Return
channel Inserts; 3 stereo pairs
of Main Mix outputs; 1 stereo
pair of Control Room out-
puts; 1 stereo pair of Alt 3–4
outputs; 2 Aux Send outputs;
and 1 stereo headphone
output. The mixer shall be
capable of placement on a
table or installation in a
standard 19-inch rack mount
(via optional rack rail
brackets) and shall be
entirely self-contained.
2. MIXER INPUTS.
MONO
CHANNELS 1–6:
The mixer
shall include 6 electronically
balanced mic inputs, using
XLR-3-F-type connectors,
accepting nominal levels
from –60dBu to +14dBu via
6 rotary Trim controls.
Phantom power shall be
available via a globally-
controlled rocker-type switch.
6 balanced or unbalanced
(bal/unbal) line inputs shall
be wired in parallel, using
1
/
4
" TRS phone jacks,
accepting nominal levels
2/10/98
from –40dBu to +22dBu.
The mixer shall include 6
channel Inserts, using
1
/
4
"
TRS phone jacks (tip=send,
ring=return, sleeve=ground),
delivering and accepting
nominal levels from –10dBV
to +22dBu. STEREO CHAN-
NELS 7/8, 9/10, 11/12 and
13/14:
The mixer shall
include 8 bal/unbal line
inputs, forming 4 stereo input
pairs, using
1
/
4
" TRS phone
jacks, accepting nominal
levels from –10dBV to
+22dBu, with +4dBu/–10dBV
level switches. OTHER
INPUTS: The mixer shall
include 4 bal/unbal Aux
Return inputs, forming two
stereo pairs, using
1
/
4
" TRS
phone jacks, accepting
nominal levels from –10dBV
to +22dBu. The mixer shall
include 1 stereo pair of Tape
In jacks, using unbalanced
RCA-type phono jacks,
accepting nominal levels from
–20dBV to +16dBu.
3. MIXER OUTPUTS.
MAIN
OUTPUTS:
The mixer’s Main
Output stereo pairs shall be
fitted in three ways: Using
balanced XLR-3-M-type
connectors, delivering
nominal levels from –6dBV
to +28dBu, including 1 Main
Output Level switch to
provide 30dB attenuation
(XLR outputs only); using
bal/unbal
1
/
4
" TRS phone
jacks, delivering nominal
levels from –10dBV to
+22dBu; and using unbal-
anced RCA-type phono
jacks, delivering nominal
levels from –10dBV to
+22dBu. OTHER OUTPUTS:
The mixer shall include 1
stereo pair of Alt 3–4 outputs
using bal/unbal
1
/
4
" TRS
phone jacks, delivering
nominal levels from –10dBV
to +22dBu; 1 stereo pair of
Control Room outputs using
bal/unbal
1
/
4
" TRS phone
jacks, delivering nominal
levels from –10dBV to
+22dBu; 2 Aux Send outputs
using bal/unbal
1
/
4
" TRS
phone jacks, delivering
nominal levels from –10dBV
to +22dBu; and 1 Head-
phones output using an
unbalanced
1
/
4
" TRS phone
jack (tip=left, ring=right,
sleeve=ground).
®