Mackie MS1402-VLZ Contractor's Specs

MS1402-VLZ ARCHITECTS’

& ENGINEERS’

SPECIFICATIONS

■

“IN YOUR FACE”

ALL-PRODUCT BROCHURE

MORE INFORMATION

FEATURES

RM1402-VLZ RACK

MOUNT BRACKETS

■

6 low noise/high head-

room XLR mic inputs

(–129.6dBm E.I.N.)

■

6 balanced/unbalanced

mono line inputs

■

4 balanced/unbalanced

stereo line inputs

■

60mm log-taper faders

■

48V phantom power

■

3-Band EQ (12kHz,

2.5kHz, 80Hz)

■

Low Cut Filter on

channels 1-6

■

PFL/AFL (Solo In-

Place) on every

channel (global)

■

Very Low Impedance

architecture

■

EFX to Monitor switch

■

2 stereo buses

■

Alt 3-4 for extra bus

■

Balanced inputs and

outputs (except RCAs

and channel inserts)

■

Balanced XLR Main L/R

outputs with mic/line

level switch

■

1/4” main outputs

■

60dB Gain on chs. 1-4

■

Global Aux 1 Pre/Post

switch

■

Level Setting Marker

RELATED PRODUCTS

M

ackie’s

MicroSeries 1402-VLZ is

a compact mixer that com-

bines the size and durability

of the 1202-VLZ with the

features and flexibility of the

CR1604-VLZ. Like those two

mixers, the MS1402-VLZ

delivers high headroom and

ultra low noise, thanks to its

VLZ very low impedance

architecture, first introduced

on our acclaimed 8•Bus

consoles. And it’s just as

rugged, with all-steel con-

struction, thru-hole-plated

fiberglass circuit boards,

gold-plated interconnects

and sealed rotary controls.

The MS1402-VLZ is a distin-

guished sibling.

Mixing Made Easy

One of the first things you’ll

notice is that the 1402-VLZ

has faders. Like the faders

on our SR Series consoles,

these 60mm, log-taper fad-

ers provide smooth, consis-

tent fades throughout the

fader’s travel.

3-band EQ at truly useful

freqeuncies (80Hz, 2.5kHz

and 12kHz) allows for

more “musical” equaliza-

tion. The six studio-grade

mic preamps

(on channels

1 thru 6) have –129.5dBm

E.I.N. And with its integral

48V phantom power sup-

ply, the 1402-VLZ is com-

patible with all of your fa-

vorite dynamic and con-

denser mics. Room rumble,

wind noise and mic

thumps are cut off on

those channels by a Low

Cut Filter (75Hz, 18dB/oc-

tave), allowing you to use

Lo Shelving EQ to enhance

the higher end of the bass

frequency range (instead of

using it to get rid of the

aforementioned noises).

Each channel has PFL &

In-Place AFL (globally switch-

able) for solo and cueing

flexibility. In PFL you can lis-

ten to your channels pre-

fade/post-EQ at full level,

before the signal reaches the

fader and pan control. AFL

lets you listen to your chan-

nels post-fader/post-EQ. This

is great for hearing where the

signal is in the stereo horizon

(hence the name “Solo In-

Place”). Each channel has

PFL and In-Place AFL (glo-

bally switchable). PFL Solo

14 X 2 MICRO SERIES MIC/LINE MIXER

®

®

Mackie MS1402-VLZ Contractor's Specs

Mackie MS1402-VLZ Manual

Mackie MS1402-VLZ manual content summary: