Panasonic AG-HPX250PJ Understanding P2 Workflow: Final Cut Pro
Panasonic AG-HPX250PJ Manual
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- Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 1
Using P2 HD with - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 2
for use with all Panasonic P2 HD camcorders. Please contact Panasonic for further details, or, visit www.panasonic.com/broadcast. Organization is the key to managing your media in any situation, but it becomes critical when P2 cards will be re-used during the shoot.P2 cards and their contents should - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 3
1M P2 HD camcorder and the AJ-HPM110 P2 Mobile Recorder / Player. All of these products support the DVCPRO formats too. Because the AVC-Intra format is P2 based, the workflow is similar to that of DVCPRO on P2. Shoot Prior to recording any data on the P2 cards, each card is erased in the camera. If - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 4
first step after removing the card from the camera is to WRITE PROTECT THE P2 CARD. Each time a P2 card is removed from a camera, it is notated on the P2 log sheet. The card is then placed in the P2 Store for immediate backup. The P2 Store number is noted as well. The P2 Store creates a clone of the - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 5
P2 card reader would work best. If an AG-HVX200 handheld P2 HD Camcorder is going to be used as a card card is ingested, a log note is added and the card can now be erased in the P2 Store prior to going back into a camera. FCP does not directly support the MXF data format. Using FCP to ingest P2 - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 6
ingest. Using the File menu, choose Log and Transfer. FCP will locate the mounted P2 volumes and present the clips contained on those cards. The contents of the cards can be displayed as a list of clips, or segmented by card. Use the "Show Items" button to control the display. Each clip may be - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 7
First, from the FS-100 Utilities menu, choose Organize P2. Then use the HDD Menu to choose DD Drive. Connect your Firewire cable from the Computer I/O port to your Mac. Choose Enable. The drive will - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 8
own logging information such as reel, clip name, log notes, etc. Sub clipping is a powerful feature that FCP provides. It is a strategic part of the P2 workflow. By sub clipping your raw footage, one can reduce the amount of unwanted data that will be captured. This will save time in the - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 9
You can also decide to exclude audio and or video tracks from the ingest at this time by using the in the edit. I have found by reviewing each clip from the P2 card, I can eliminate the unwanted takes quickly, and save tremendous time in the edit. P2 needs a different thought process than "digitize - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 10
it at http://www.panasonic.com/business/provideo/support/software_downloads.asp See Apple's publications, "Final Cut Pro Working With High Definition and Broadcast Formats", and ProRes Whitepaper Article L342568A for detailed information. View these documents at http://manuals.info.apple.com/en - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 11
Importing AVC-I Material From P2 Cards It is important to set the ProRes quality prior to ingesting any clips. Do so by choosing the preferences in the Log and Transfer window. From here you will decide either ProRes or ProRes HQ. Reconnecting P2 Media After completion of a project, I will remove - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 12
add the volumes via the custom path. Now choose Batch Capture again, and the process will begin. Missing P2 Cards If FCP does not show your card(s), you may need to point FCP to the location manually. Do this by selecting "Add Folder" and navigating to the appropriate location. Occasionally, your - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 13
Log Pro" from Imagine Software (http://www.imagineproducts. com). P2 Log Pro will allow the user to view all metadata stored on the P2 cards and transfer some of that data into FCP. It also allows for the uploading of user data such as user clip name, shooter and project name. This is the only way - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 14
Quantum offers a special DLT drive, Model 600A, that offers MXF data support and an easy to use Ethernet connectivity. Simply drag your files from your years guaranteed. Transfer times will average about 16 cards per hour or about 4 minutes per 8GB P2 card. It is important to consider how you wish - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 15
Simply drag your archived P2 Card folders into the main window. Tell Toast what type of media you are using. Toast 8 will tell you how many discs you will need. Just - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 16
you have hooked your DLT up to) from the Network Status drop down. Now we must place the Mac on the same subnet by choosing Manual from the Configure IPv4 drop down menu. Use 10.10.10.1 as your address and leave the rest of the settings as is. Click Apply - Panasonic AG-HPX250PJ | Understanding P2 Workflow: Final Cut Pro - Page 17
It will take about 4 minutes per 8GB P2 card you wish to transfer. You can drag P2 workflows and Final Cut Pro can be found at http://images.apple.com/pro/pdf/L317074A_FCP_Wkflw.pdf video production facility using the P2 workflow for broadcast and corporate clients. The New Jersey Final Cut Pro Users
Using P2 HD with