Singer 1 One Instruction Manual 4

Singer 1 One Manual

Singer 1 One manual content summary:

  • Singer 1 One | Instruction Manual 4 - Page 1
    i, x•xm: Ai;.;v.„ t-iDshion illacnine1030 SUPER DELUXE FREE-ARM, STRETCH STITCH SEWING MACHINE HGE • x. ?: • :;;0"V53,0535X.' A xi, gis;iW 5,5;14: ;sir:4,k vs ',3 4Y:
  • Singer 1 One | Instruction Manual 4 - Page 2
    Sew like a pro with your CREATIVE TOLCH ~ashon ire1030 '44 .. . :Delicate zig-zag s:itc on satin xii Faw;ess topstitchi.ng ea:he:'::ke fabrc 71/79/1/0011/ :.`:Pat-.4, :st:tchnc.-, on sc, -.c.'cy, • ,a7t1"ruc ,tr,Crn •:4 Lace stitch patern on tricot..
  • Singer 1 One | Instruction Manual 4 - Page 3
    ill CC 0 Idsl . F • 4 os, , 1+11 I .4±, , • I solorder 6 4 •"44' 0
  • Singer 1 One | Instruction Manual 4 - Page 4
  • Singer 1 One | Instruction Manual 4 - Page 5
    Professional Way Construction Details Zippers • Corded Seams • Blindstitch Hems • Darts Sewing Knit and Stretch Fabric Stretch Stitch Chart • Starting to Sew Using a Flexi-Stitch Pattern • Guiding and Supporting Fabric • Adjusting Pressure • Plain Stretch Seams • Maxi-Topstitching • Overedged Seams
  • Singer 1 One | Instruction Manual 4 - Page 6
  • Singer 1 One | Instruction Manual 4 - Page 7
    -Stitch patterns and buttonholes. 3. Disc Holder holds any one of the interchangeable stitch-pattern discs. 4. Interchangeable Stitch- presser-foot pressure on fabric. 12. Rear Thread Guide holds needle thread firmly in place while sewing. 13. Snap-in Thread Guidepost eliminates possible tangling
  • Singer 1 One | Instruction Manual 4 - Page 8
    and Zig-Zag Plate, on your machine when delivered. Use them for alternating between straight and zig-zag stitching as well as utility zig-zag sewing. They can also be used for straight-stitching firm fabrics. Numbers on plate indicate distance from needle in eighths of an inch from center needle
  • Singer 1 One | Instruction Manual 4 - Page 9
    14. Seam Guide helps you keep seam allowances even. 15. Blindstitch Hem Guide. Use this with the zig-zag foot to position and guide the hem. 14 15 16. Stitch-pattern Discs • One reversible Flexi- and cut threads quickly and neatly. 18. Lint Brush for cleaning your sewing machine. 17 18 3
  • Singer 1 One | Instruction Manual 4 - Page 10
    to Secure New Foot To remove and replace the shank of snap-on presser feet, follow instructions below for onepiece presser feet. O Changing Snap-on Presser Feet Presser Foot Screw Changing Button Foot 4 One-piece Presser Feet 1. Raise take-up lever to its highest position by turning the hand
  • Singer 1 One | Instruction Manual 4 - Page 11
    presser-foot screw securely with a coin. To remove, loosen screw and guide foot to the right and away from you. Movable Arm Fit Needle pins and release. Plate is drawn into position by magnets. See special instructions on page 30 for attaching straight-stitch plate for chainstitching. 5. Close
  • Singer 1 One | Instruction Manual 4 - Page 12
    pass through freely; too fine a needle will cause the thread to fray. IMPORTANT: Your SINGER sewing machine has been designed to obtain best results with SINGER* needles. You should follow the recommendations in this instruction book and on the needle package for correct style and size of needle for
  • Singer 1 One | Instruction Manual 4 - Page 13
    . To turn on the machine and set speed range, push the power and light switch to desired speed. This will also turn on the sewing light. • The MIN. setting A (switch pressed in halfway) allows for maximum control. Use this setting for special jobs where intricate construction details require close
  • Singer 1 One | Instruction Manual 4 - Page 14
    and thread The needle and thread you choose will depend upon the fabric being stitched. The table below is a practical guide to needle and thread selection. Refer to it before starting a sewing project. Be sure to use the same size and type of thread in both needle and bobbin. FABRIC, THREAD AND
  • Singer 1 One | Instruction Manual 4 - Page 15
    A. 2. Raise console cover and thread the rear thread guide by holding thread in left hand and guiding it over wing B and into channel C. 3. Draw -hand channel, and up left-hand channel. 4. Thread take-up lever D by guiding thread down over top of lever and then up into eyelet. 5. Lead thread from
  • Singer 1 One | Instruction Manual 4 - Page 16
    Flo 3. 10 USING THE NEEDLE THREADER The needle threader may be purchased separately at your local Singer Sewing Center. Thread the machine in the usual way up to the needle, then follow the instructions below. • Turn hand wheel toward you to raise needle to its highest position. • Lower the presser
  • Singer 1 One | Instruction Manual 4 - Page 17
    the bobbin as it fills. Do not allow thread to wind beyond the outside FULL ring. 4. Close slide plate to release bobbin latch to sewing position. To start sewing, pull thread back under presser foot and cut. Place threads diagonally under foot to right or left side, position needle in fabric where
  • Singer 1 One | Instruction Manual 4 - Page 18
    Removing Bobbin changing the bobbin 4i> Open Slide Plate and Move Bobbin Latch to Left REMOVING THE BOBBIN Raise take-up lever to its highest position. 1. Open slide plate; move bobbin latch to left. 2. Remove bobbin by inserting fingernail un- der rim of bobbin. Lift Out Bobbin Replacing Empty
  • Singer 1 One | Instruction Manual 4 - Page 19
    or three inches of free thread. (Leave slide plate open.) RAISING THE BOBBIN THREAD Set stitch width dial at 1. Move bobbin latch to right (sewing position). Hold needle thread lightly with left hand and turn hand wheel slowly toward you so the needle enters plate. 2. Continue turning hand wheel and
  • Singer 1 One | Instruction Manual 4 - Page 20
    below NORM, are also provided. Generally lighter than normal pressure is best for thick, soft fabrics. See page 45 for adjusting pressure when sewing knits. Lower the presser foot before setting pressure. • To increase pressure, turn dial from NORM toward MAX. • To decrease pressure, turn dial from
  • Singer 1 One | Instruction Manual 4 - Page 21
    the number of straight stitches per inch: the higher the number, the shorter the stitch. Generally, shorter stitches are best for lightweight fabric; longer ones for heavy fabric. Curved seams, bias-cut seams, and scallops require short straight stitches (15 to 20) for elasticity and smooth contours
  • Singer 1 One | Instruction Manual 4 - Page 22
    Used Pins Nip into Fabric at the Stitching Line High Position Pin Placement When Seam Guide is Not Used sewing a seam PIN BASTING Pin basting is a time saver and can be used when you sew easy-to-handle fabric. Use fine pins and place them so that: . They are at right angles to
  • Singer 1 One | Instruction Manual 4 - Page 23
    -length dial all the way down and hold in place. • Start machine and backstitch to edge of fabric. (Do not sew beyond edge of fabric.) • Release the stitch-length dial and sew in forward direction. Raise Presser Foot Draw Threads Under Foot Starting Away from Fabric Edge ii Stitching to End of
  • Singer 1 One | Instruction Manual 4 - Page 24
    Using Guidelines Stitching Line 43 3456 Using Seam Guide for Extra-Wide Seam Pivoting at Corner Cornering Crossline Fabric at Crosslines KEEPING SEAMS STRAIGHT To keep the seam straight, use one of the numbered guidelines on the plate. The numbers indicate distance, in eighths of an inch, from
  • Singer 1 One | Instruction Manual 4 - Page 25
    it at an angle so that the edge that is closer to the needle acts as a guide. REINFORCING END OF SEAM 1. Stitch to the edge of the fabric. (Do not sew beyond edge of fabric.) 2. Press stitch-length dial all the way down and hold in place. Backstitch approximately 1/2 inch to reinforce
  • Singer 1 One | Instruction Manual 4 - Page 26
    Flexi-Stitch patterns. Your sewing machine has ten built-in discs and your accessory set contains six interchangeable discs (one of which is in place purposes. In the section called "Sewing the Professional Way," beginning on page 41, you will find instructions for both decorative and practical
  • Singer 1 One | Instruction Manual 4 - Page 27
    and right stitching position at stitch widths less than 5. Center setting /-N- . is used most often. Right is required for buttonholing and left O for button sewing or I setting can be used for placing narrow zig-zag stitching to the left or right of center in decorative work. To set needle position
  • Singer 1 One | Instruction Manual 4 - Page 28
    be. The symbol on the dial above 20 designates the FINE stitch area and is used for adjusting satin stitching (see page 54 for specific instructions). For Flexi-Stitch Patterns When you use a Flexi-Stitch pattern, set the stitch length dial in the 6 to 8 area indicated by the yellow band. The
  • Singer 1 One | Instruction Manual 4 - Page 29
    pattern unit when using a built-in stitch To start stitching one of the built-in Fashion Stitch or Flexi-Stitch disc patterns . If adjustment is required, stitch slowly and move the stitch-balance dial as you sew. NOM I MM Incorrect Correct Incorrect Turn the dial slowly to left (-wmi symbol)
  • Singer 1 One | Instruction Manual 4 - Page 30
    Insert the desired disc (see next page for instructions) and set pattern-selector pointer over Adjust needle Stitch - Finishes and decorates in one operation. Makes shadow hems, attaches Stitch - For heavy-duty, general-purpose stretch sewing. Also reversible topstitching. 75 75 Tulip Stitch -
  • Singer 1 One | Instruction Manual 4 - Page 31
    Finding the Beginning of a Pattern Unit When Using A Disc To start stitching one of the Fashion Stitch or Flexi-Stitch disc patterns at its beginning, align the Thread the needle and start to sew. F Set Pattern Selector on © to Sew Patte Start Indicators Starting at Beginning of Pattern Unit 25
  • Singer 1 One | Instruction Manual 4 - Page 32
    backing. preparation 1. Clip detachable spool pin to guide post as shown. 2. Thread machine as instructed on page 9, making certain thread passes on right spool of thread on detachable spool pin and thread machine as for one-needle stitching except: • Pass thread on left side of tension disc.
  • Singer 1 One | Instruction Manual 4 - Page 33
    -Zag Zig-Zag Zig-Zag Zig-Zag Zig-Zag Speed Setting MIN MIN MIN MIN 11-CAUTION: Do not use a stitch width greater than 2.5 when sewing with twin-needle. A wider stitch will result in needle breakage. MIN MIN 27
  • Singer 1 One | Instruction Manual 4 - Page 34
    job, considering the weight of your fabric and how securely the pieces need to be held together. A few of the many sewing jobs for which you will find speed basting particularly useful are: • Joining seams for trial fittings. • Marking construction guidelines. • Basting pleats, hems, and seams
  • Singer 1 One | Instruction Manual 4 - Page 35
    stitch settings. If you insert a wound bobbin instead of winding a new one, set the stitch-width dial on A to raise the needle thread through for seam bast- FINE ing) and proceed as for regular sewing. 20 Stitch slowly, supporting the fabric in front and back of the presser foot if stitches
  • Singer 1 One | Instruction Manual 4 - Page 36
    chainstitch. The bobbin-case insert No. 171438-451 may be purchased separately at your local Singer Sewing Center. Here are a few of the many sewing jobs for which you will find chainstitching useful. • Sewing temporary hems and tucks to extend the life of children's clothes. • Hemming curtains and
  • Singer 1 One | Instruction Manual 4 - Page 37
    seam, ending with needle in fabric. Do not attempt to stitch in reverse or sew off the fabric edge. • Raise presser foot and turn hand wheel to raise take fabric to the underside and form a temporary lock. • Instructions for releasing the chain from the machine without forming a temporary lock in
  • Singer 1 One | Instruction Manual 4 - Page 38
    sometimes called French tacks), belt loops and chains for cording buttonholes, normally time - consuming hand-worked finishes, can be quickly chainstitched. To produce a chain, stitch on paper for desired length, remove work from machine and tear paper away from the stitching. Follow instructions on
  • Singer 1 One | Instruction Manual 4 - Page 39
    zag or straight stitch plate (see page 5). Close slide plate. • Unthread chainstitch eyelet in take-up lever and rethread for regular sewing. ICa t, ) 541 1\ lil t 143G, (7, \\\\ Removing the Stitching c. Cutting Last Loop 2 Picking Up Free Thread End 3 Post Removing Straight-stitch Plate after
  • Singer 1 One | Instruction Manual 4 - Page 40
    . FORMING A THREAD SHANK Buttons sewn on coats and jackets should have a thread shank to make them stand away from the fabric. To form a thread shank, sew over the blade of a regular machine needle. • Position button and lower button foot. Place needle in groove of foot so that point enters the hole
  • Singer 1 One | Instruction Manual 4 - Page 41
    , as shown. • Mark the ends of each buttonhole horizontally across the center line basting and use the center line marking as the buttonhole guide when stitching. Finished Edge of Garment Center Line Bbttohliole Diameter:of Button Center Line of Garment IC II Horizontal Placement on Crosswise Grain
  • Singer 1 One | Instruction Manual 4 - Page 42
    filled after the buttonhole foot is attached. 2. Attach the zig-zag plate and one-step buttonhole foot. Then pull down buttonhole lever. • To attach one-step buttonhole foot, place buttonhole foot behind the needle, then guide it forward. Center the foot under the shank and lower the presser foot
  • Singer 1 One | Instruction Manual 4 - Page 43
    speed (and use the same rate of speed for each buttonhole you sew). • Stop machine when stitching starts to overlap the starting bar tack. Move stitch-width dial to /\ setting and take one or two fastening stitches. • Remove work from machine, clip thread ends, and cut button opening. For additional
  • Singer 1 One | Instruction Manual 4 - Page 44
    lever for a new start. If you make a false start when sewing a buttonhole in your garment, simply remove the work and complete bracketed area. Generally, short stitches are best for lightweight, woven fabric; longer ones for heavier fabric and knits. Set dial in center of buttonhole symbol for your
  • Singer 1 One | Instruction Manual 4 - Page 45
    dial very slightly toward the 2 setting. Adjusting Width of Button Opening Adjusting Length of Button Opening The length of the button opening in one-step buttonholes is controlled by the button-carrier clamp. If the button will not pass through the button opening of your test buttonhole, remove
  • Singer 1 One | Instruction Manual 4 - Page 46
    forward, between foot and underplate, and secure end in left notch. Procedure • Insert cord in buttonhole foot as shown and sew buttonhole in the usual way (see page 37 for one-step buttonholes). • When stitching is completed, release cord from foot and remove work by drawing it to the back of the
  • Singer 1 One | Instruction Manual 4 - Page 47
    in your Singer Sewing Center, you will find many different kinds of zippers, one of which will be just right for whatever you wish to sew. How the zipper is inserted will depend on the type of garment and the location of the zipper. The zipper package will contain easy-to-follow instructions. And
  • Singer 1 One | Instruction Manual 4 - Page 48
    Length: 6 to 12 • Zig-Zag Plate • Zig-Zag Foot • Blindstitch Hem Guide Blindstitching takes a little practice, so make a test sample first. Raise take-up lever Position hem under foot with soft fold resting against wall of guide. Make sure flange of guide is between the soft fold and top of hem. 5.
  • Singer 1 One | Instruction Manual 4 - Page 49
    be made in the usual way on your sewing machine. That is, you begin stitching at the wide end of the dart, stitch to the point, and then fasten the two thread ends. However, thanks to the push-button bobbin, you can avoid the problem of fastening the thread ends by making
  • Singer 1 One | Instruction Manual 4 - Page 50
    knits, tricot, jersey, and elastic, choose one of the stitch patterns that build stretch into the seam. A wide variety of stitches is available. See table below. Remember to use a ball-point Yellow Band needle in the machine when you attach elastic or sew knit or stretch fabric. STRETCH STITCH
  • Singer 1 One | Instruction Manual 4 - Page 51
    , Flexi-Stitch patterns cannot be reversed (back-tacked). To start sewing with a Flexi-Stitch pattern, draw needle and bobbin threads under foot your seam. GUIDING AND SUPPORTING FABRIC Most stretch and knit fabrics need only to be guided in front of the presser foot when you use one of the stretch
  • Singer 1 One | Instruction Manual 4 - Page 52
    the speed controller. 2. Lower the presser foot and start machine, holding the thread ends as the first few stitches are made. 3. Guide fabric lightly as you sew, letting the machine make the back-and-forth stitches that give s-t-r-e-t-c-h to the seam. 4. Press seam after stitching as when using the
  • Singer 1 One | Instruction Manual 4 - Page 53
    knit or stretch fabric and adjust pressure as instructed on page 45. Adjusting Stitch Length Maxi- stitches are made. Maxi-Topstitched Jacket • Guide fabric lightly, letting the machine make the presser foot, to assist feeding. This type of support is essential for heavy or dense fabrics. CAUTION
  • Singer 1 One | Instruction Manual 4 - Page 54
    Seams in knit and stretch fabrics can be joined and finished in one operation when you use the overedge stretch stitch. Procedure Make a test seam in your test, and use a ball-point Yellow Band needle if you are sewing a synthetic knit fabric. • Baste the garment together on the seam line allowing
  • Singer 1 One | Instruction Manual 4 - Page 55
    of the pat- tern penetrate the basted seam line. • Press after stitching and trim away excess fabric to produce a narrow seam edge. When the seam supports the garment, omit the trimming step. FINISHES FOR HEMS AND FACINGS Hems and facing edges in knit and stretch fabrics will be less apt to
  • Singer 1 One | Instruction Manual 4 - Page 56
    guide your selection. Refer to page 52 for specific instructions on how to use the Even Feed foot and page 44 for instructions on sewing knit PLAIDS and STRIPES Control seam tension manually by holding fabric taut as it passes under the presser foot. Sew at moderate speed. Cut fabric pieces
  • Singer 1 One | Instruction Manual 4 - Page 57
    seams - Hold ends of needle and bobbin thread when you begin to stitch - Support fabric while stitching. See page 45. Remove beads from seam allowance - Baste seam FABRIC - cashmere, mohair, camel hair Cut with nap running down - Sew in direction of nap - Topstitch to hold seams and edges flat. 6-
  • Singer 1 One | Instruction Manual 4 - Page 58
    Blanket binding and pleats Do Not Use It When: • Speed Basting • Sewing with Flexi-Stitch patterns Preparing Fabric The Even Feed foot will not correct or rib (of knits) is true when you cut your garment. If you are sewing a stripe, plaid, or print, cut fabric pieces to match exactly at the seam
  • Singer 1 One | Instruction Manual 4 - Page 59
    when you start to stitch. • After just a few stitches, release thread ends and remove pin used to secure fabric. Guide fabric lightly under foot. Do not overhandle. For a reinforced sewing start, place work so that needle hole in foot is approximately 1/2 inch in from starting edge of fabric; hold
  • Singer 1 One | Instruction Manual 4 - Page 60
    FINE Stitch Length in FINE Area FINE 0 As Dial Is Turned, Stitches Close Up Tension Dial Incorrect Correct Adjusting Thread Tension decorative touches SATIN STITCHING Satin stitching, a series of closely spaced zigzag stitches that form a smooth, satin-like surface, is useful for both practical and
  • Singer 1 One | Instruction Manual 4 - Page 61
    APPLIQUE Appliqué adds beauty and interest to clothing and household linens. You can create your own design, trace a simple outline from a coloring book, or use a motif cut from a printed fabric. Fabrics of like or different texture combine equally well. A closely spaced zig-zag stitch is most
  • Singer 1 One | Instruction Manual 4 - Page 62
    and zig-zag stitch width is varied by the direction of hoop movement. The hoop should be one designed for machine use. • Stitch: Plain Zig-Zag I (or Straight Stitch I ) stitches, as well as short ones for unique decorative effects. 1. Attach feed cover plate, as instructed on page 5, and set machine
  • Singer 1 One | Instruction Manual 4 - Page 63
    one or more rows of stitching along collars, lapels, facing edges, hems, pockets, seams, etc. For interest, use a decorative stitch. To keep stitching at an even distance from the fabric edge, use the seam guide inch, is usually best. • Sew at moderate speed. Topstitching with Leaf Stitch Thread
  • Singer 1 One | Instruction Manual 4 - Page 64
    in length. 7. When opening is filled, cover area with crosswise lines of stitching. Darning without Embroidery Hoop Darning with Embroidery Hoop tFor best results, Flip & Sew panel should be up when darning with embroidery hoop. 58
  • Singer 1 One | Instruction Manual 4 - Page 65
    are just as useful for mending as they are for creative sewing. The multi-stitch zig-zag, forms a firm, flexible bond accessories as for mending a tear. 1. Fit elastic for desired snugness at waistline, allowing one inch for joining. Lap ends to form a band and straight stitch together as shown.
  • Singer 1 One | Instruction Manual 4 - Page 66
    . Do not watch needle. • After you have sewn along the drawn line, carefully remove paper from under presser foot. If you have correctly guided the paper while sewing, the stitched line will be centered. Notice that the stitching lies evenly on the drawn line. Try a paper sampler using a variety of
  • Singer 1 One | Instruction Manual 4 - Page 67
    on the following pages. You will discover many more for yourself. r- To convert to free-arm sewing, simply press down on corner of Flip & Sew panel on sewing machine with heel of right hand. To raise Flip & Sew panel, place hand under panel and lift up until it locks into place. A click will be
  • Singer 1 One | Instruction Manual 4 - Page 68
    surface without being pulled out of shape, so you can handle the stitching area easily. Button sewing instruction is given on page 34. SLEEVES Free-arm sewing takes the difficulty out of stitching a sleeve. The armhole rotates smoothly under the needle so that you can place stitching accurately
  • Singer 1 One | Instruction Manual 4 - Page 69
    EDGE FINISHES The free-arm surface makes it easy to finish sleeves, pant legs and waistlines. These circular garment areas rotate smoothly around the sewing surface, giving you full visibility and control as you blindstitch hems, attach elastic, or topstitch cuffs. 63
  • Singer 1 One | Instruction Manual 4 - Page 70
    for darning, mending or patching when the freearm surface is used. The sewing surface fits inside the enclosed sleeve and leg areas, making it unnecessary to open seams or roll the garment. For darning, follow the instructions on page 58 and refer to page 59 for mending information. BAR TACKS
  • Singer 1 One | Instruction Manual 4 - Page 71
    your personal measurements This chart will enable you to keep a record of your measurements. You will need the assistance of someone to help you to take the measurements carefully with an accurate tape measure. The illustrations show where tape measure should be placed when taking each measurement.
  • Singer 1 One | Instruction Manual 4 - Page 72
    bar • Take-up lever and thread guides • Machine surface. (If necessary, dampen plate, remove bobbin, and remove plate as instructed on page 5. With the lint brush, SINGER representative, or Approved Dealer, will examine the permanently lubricated parts whenever your sewing machine requires servicing
  • Singer 1 One | Instruction Manual 4 - Page 73
    changing the light bulb CAUTION: Before changing light bulb, make sure you have disconnected power-line plug from electrical outlet. When changing to a new bulb be sure to use a 15-watt bayonet base bulb only. REMOVING BULB Using thumb and forefinger of right hand, pull down on tab located under
  • Singer 1 One | Instruction Manual 4 - Page 74
    sewing problem, review the sewing operation you are performing. If the problem a ball point Yellow Band* needle to sew knit or stretch fabrics. If fabric puckers: presser foot when you start to sew. • Bobbin-case area is free presser bar. • Fabric being guided or supported behind the needle is not
  • Singer 1 One | Instruction Manual 4 - Page 75
    sewing machine and enable you to give your sewing that extra professional touch. The ones described below are just a few of the complete selection available at your local Singer Sewing No. 381116 The Professional* Buttonholer sews six kinds of buttonholes, plus eyelets, in a wide variety of
  • Singer 1 One | Instruction Manual 4 - Page 76
    Guide Blindstitch Hems Bobbin Raising Bobbin Thread Removing Bobbin Removing Thread Replacing an Empty Bobbin Replacing a Wound Bobbin Winding Built-in Stitches Buttonholes One Flexi-Stitch Discs Free-Arm Sewing Free-motion Embroidery Guiding and Supporting Fabric Interchangeable Discs Length of
  • Singer 1 One | Instruction Manual 4 - Page 77
    Machine in the space provided. Refer to illustration at right for location of serial number on your machine. Serial No. Serial No Enjoy Sewing! If you have any questions, please write to: The Singer Company Consumer Affairs Department 321 First Street Elizabeth, N.J. 07207 'A Trademark of THE
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