TASCAM DM-24 Installation and Use Effects Manual

TASCAM DM-24 Manual

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  • TASCAM DM-24 | Installation and Use Effects Manual - Page 1
    DM-24 Digital Mixing Console to EFFECTS MANUAL
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 2
    Works Reverb General parameters 20 INTYPE 20 INPUT 20 OUTPUT 20 MIX 20 Balance controls 20 I/R 20 TAIL 20 High-cut filter 21 HICUT 21 ATT 21 Space 6 - TASCAM effects Common parameters 26 INPUT 26 MIX 26 OUTPUT 26 Effect parameters 26 Preset effect settings 27 2 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 3
    mode. Press the EFFECT key followed by soft key 1 (PATCH) to bring up the patch screen as shown here. NOTE When using the DM-24 in high sampling frequency mode, only one effect is available, and only one effect (EFFECT keys, dial and ENTER key to set the value for each input. TASCAM DM-24 Effects 3
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 4
    the choice of the input source, and in the case of the aux sends by the settings made in the I/O screens. Example 1 (Loop/insert setting with 1=mono input and 2=stereo input In this example, the delay line is fed a pair of overhead mics has been set up to record a drum kit). 4 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 5
    , the effect is placed in a loop. The effect output with this setting is assigned to a channel using the I/O screens (see "Signal sources" on page 36 of the main manual). If a channel has already been assigned to take its input from an internal effect, this channel is shown TASCAM DM-24 Effects 5
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 6
    the effect 2 output is assigned to a channel (set using the I/O screen). This insert is made pre stereo master fader. The outputs are automatically see "Assignable sends and returns" on page 43 of the main manual). If they have been set to send/return loops, a popup L. 6 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 7
    (in the top row of PODs) an input and an output level control. The speaker modeler has (in the top row of PODs) an input control. The reverb and the other (TASCAM) effects all have (in the top row of PODs) an input and output level control, as well as a mix (wet/dry) control. TASCAM DM-24 Effects 7
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 8
    DM-24-Changing parameters NOTE On account of unavoidable processing delays, it is recommended that the mix control effect parameters screen, press soft key 4 (the EFF...LIB key) to bring up the library screen. This manual for details of how to name and manage library entries. 8 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 9
    This section provides some tips and pointers on how to best set up the DM-24 in order to avoid any such possible problems. Default snapshot settings The default mix snapshot returns the outputs from effect 1 as well as to the buss insert return (as in the screen shot above). TASCAM DM-24 Effects 9
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 10
    from their send/return loop setting to an insert setting. Press soft key 4 to access the assignable output screen: Assignable send/returns 1 and 2 should be set to the insert mode. The insert channels (that is, informing you that return 1 is currently assigned to channel 29. 10 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 11
    modeling NOTE All names of microphone manufacturers and microphone model designations appearing in this manual and on the DM-24 are used solely to identify the microphones analyzed in the development of the digital will not put the missing bass back into the recording. TASCAM DM-24 Effects 11
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 12
    Increasing this input level to obtain the highest possible non-clipping meter level does not result in the improve- Selecting the source means that this is the model of microphone with a supplied windscreen (thereby affecting the acoustic characteristics of the microphone). TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 13
    model, the final result of the modeler will be the input source, with the addition of any tube saturation added by the modeler (see below). TASCAM DM-24 Effects 13
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 14
    cannot be used to add the frequencies that were lost by the off-axis recording. Use the Preserve Source controls (PODs 1 and 2, second row) to select the portion of the source microphone that you want to keep is not increased to the point where digital distortion occurs. 14 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 15
    here are available for the DM-24 microphone modeler. In the display, typically parameters and names are shown as given here, but the spacing of words on screen may sometimes differ from those none none none none cardioid / hypercardioid / wide cardioid / figure 8 / omni none TASCAM DM-24 Effects 15
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 16
    none cardioid / omni cardioid / figure 8 /omni cardioid / omni cardioid / hypercardioid / omni none none none cardioid / omni cardioid / omni none none none none none none 16 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 17
    none cardioid / omni Updating microphone models The modeler provides up to 100 models of microphone. More may be made available in the future through the TASCAM Web site. Consult your dealer for availability. TASCAM DM-24 Effects 17
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 18
    types on which your final project will be played, and for which you may not have space in your control room (or where it may be inconvenient to reproduce the sound-for example, not many people will wish to with the whole effect bypassed in order to achieve the closest match. 18 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 19
    tonal characteristics of a certain type of speaker and environment, allowing you to "field-test" your project for a particular purpose without even changing your speaker system. TASCAM DM-24 Effects 19
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 20
    1% steps. right balance of these reflections from 50 through 0 to 50. TAIL This stands for "reverb tail"-the final decay of the reverb sound. POD 2 controls the left/right balance of these sounds from 50 through 0 to 50. 20 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 21
    be used to cut off the upper frequencies of the reverb signal. Use PODs 3 and 4 on row 2 of the screen. HICUT Sets the frequency at which the filter oper- ates. Use POD 3 to select a value. The lower limit is 20 Hz and 16 kHz. Use PODs 1 and 3 on row 5 to set these values. TASCAM DM-24 Effects 21
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 22
    Pre-delay settings The bottom row of the screen allows different delay settings to be made. experimentation will soon make it clear what the different parameters actually control in terms of the sound produced. The preset library entries Ambi-Bright 2 Ambi-Bright 3 Ambi-Dark 22 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 23
    Surface FX-WetAfterTaste FX-W.A.T w/Rain FX-Wood Floor Tunn-Bright Tunn-Dark Tunn-Tube Hall-Big Bright Hall-Big Clear Hall-BigPredelay Hall-Big Warm TASCAM DM-24 Effects 23
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 24
    Perc-Small Clear Perc-Small Room Perc-Small Warm Plat-Big Bright Plat-Big Clear Plat-Big Warm Plat-Tight Room-Bathroom Room-CD Master 24 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 25
    this is the way in which the microphone and speaker modelers are selected 100 Antares AMM-1 Antares AMM-1 101 Antares SP modeler Antares SP Model TASCAM DM-24 Effects 25
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 26
    TASCAM effects The general effects provided within the DM-24 as described in "Internal Effects on the DM-24" on page 3 may be used either as in-line inserted effects, or as part of an effect loop, using aux send and returns. Common parameters There are three parameters on the top row of the screen
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 27
    6 - TASCAM effects-Preset effect settings Soft Compressor Threshold Ratio -40 dB to -1 dB 1:1.00 to 1:∞ (40 steps) Attack Time 0.05 s to distorted vocals. Suitable for 70s rock music. Another kind of rock-type distortion. A sweet-sounding distortion for backing work. TASCAM DM-24 Effects 27
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 28
    . A cheap and cheerful distortion sound. A lead solo distortion sound. Somewhat bass-heavy driving sound. A powerful driving sound. Driving sound with a lot of treble. "Humbucker" solo sound. "Crunch" A thick, this sound with guitars. Use with fast passages from bass guitar. 28 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 29
    6 - TASCAM effects-Preset effect settings Effect type Preset No. Title LCD indication Comments 54 Bass Phaser 2 Bass Phaser 2 " chorus sound. 90 Ensemble 2 Ensemble 2 A chorus sound with a strong tremolo. 91 Ensemble 3 Ensemble 3 Another kind of ensemble sound. TASCAM DM-24 Effects 29
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 30
    6 - TASCAM effects-Preset effect settings Effect type Preset No. Title LCD indication Comments 92 Clean Chorus 1 Clean Chorus 1 A light chorus 126 Deep Flanger Deep Flanger A deep flanger setting. 127 Metallic Tone Metallic Tone A flanger setting giving a metallic tone. 30 TASCAM DM-24 Effects
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 31
  • TASCAM DM-24 | Installation and Use Effects Manual - Page 32
    » DM-24 TEAC CORPORATION Phone: (0422) 52-5082 3-7-3, Nakacho, Musashino-shi, Tokyo 180-8550, Japan TEAC AMERICA, INC. Phone: (323) 726-0303 7733 Telegraph Road, Montebello, California
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DM-24
Digital Mixing Console
to
EFFECTS MANUAL