TASCAM DM-24 Application-Specific Documents DM-24 with Digi 001
TASCAM DM-24 Manual
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- TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 1
Recording and mixing with the DM-24 and Digi 001 The combination of the TASCAM DM-24 and the Digi 001 make for a very powerful system. While the 001 provides 32 audio tracks in Pro Tools and audio I/O, the DM-24 provides 16 mic pres, 24-bit A/D converters, compressors, gates, 4-band parametric EQ, - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 2
WORD CLOCK In this example the 001 will be the wordclock master. On the I/O page set D-1 IN to RCA (S/PDIF.) On the DM-24 DIGITAL-CLOCK page, set the DM-24 to clock to the D-1 IN (RCA.) - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 3
SETTINGS In the example below, theDM-24 has mic/line inputs 1-8 assigned to channels 1-8. These channels are set to DIRECT OUT. Notice that RETURN C: ADAT trk 1-8 is also chosen for this group - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 4
outputs. INPUTS OUTPUTS You must also assign your outputs. This is where you decide what tracks you want to mix in the DM-24, and what tracks you want to mix in Pro Tools. In the example below the Tambourine is sent to analog output 5, the Bass is being - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 5
In the example below, channels 17-32 are setup to receive 14 tracks from the 001 - 8 tracks via ADAT digital I/O and 6 tracks from the analog I/O. These channels are all assigned to the stereo buss of the DM-24. The stereo buss of the DM-24 is sent to the S/PDIF Digital Output 1. - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 6
In Pro Tools, create a stereo aux input. Set the input to S/PDIF. This is where the stereo buss signal of the DM-24 is sent to Pro Tools. This signal is assigned to the Pro Tools stereo buss. INPUTS OUTPUTS Assign channels 15 and 16 to D IN 1-L and D IN 1-R. - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 7
the MONITOR page assign SEL 1 to BUSS 1-2. Press the SEL 1 key in the Control Room section to Monitor this section. This is how you route audio with this system Tools stereo buss, not back to the DM-24 for submixing. If the track IS being sent back to the DM-24 for submixing, you should setup a post - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 8
Tools First, you must have an OMS setup which has MIDI I/O connected between the 001 and the DM-24 (HUI). As a device: Manuf: Mackie Model: other Device ID: 0 Name HUI Receives MTC is checked Is Controller is checked Receives on CH 1 In Pro Tools Session Startup window MTC to Port is checked and - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 9
Under SETUPS-PERIPHERALS-MIDI CONTROLLERS #1 TYPE is HUI Receive from HUI Send to HUI Channels 8 On the DM-24 EXTERNAL CONTROL page HUI EMULATE ID 01 MIDI RX checked. - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 10
On the MACHINE CONTROL page HUI EMULATE ID 01 TRA checked and REC 1-8. On the OPTION-SYNC/TC page I have SYNC SOURCE and MIDI IN MTC checked. This allows the DM24 automation to be triggered by the MTC sent from Pro Tools. - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 11
settings for all channels viewed on the encoders on the LCD screen. Press ENTER and PAN will flash. This simply removes PAN control from the POD knobs. Moves made with the HUI emulation are recorded in Pro Tools automation, NOT with the DM-24 automation. MTC sent from Pro Tools is used to trigger - TASCAM DM-24 | Application-Specific Documents DM-24 with Digi 001 - Page 12
Recording and mixing with the DM-24 and Digi 001
The combination of the TASCAM DM-24 and the Digi 001 make for a very powerful system.
While the
001 provides 32 audio tracks in Pro Tools and audio I/O, the DM-24 provides 16 mic pres, 24-bit A/D
converters, compressors, gates, 4-band parametric EQ, and DSP effects like TC Works reverb, and
Antares mic/speaker modelers.
This document will show you how to use this combination for recording and mixing.
You will be able to
record up to 8 tracks simultaneously via ADAT I/O.
You will be able to submix 14 tracks within the DM-
24.
Each of the 14 channels will have a compressor, a 4-band parametric EQ and 6 aux sends.
The aux
sends can be used with the two internal effects processors and with outboard effects processors.
You
will also have access to the snapshot recall and dynamic automation. This takes the stress off of your
computers CPU leaving you more resources to run your favorite plug-ins and automation in Pro Tools.
This 14 track submix will be sent back to Pro Tools via S/PDIF where it will join the Pro Tools stereo buss
signal.
The Pro Tools stereo buss signal is sent back to the DM-24 via S/PDIF where it is monitored via
your powered speakers.
This document will also show you how to use HUI emulation.
This allows the DM-24 to be a powerful
control surface for Pro Tools as well.
HOOK UP
1.
Connect an ADAT lightpipe cable between the OUT of the DM-24 and the IN of the 001.
2.
Connect an ADAT lightpipe cable between the IN of the DM-24 and the OUT of the 001.
3.
Connect an S/PDIF cable between the OUT of the DM-24 and the IN of the 001.
4.
Connect an S/PDIF cable between the IN of the DM-24 and the OUT of the 001.
5.
Connect a MIDI cable between the OUT of the DM-24 and the IN of the 001.
6.
Connect a MIDI cable between the IN of the DM-24 and the OUT of the 001.
7.
Connect a ¼” cable between outputs 3-8 of the 001 to line inputs 11-16 of the DM-24.