Yamaha MG166C Owner's Manual
Yamaha MG166C Manual
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Yamaha MG166C manual content summary:
- Yamaha MG166C | Owner's Manual - Page 1
Channels page 12 With up to 16 (MG166CX/MG166C: 10) mic/line inputs or up to four stereo inputs, the MG mixer can simultaneously connect to a wide range of devices: microphones, line-level devices, stereo es micro/ligne (MG166CX/MG166C: 10) ou quatre entrées stéréo maximum, la console de mixage MG - Yamaha MG166C | Owner's Manual - Page 2
used according to the instructions found in the users manual, may cause interference harmful Yamaha Corporation of America or its subsidiaries. * This applies only to the MG166CX distributed by YAMAHA CORPORATION OF AMERICA, not the MG206C/MG166C. (class B) 2 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 3
damage to the device(s), or even fire. • Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it. (5)-4 1/2 MG206C/MG166CX/MG166C Owner's Manual 3 - Yamaha MG166C | Owner's Manual - Page 4
components. The MG mixer may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that the panel temperature may exceed 50°C in ambient temperatures higher than 30°C, and use caution to prevent burns. * This Owner's Manual applies to the MG206C/MG166CX/MG166C. The main - Yamaha MG166C | Owner's Manual - Page 5
Yamaha MG206C/MG166CX/MG166C mixing console. The MG206C/MG166CX/MG166C feature input channels suitable for a wide range of usage environments. And the MG166CX includes high-quality built-in digital effects that can provide some very serious sound. The mixer combines ease of operation with support - Yamaha MG166C | Owner's Manual - Page 6
2 Microphones, instruments 2 Speakers Power Amp 2, 4 Headphones Monitor Speakers 3 PHANTOM switch 4, 7 Level meter PAN/BAL switches 5 ON switches 4 PFL switches 5 ST switches 1, 7 Channel faders 1, 6, 7 STEREO OUT Master fader 1, 3 POWER switch 6 MG206C/MG166CX/MG166C Owner's Manual MG206C - Yamaha MG166C | Owner's Manual - Page 7
STEREO OUT Master fader. NOTE • To use the level meter to view the level being applied to the STEREO L/R buses, set the PFL switch off ( ) and the MONITOR switch to STEREO ( ). • If the PEAK indicator lights frequently, lower the Channel faders a little to avoid distortion. MG206C/MG166CX/MG166C - Yamaha MG166C | Owner's Manual - Page 8
A mixer may be required to handle signals at a wide range of levels, and it is necessary match input and output levels as closely as possible. In most cases the "nominal" level for a mixer's input and outputs is marked on the panel or listed in the owner's manual. 8 MG206C/MG166CX/MG166C Owner - Yamaha MG166C | Owner's Manual - Page 9
problems with too much boost is that it adds gain to the signal, increasing noise and potentially overloading the subsequent circuitry. Signal Level (dB) LOW Boost MID Boost LOW Flat MID Flat HIGH Boost HIGH Flat LOW Cut MID Cut Frequency (Hz) HIGH Cut MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 10
Mixer Ambience Your mixes can be further refined by adding ambience effects such as reverb or delay. The MG166CX's internal effects can be used to add reverb or delay to individual channels portion of the audio signal is "time-shifted" and then mixed back with the MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 11
Reference Setup Reference Guitar Bass Microphone DI Rear panel Powered monitor speakers Recorder CD Player Synthesizer Effect processor Powered speakers Effect processor (exciter) Headphones Powered monitor speakers MG206C MG206C/MG166CX/MG166C Owner's Manual 11 - Yamaha MG166C | Owner's Manual - Page 12
Channel Control Section ● MG206C Channels 1 to 8 (Monaural) Channels 9 to 12 (Monaural) Channels 13/14 and 15/16 (Stereo) Channels 17/18 and 19/20 (Stereo) 1 1 2 3 4 5 ● MG166CX/MG166C * A MG166C : EFFECT → AUX3 Channels 1 to 6 (Monaural) Channels 7 and 8 (Monaural) Channels Channels - Yamaha MG166C | Owner's Manual - Page 13
should not be a problem when connecting to an clipping. For XLR-equipped stereo input channels, both the post- channel MID frequency can be adjusted from 250 Hz to 5 kHz. The MID frequency is 2.5 kHz when the MID frequency control is set at the center position. MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 14
to the STEREO bus turn the ON switch on ( ). I Channel Fader Adjusts the level of the channel signal. Use these faders to adjust the balance between the various channels. NOTE Set the fader sliders for unused channels all the way down to minimize noise. 14 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 15
bus. 8 3-4 Switch This switch assigns the effect signal to the GROUP 3/4 bus. 9 ST Switch This switch assigns the effect signal to the STEREO L/R bus. 0 EFFECT RTN Fader Adjusts the signal level sent from the internal digital effect unit to the STEREO bus. MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 16
Reference Front & Rear Panels Master Control Section ● MG206C Rear panel 1 2 34 5 7 9 B H ● MG166CX/MG166C * 1, C MG166C : EFFECT → AUX3 1 4 6 3 6 7 8 5 2 8 0 9 0 A A C C D B D E E H F I F I G G 16 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 17
via the RETURN2 jacks are adjusted using the RETURN2 AUX1, AUX2 and the STEREO controls. * impedance balanced Since the hot and cold terminals of impedance balanced output jacks have the same impedance, these output jacks are less affected by induced noise. MG206C/MG166CX/MG166C Owner's Manual 17 - Yamaha MG166C | Owner's Manual - Page 18
on, the signals are sent to the STEREO L/R bus via the GROUP 1-2 fader or GROUP 3-4 fader. The GROUP 1 and 3 signals go to STEREO L and the GROUP 2 and 4 signals go to STEREO R. I STEREO OUT Master Fader Adjusts the signal level sent to the STEREO OUT jacks. 18 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 19
OUTPUT XLR Jack Ring Sleeve Tip TRS Phone Jack RETURN LINE INPUT (stereo channels) Tip: Hot Sleeve: Ground Sleeve Tip Phone Jack * These jacks will also accept connection to phone plugs. If you use monaural plugs, the connection will be unbalanced. MG206C/MG166CX/MG166C Owner's Manual 19 - Yamaha MG166C | Owner's Manual - Page 20
the equalizers (HIGH, MID and LOW) on each channel. I want to output a monitor signal through speakers. ❑ Connect a powered speaker to the AUX 1, 2 or 3 jack (MG206C), or to the AUX1 or 2 jack (MG166CX/MG166C) and turn the PRE switch on each channel on. Then adjust the output signal by using the - Yamaha MG166C | Owner's Manual - Page 21
STEREO/GROUP/PFL bus PEAK lights if the signal level reaches 3 dB below the clipping level. PA-30 AC 35 VCT, 1.4 A, Cable Length = 3.6 m 40 W 478 mm x 102 mm x 496 mm 6.0 kg All faders are nominal if not specified. Output impedance of signal generator: 150 ohms MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 22
Specifications ■ Input Specifications Input Connectors CH INPUT MIC (CHs 1-12) CH INPUT LINE (CHs 1-12) ST CH MIC INPUT (CHs 13/14-19/20) ST CH LINE INPUT (CHs 13/14, 15/16) ST CH INPUT (CHs 17/18, 19/20 Impedance Appropriate Impedance STEREO OUT (L, R) 75 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 23
Internal Digital Effect (Only MG166CX) LED Level Meter Power Supply Adaptor Power Consumption Dimensions (W x H x D) 20, -25, -30 dB) STEREO/GROUP/PFL bus PEAK lights if the signal level reaches 3 dB below the clipping level. PA-30 AC 35 VCT, 1.4 A, Cable Length = 3.6 m 35 W (MG166CX), 30 W (MG166C - Yamaha MG166C | Owner's Manual - Page 24
Specifications -54 dBu (1.55 mV) -10 dBu (245 mV) -30 dBu (24.5 mV) -20 dBu (77.5 mV) -12 dBu (195 mV) -26 dBV (50.1 mV) Nominal Level Specifications Output Connectors Output Impedance Appropriate Impedance STEREO OUT (L, R) 75Ω 600Ω Lines GROUP jack 78 MG206C/MG166CX/MG166C Owner's Manual - Yamaha MG166C | Owner's Manual - Page 25
■ Dimensional Diagrams (MG206C/MG166CX/MG166C) 444 102 5 478 98 Reference Specifications 488.5 496 ■ Rack Mounting To mount the MG mixer, it requires 12U of rack space. CAUTION If the MG mixer is to be mounted with devices that tend to generate heat, such as power amplifiers, be sure to - Yamaha MG166C | Owner's Manual - Page 26
STEREO L STEREO R GROUP 1 GROUP 2 GROUP 3 GROUP 4 PFL L PFL R PFL CTRL Reference Specifications ■ Block Diagram and Level Diagram (MG206C) 80 MG206C/MG166CX/MG166C Owner's Manual ST CH INPUT (CH17/18, 19/20) HA LINE L [-34 to + SEND 1 MONITOR MIX 1 2 GROUP OUT [+4dBu] 3 4 L STEREO OUT [+4dBu] - Yamaha MG166C | Owner's Manual - Page 27
81 MG206C/MG166CX/MG166C Owner's Manual MIC [-60 to - [-6dBu] BA [0dBu] AUX SEND* [-6dBu] BA MONITOR MIX MODEL MG166C MG166CX AUX * AUX 3 EFFECT 1 2 GROUP OUT [+4dBu] 3 4 L STEREO OUT [+4dBu] R L REC OUT [-10dBV] R [-7.8dBu] Diagram and Level Diagram (MG166CX/MG166C) Reference Specifications - Yamaha MG166C | Owner's Manual - Page 28
Yamaha Yamaha Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 POLAND Yamaha SWEDEN Yamaha Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Yamaha Yamaha - Yamaha MG166C | Owner's Manual - Page 29
Yamaha Pro Audio global web site: http://www.yamahaproaudio.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2007 Yamaha Corporation WJ74360 703POAP7.3-01A0 Printed in China
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Features
Input Channels
...................................................................
page 12
With up to 16 (MG166CX/MG166C: 10) mic/line inputs or up to four
stereo inputs, the MG mixer can simultaneously connect to a wide
range of devices: microphones, line-level devices, stereo
synthesizers, and more.
Compression
......................................................................
page 10
Compression increases the overall level without introducing
distortion by compressing excessive peaks in the signals from
microphones and guitars.
AUX Sends and Stereo AUX Return
.................................
page 16
You can use the AUX SEND jack to feed the signal sent to an
external signal processor, and then return the processed stereo
signal through the RETURN jack.
High-quality digital effects (MG166CX)
....................
pages 15, 19
With digital effects built in, the MG166CX can deliver a wide range
of sound variations all by itself.
Caractéristiques
Canaux d’entrée
.................................................................
page 48
Avec 16 entrées micro/ligne (MG166CX/MG166C: 10) ou quatre
entrées stéréo maximum, la console de mixage MG peut connecter
simultanément une grande variété d’appareils : micros, appareils
de ligne, synthétiseurs stéréo, etc.
Compression
......................................................................
page 46
La compression augmente le niveau général sans engendrer de
distorsion en comprimant les pics excessifs des signaux des
micros et des guitares.
Envois AUX et retour AUX stéréo
.....................................
page 52
Vous pouvez utiliser la prise jack AUX SEND pour envoyer le signal
vers une unité de traitement de signaux externes, puis pour
renvoyer le signal stéréo traité via la prise jack RETURN.
Effets numériques de qualité supérieure (MG166CX)
...pages 51, 55
Grâce aux effets numériques intégrés, la console MG166CX peut
proposer de nombreuses variations de sons.
Funktionen
Eingangskanäle
..................................................................
Seite 30
Mit bis zu 16 Mikrofon-/Line-Eingängen (MG166CX/MG166C: 10)
oder bis zu vier Stereoeingängen können viele Geräte gleichzeitig
am MG-Mischpult angeschlossen werden: Mikrofone, Geräte mit
Leitungspegel, Stereo-Synthesizer uvm.
Kompression
......................................................................
Seite 28
Kompression erhöht den Durchschnittspegel, ohne Verzerrung
hinzuzufügen, indem übermäßige Pegelspitzen der Signale von
Mikrofonen oder Gitarren komprimiert werden.
AUX Sends und Stereo AUX Return
.................................
Seite 34
Von der AUX SEND-Buchse können Sie das Signal einzeln an
einen externen Signalprozessor führen, und das verarbeitete
Stereosignal über die RETURN-Buchse zurück in das Pult führen.
Hochwertige Digitaleffekte (MG166CX)
....................
Seiten 33, 37
Mit den eingebauten digitalen Effekten kann das MG166CX aus
sich heraus eine Reihe von Klangvariationen liefern.
Características
Canales de entrada
.........................................................
página 66
Con un máximo de 16 entradas de micrófono/línea
(MG166CX/MG166C: 10) o cuatro entradas estereofónicas, la
mezcladora MG puede conectarse simultáneamente con una gran
variedad de dispositivos: micrófonos, dispositivos de nivel de línea,
sintetizadores estereofónicos, etc.
Compresión
.....................................................................
página 64
La compresión aumenta el nivel general sin causar distorsión,
mediante la compresión del exceso de picos en las señales de los
micrófonos y guitarras.
Envíos AUX y retorno AUX estereofónico
....................
página 70
Puede utilizar la toma AUX SEND para introducir la señal enviada
en un procesador de señales externo y luego devolver la señal
estereofónica procesada a través de la toma RETURN (retorno).
Efectos digitales de alta calidad (MG166CX)
........
páginas 69, 73
Gracias a sus efectos digitales incorporados, la mezcladora
MG166CX puede producir por sí misma una amplia gama de
variaciones de sonido.
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones