Yamaha PSR-275 Owner's Manual - Page 9
Rear Panel, MIDI IN, MIDI OUT terminals - adaptor
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Panel Controls and Terminals !5 [INTRO/ENDING/rit.] / [ REW] button When the Style mode is selected, this is used to control the Intro and Ending functions. (See page 34.) When the Song mode is selected, this is used as a "rewind" control, or move the song playback point back toward the beginning. !6 [MAIN/AUTO FILL] / [ FF] button When the Style mode is selected, these are used to change auto accompaniment sections and control the Auto Fill function. (See page 39.) When the Song mode is selected, this is used as a "fast forward" control, or move the song playback point toward the end. !7 [TEMPO/TAP] button This button is used to call up the Tempo setting, letting you set the Tempo with the numeric keypad or [+]/[-] buttons. (See page 21.) It also allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. (See page 35.) !8 [SONG] button This is for enabling song selection. (See page 45.) !9 [STYLE] button This is for enabling style selection. (See page 33.) @0 [VOICE] button This is for enabling voice selection. (See page 23.) Holding down this button calls up the Melody Voice Change function. (See page 48.) @1 [HARMONY] button This turns the Harmony effect on and off. (See page 29.) @2 [DUAL] button This turns the Dual voice on or off. (See page 25.) @3 [SPLIT] button This turns the Split voice on and off. (See page 26.) @4 [SUSTAIN] button This turns the Sustain on and off. (See page 30.) I Rear Panel @5 @6 @7 @8 @5 PHONES/OUTPUT jack This is for connection to a set of stereo headphones or to an external amplifier/speaker system. (See page 11.) @6 DC IN 10-12V jack This is for connection to a PA-3C or PA-3B AC power adaptor. (See page 10.) @7 MIDI IN, MIDI OUT terminals These are for connection to other MIDI instruments and devices. (See page 56.) @8 SUSTAIN jack This is for connection to an optional FC4 or FC5 Footswitch for control over sustain, just like the damper pedal on a piano. (See page 11.) 9