Yamaha PSR-510 Owner's Manual - Page 27

q Mode 1: Chord 1 The Chord 1 mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply your own chords for the Auto Accompaniment feature. () Example for "C" chords C CM 6 CM 7 CMadd9 CM9 C6 9 () Cm Cm 6 Cm 7 Cm add9 Cm 9 Cm11 () () CmM9 Cdim Cdim 7 () C7sus4 C7 9 C 7 #11 () () () C 7 b9 C 7 b13 C 7 #9 () C 7 aug Csus 4 C 1+2+5 () () () () () () The PSR-510 will accept the following chord types: () CM7#11 Caug Cm7 b5 CmM 7 C7 C 7 13 CM7 aug () () () () Major [M 1 - 3 - 5 Major sixth [M6 1 - 3 - 5 - 6 Major seventh [M7 1 - 3 - (5) - 7 Major seventh sharp eleventh [M7#11] .. 1 - (2) - 3 - #4 - (5) - 7 Major add ninth [Madd9 1 - 2 - 3 - 5 Major ninth [M9 1 - 2 - 3 - (5) - 7 Major sixth add ninth [6 9 1 - 2 - 3 - (5) - 6 Augmented [aug 1 - 3 - #5 Minor [m 1 - b3 - 5 Minor sixth [m6 1 - b3 - 5 - 6 Minor seventh [m7 1 - b3 - (5) - b7 Minor seventh flatted fifth [m7b5 1 - b3 - b5 - b7 Minor add ninth [madd9 1 - 2 - b3 - 5 Minor ninth [m9 1 - 2 - b3 - (5) - b7 Minor eleventh [m11 1 - (2) - b3 - 4 - 5 - (b7) Minor major seventh [mM7 1 - b3 - (5) - 7 Minor major ninth [mM9 1 - 2 - b3 - (5) - 7 Diminished [dim 1 - b3 - b5 Diminished seventh [dim7 1 - b3 - b5 - 6 Seventh [7 1 - 3 - (5) - b7 Seventh suspended fourth [7sus4 1 - 4 - 5 - b7 Seventh ninth [7 9 1 - 2 - 3 - (5) - b7 Seventh sharp eleventh [7#11] ......... 1 - (2) - 3 - #4 - (5) - b7 Seventh thirteenth [7 13 1 - 3 - (5) - 6 - b7 or 2 - 3 - 5 - 6 - b7 Seventh flatted ninth [7b9 1 - b2 - 3 - (5) - b7 Seventh flatted thirteenth [7b13 1 - 3 - 5 - b6 - b7 Seventh sharp ninth [7#9 1) - #2 - 3 - (5) - b7 Major seventh augmented [M7aug 1 - 3 - #5 - 7 Seventh augmented [7aug 1) - 3 - #5 - b7 Suspended fourth [sus4 1 - 4 - 5 One plus two plus five [1+2+5 1 - 2 - 5 NOTES • Notes in parentheses can be omitted. • A perfect fifth produces accompaniment based only on the root and fifth which can be used with many major and minor chords. • An octave produces accompaniment based only on the root. • If three adjacent keys are played simultaneously (white and black keys), chord accompaniment will be cancelled and only the rhythm accompaniment will sound. (Chord 1/Chord 2 mode) • The chord fingerings listed are all in "root position", but other inversions can be used - with the following exceptions: * M6 chords are only recognized in root position. All other inversions are interpreted as m7. * 6 9 chords are only recognized in root position. All other inversions are interpreted as m11. * m6 chords are only recognized in root position. All other inversions are interpreted as m7b5. * 1+2+5 chords are only recognized in root position. All other inversions are interpreted as sus4. * With aug and dim7 chords the lowest note played is assumed to be the root. * With 7#11 chords the lowest note played is assumed to be the root or b7. 25