Yamaha PSR-630 Owner's Manual - Page 150

148

Refining User Styles with Style File Format

Source Pattern

Z

Source chord root setting

X

Source chord type setting

NTR

(Note Transposition Rule)

C

Note Transposition rule setting

NTT

(Note Transposition Table)

V

Note Transposition table setting

Other Settings

B

Highest Key setting

N

Note range (Low Limit, High Limit) settings

M

Retrigger Rule (RTR) setting

Chord change

Accompaniment

Source Pattern Settings

Z

Source Chord Root setting

X

Source Chord Type setting

Set the key in which the source pattern will be played when the

user style is created. The default setting is CM7. (The source

chord root is “C” and the source chord type is “M7.”

After finishing recording, with the recorded track selected, select

the “S.ChordRoot” sub menu and use the

[–] and [+] buttons or

the Data Dial to select the chord root.

nd°P

oot:A

S.ChordR

After setting the source chord root, select the “S.Chord Type” sub

menu and use the

[–] and [+] buttons or the Data Dial to select

the chord type.

nd°P

ype:m

S.ChordT

See page 150 for the available chord types, chord notes and

scale notes.

•

The SFF settings can be done only when the Record Ready Mode or

Rehearsal Mode is engaged.

•

The SFF settings cannot be made for the RHYTHM 1/2 tracks.

■

Style File (Auto Accompaniment) Format

The Style File Format (SFF) is a compilation of all of Yamaha’s auto

accompaniment know-how into a single unified format.

Since the PSR-730/630 supports the SFF format, you can enjoy

many styles in addition to the 100 preset SFF styles. Just insert a disk

with SFF styles on it into the disk drive and you can load them into the

PSR-730/630.

By using the user style function, you can take advantage of the power

of the SFF format and freely create your own user styles.

With the Auto Accompaniment function, chord changes (transposi-

tions) are applied to the source pattern that forms the basis for the

accompaniment. The “Note Transposition Rule” and “Note Transpo-

sition Table” that are set for each track are used for this. After the

transposition is made, the transposed notes are checked to see if

they can be correctly played within the range of the instrument, then

the accompaniment is played.

The following SFF settings can be executed only after recording each

track (still in the Record Ready Mode or Rehearsal Mode).

NTR (Note Transposition Rule) Setting

C

Note Transposition rule setting

Set the transposition rule for using the transposition table (see

item 4 below) when transposing. There are two types of rules.

Root Transposition Rule

This rule maintains the mutual relationship in pitch between

each note when transposing. Set this for tracks that contain

melody-like phrases.

Root Fixed Rule

To the extent possible, this rule maintains the pitch of each note

in the source pattern. Set it for piano-type or guitar-type chord

picking tracks.

After finishing recording, with the recorded track selected, select

“NTR” from the sub menu and use the [–] and [+] buttons or the

Data Dial to select the transposition rule.

ixed

oooooo

F

NTR:

::::

Section	Page
Cover	1
PRECAUTIONS	3
Congratulations!	4
Important Features	4
Contents	6
Panel Controls	8
The Music Stand	9
Basic Display Operation	10
The Display Icons	10
The Menus	12
Shortcuts	13
Setting Up	14
Power Supply	14
Using An Optional AC Power Adaptor	14
Using Batteries	14
Connections	15
PHONES Jack	15
SUSTAIN Pedal Jack	15
FOOT VOLUME Jack	15
AUX OUT R and L/L+R Jacks	15
MIDI IN/OUT and TO HOST Connectors	15
The Demonstration	16
Playing the PSR-730/630	18
A Word About the “R1”, “R2”, and “L” Voices	18
Selecting & Playing R1 Voices	19
Keyboard Percussion	21
The Dual Voice Mode	21
The Split Voice Mode	22
Changing the SPLIT VOICE Split Point	23
Auto Accompaniment	24
What is Auto Accompaniment?	24
Using Auto Accompaniment	24
Changing Tempo	28
The Beat Indicator	28
Accompaniment Sections	29
Accompaniment Track Muting	30
The Synchro Stop Function	30
Using Virtual Arranger	31
Accompaniment Volume Control	31
Changing the Accompaniment Split Point	32
Interaction Between the AUTO ACCOMPANIMENT and SPLIT VOICE Split Points	33
The Auto Accompaniment Fingering Modes	33
The Stop Accompaniment Function	37
Groove and Dynamics (PSR-730)	37
Applying Groove & Dynamics	38
Arranging the Groove & Dynamics Effect (User Settings)	38
One Touch Setting	42
Digital Effects	44
Reverb	45
Selecting a Reverb Type	45
Reverb Return Level	45
Chorus	46
Selecting a Chorus Type	46
Chorus Return Level	46
DSP	47
Select the DSP Type	47
DSP Return Level	48
Harmony	49
Selecting a Harmony Type	49
Adjusting the Harmony Volume	50
Multi Effect (PSR-730)	50
How Multi Effect Works	50
Applying Multi Effect (PSR-730)	51
Setting Parts for Effect 1/2	51
Select the Effect Type for Effect 1/2	52
Adjust the Dry/Wet Settings for Effect 1/2	52
The Digital Equalizer (PSR-730)	53
Using the Digital Equalizer (PSR-730)	53
Selecting a Digital EQ Type.	54
Setting the Gain (User Setting)	55
The Pitch Bend Wheel	56
Setting the Pitch Bend Range	56
The Modulation Wheel (PSR-730)	57
Changing the Modulation Wheel Function	57
Transpose	58
Setting Transposition	58
Registration Memory	59
Registering the Panel Settings	59
Naming the Registration Banks	60
Recall the Registered Panel Settings	62
The Accompanient Freeze Function	62
The Multi Pads	63
Selecting a MULTI PAD Set	63
Playing the MULTI PADs	64
Turning the CHORD MATCH Function On/Off	65
Disk Operations	66
Floppy Disk Handling Precautions	66
User Song Data	67
User Style/User Pad/Registration Memory Data	67
Data that Can be Saved or Loaded with the PSR-730/630	67
Using Commercially Available Music Collections (Sold Separately)	68
The Sample Disk	68
Format	69
Save	70
Load	72
Disk Copy	74
Song Copy	75
Delete File	77
Song Playback	78
Song Playback Procedure	78
Song Volume Control	80
Play from a Specified Measure	80
Minus-one Practice	81
Repeat Play	82
Song Repeat	83
Next Song	84
Song Recording	85
Quick Recording Procedure	86
Rehearsal Mode	88
Multi Recording Procedure	90
About the Recording with the Digital Effects Applied	92
Punch In/Punch Out	94
Quantize	95
Naming User Songs	96
Clearing Song Data	96
Song Edit	98
Style Recording	100
Style Recording Procedure	100
Rehearsal Mode	103
Drum Cancel	105
Quantize	105
Naming Styles	106
Clearing User Style Data	107
Multi Pad Recording	108
Multi Pad Recording Procedure	108
Naming Pads	111
Clearing User Pad Data	111
Revoicing	112
Revoicing the R1, R2, and L Voices	112
Revoicing a Style	114
Overall Functions	116
Touch Sensitivity	117
Pitch Bend Range	117
Modulation Wheel	117
Master Tuning	117
Scale Tuning	117
Song Transpose	118
Metronome	118
Split Voice Split Point	118
Accompaniment Split Point	118
Fingering Mode	118
Voice Set	118
Pedal	119
MIDI Functions	121
What’s MIDI?	121
MIDI Terminal/TO HOST Terminal	123
What You Can Do with MIDI	123
Connecting to a Personal Computer (TO HOST Terminal/HOST SELECT Switch)	124
Connect using the PSR-730/630 MIDI terminals	124
Connect using the TO HOST terminal	126
The PSR-730/630 MIDI Functions	127
Transmit Channel & Transmit Track	127
Receive Channel & Receive Mode	128
Local Control	129
Clock	130
Initial Data Send	130
MIDI Template	131
Appendix	132
PSR-730/630 Display MENU/SUB MENU Structure	132
Voice List	135
Maximum Polyphony	135
Drum Kit List	142
Style List	144
About Digital Effects (Reverb/Chorus/DSP)	145
When DSP type Is Selected as a System Effect	145
When DSP type Is Selected as a Insertion Effect	146
Harmony Type List	149
Refining User Styles with Style File Format	150
Style File (Auto Accompaniment) Format	150
About the Source Chord Type	152
Troubleshooting	153
Data Backup & Initialization	154
Data Backup	154
Data Initialization	154
MIDI Data Format	155
MIDI Implementation Chart	170
Specifications	173

Yamaha PSR-630 Owner's Manual - Page 150

Refining User Styles with Style File Format, Style File (Auto Accompaniment) Format

Page 150 highlights