Yamaha PSR-630 Owner's Manual - Page 151
NTT Note Transposition Table Setting, Other Settings, Bypas, LowLimit, HighLimi
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,Q,Q,Q,Q,Q,Q,Q,Q,Q,Q,Q,Q,Q,Q Refining User Styles with Style File Format NTT (Note Transposition Table) Setting V Note Transposition table setting Set the table for making the chord change (transposition) in the source pattern. There are 6 tables, as explained below. Bypass No transposition is done. Melody This table is suitable for melody line transposition. Use it for tracks with melodies like PHRASE 1/2. Bass This table is suitable for bass line transposition. The table contents are the same as for "Melody," but it recognizes on-bass chords such as in the Fingered2 mode. Use it for tracks with low pitched instruments such as bass tracks. Chord This table is suitable for chord transposition. Use it for tracks like the CHORD 1/2 tracks, with piano-type or guitar-type chord picking tracks. M-m Only (M) This table lowers the third by a semitone when changing from a major chord to a minor chord or raises the minor third by a semitone when changing from a minor chord to a major chord. It doesn't change any other notes. M-m Only (H) When changing from a major chord to a minor chord, this flattens both the third and the sixth by a semitone. When changing from a minor chord to a major, it raises the flatted third and sixth by a semitone. It doesn't change any other notes. After finishing recording, with the recorded track selected, select "NTT" from the sub menu and use the [-] and [+] buttons or the Data Dial to select the transposition table. NTT::::: ooBypas s Other Settings B Highest Key setting Set the highest key (upper limit of the octaves) of the note transposing for the Source Chord Root setting [1]. The notes designated higher than the highest key will actually be played back in the octave just below the highest key. This setting is effective only when you select the Root Transposition Rule from the item [3]. Example) When highest key is "F". Root change CM C#M DM .... FM F#M Notes played C3-E3-G3 C#3-F3-G#3 D3-F#3-A3 .... F3-A3-C4 F#2-A#2-C#3 After finishing recording, with the recorded track selected, select "HighestKey" from the submenu and use the [-] and [+] buttons or the Data Dial to select the highest key. N Note range (Low Limit, High Limit) settings Set the note range (low and high limits) for the voices recorded on user style tracks. By setting the note range, you can prevent unrealistic notes (such as high notes from a bass or low notes from a piccolo) from being produced and have them shifted to an octave within the note range. Example) When low limit is "C3" and high limit is "D4." Root change CM C#M .... FM Notes played E3-G3-C4 F3-G#3-C#4 .... F3-A3-C4 After finishing recording, with the recorded track selected, select "LowLimit" and "HighLimit" from the submenu and use the [-] and [+] buttons or the Data Dial to set the note range. LowLimit : HighLimi t: 28 nd P 127 nd P M Retrigger Rule (RTR) setting Set the method for handling notes as they are being produced during chord change (transposition). There are 5 rule types, as explained below. Stop The note is stopped while being produced, and the next note is sounded. PitchShift The pitch of the note being produced is shifted to match the new chord type. PShftToRoot The pitch of the note being produced is shifted to the note of the new chord root.The octave of the note is not changed by the shift. Retrigger The note is stopped while being produced, and it is sounded again with its pitch matching that of the new chord type. Ret.ToRoot The note is stopped while being produced, and it is sounded again with the note of the new chord root. After finishing recording, with the recorded track selected, select "RTR" from the sub menu and use the [-] and [+] buttons or the Data Dial to select the retrigger rule. RTR::::: o oSto p HighestK ey: D# nd P 149