Yamaha PSR-9000 Owner's Manual - Page 59

Chord Types Recognized in the Fingered Mode, Chord Name [Abbreviation], Normal Voicing

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Auto Accompaniment Chord Types Recognized in the Fingered Mode q Example for "C" chords C C (9) C6 C 6(9) CM 7 CM7 (9) CM7(#11) C (b5) CM7b5 () () () () () Csus 4 Caug CM7 aug Cm Cm (9) Cm 6 Cm 7 Cm7 (9) Cm 7 (11) () () () CmM 7 CmM7 (9) Cm7 b5 CmM7 b5 Cdim Cdim 7 C7 C 7 (b9) C 7 (b13) () () () C 7 (9) C 7 (#11) C 7 (13) C 7 (#9) C 7 b5 C 7 aug C7sus4 C 1+2+5 () () () () () () () Chord Name [Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - 5 - b7 1 - 2 - 5 Display for root "C" C C(9) C6 C6(9) CM7 CM7(9) CM7 #11 C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7_11 CmM7 CmM7_9 Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7b13 C7(9) C7#11 C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 • Notes in parentheses can be omitted. • If you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhythm instruments will continue playing (Chord Cancel function). • Playing a single key or two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), m7_11, 1+2+5. • Inversion of the 7sus4 chord is not recognized if the 5th is omitted. • The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q Reference 59 57

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Auto Accompaniment
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Reference
59
Chord Types Recognized in the Fingered Mode
Chord Name [Abbreviation]
Normal Voicing
Display for root “C”
Major [M]
1 - 3 - 5
C
Add ninth [(9)]
1 - 2 - 3 - 5
C(9)
Sixth [6]
1 - (3) - 5 - 6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6(9)
Major seventh [M7]
1 - 3 - (5) - 7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7(9)
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7
#
11
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C(
b
5)
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
CM7
b
5
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Augmented [aug]
1 - 3 -
#
5
Caug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
CM7aug
Minor [m]
1 -
b
3 - 5
Cm
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Cm(9)
Minor sixth [m6]
1 -
b
3 - 5 - 6
Cm6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Cm7(9)
Minor seventh eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Cm7_11
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7_9
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7
b
13
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7
#
11
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - 5 -
b
7
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C
Cm
7
C
(
)
CM
(
)
7
C
(9)
C
(
)
(9)
6
Caug
Cm
6
Cm
7
(
)
Cm
b
5
7
CmM
b
5
7
Cm
(
)
(9)
7
Cm
(9)
CmM
7
(
)
CmM
(9)
7
(
)
Cdim
Cdim
7
C
(9)
7
(
)
C
(13)
7
(
)
C
(
b
9)
7
(
)
C
(
b
13)
7
Csus
4
C
1+2+5
C
b
5
7
C
6
(
)
(
)
CM
7
(9)
7
CM
(
#
11)
(
)
7
CM
b
5
C
(
b
5)
(
)
C
(
#
11)
7
C
(
#
9)
7
(
)
C
aug
7
Cm
7
(
11)
(
)
(
)
CM
aug
7
(
)
C
sus
4
7
●
Example for
“C” chords
•
Notes in parentheses can be
omitted.
•
If you play any three adjacent
keys (including black keys), the
chord sound will be canceled
and only the rhythm instru-
ments will continue playing
(Chord Cancel function).
•
Playing a single key or two
same root keys in the adjacent
octaves produces accompani-
ment based only on the root.
•
A perfect fifth (1 + 5) produces
accompaniment based only on
the root and fifth which can be
used with both major and
minor chords.
•
The chord fingerings listed are
all in “root” position, but other
inversions can be used — with
the following exceptions:
m7, m7
b
5, 6, m6, sus4, aug,
dim7, 7
b
5, 6(9), m7_11,
1+2+5.
•
Inversion of the 7sus4 chord is
not recognized if the 5th is
omitted.
•
The auto accompaniment will
sometimes not change when
related chords are played in
sequence (e.g. some minor
chords followed by the minor
seventh).
•
Two-note fingerings will pro-
duce a chord based on the pre-
viously played chord.
57