Yamaha PSR-S550 Owner's Manual - Page 62

Recognized Standard Chords, All chords in the chart are C-root chords.

Get Yamaha PSR-S550 PDF manuals and user guides View all Yamaha PSR-S550 manuals
Add to My Manuals
Save this manual to your list of manuals

Page 62 highlights

Style (Auto Accompaniment) Functions ■Recognized Standard Chords All chords in the chart are "C-root" chords. Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] Suspended second [sus2] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - 5 - b7 1 - 2 - 5 Chord (C) Display C C (9) C6 C(69) CM7 CM(97) CM(#171) C (b5) CM(b57) Csus4 C Cadd9 C6 C69 CM7 CM79 CM7#11 Cb5 CM7b5 Csus4 Caug Caug CM7aug CM7aug Cm C(m9) Cm6 Cm Cm add9 Cm6 Cm7 Cm(97) C(m117) CmM7 CmM(97) Cm(b57) Cm(Mb57) Cdim Cm7 Cm79 Cm711 CmM7 CmM79 Cm7b5 CmM7b5 Cdim Cdim7 Cdim7 C7 C(7b9) C(7b13) C(79) C(7#11) C(713) C(7#9) C7b5 C7aug C7sus4 Csus2 C7 C7b9 C7b13 C79 C7#11 C713 C7#9 C7b5 C7aug C7sus4 Csus2 NOTE • Notes in parentheses can be omitted. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. 62 PSR-S550 Owner's Manual

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
Style (Auto Accompaniment) Functions
62
PSR-S550
Owner’s Manual
■
Recognized Standard Chords
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
All chords in the chart are “C-root” chords.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
Add ninth [(9)]
1 - 2 - 3 - 5
C
add9
Sixth [6]
1 - (3) - 5 - 6
C
6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C
6
9
Major seventh [M7]
1 - 3 - (5) - 7
C
M7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
C
M7
9
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
C
M7
#
11
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C
b
5
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
C
M7
b
5
Suspended fourth [sus4]
1 - 4 - 5
C
sus4
Augmented [aug]
1 - 3 -
#
5
C
aug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
C
M7aug
Minor [m]
1 -
b
3 - 5
C
m
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
C
m add9
Minor sixth [m6]
1 -
b
3 - 5 - 6
C
m6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
C
m7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
C
m7
9
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
C
m7
11
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
C
mM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
C
mM7
9
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
C
m7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
C
mM7
b
5
Diminished [dim]
1 -
b
3 -
b
5
C
dim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
C
dim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C
7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C
7
b
9
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C
7
b
13
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C
7
9
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C
7
#
11
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C
7
13
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C
7
#
9
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C
7
b
5
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C
7aug
Seventh suspended fourth [7sus4]
1 - 4 - 5 -
b
7
C
7sus4
Suspended second [sus2]
1 - 2 - 5
C
sus2
C
C
(
9
)
C
6
(
9
)
C
6
C
M7
C
M7
(
9
)
C
M7
(
#
11
)
C
(
b
5
)
C
M7
(
b
5
)
C
sus4
C
aug
C
M7aug
C
m
(
9
)
C
m
C
m6
C
m7
C
m7
(
9
)
C
m7
(
11
)
C
mM7
C
mM7
(
9
)
C
m7
(
b
5
)
C
mM7
(
b
5
)
C
dim
C
dim7
C
7
C
7
(
b
9
)
C
7
(
b
13
)
(
9
)
C
7
(
#
11
)
C
7
(
13
)
C
7
(
#
9
)
C
7
C
7
b
5
C
7aug
C
7sus4
C
sus2
•
Notes in parentheses can be omitted.
•
Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
•
A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
NOTE