Yamaha YPT-200 Owner's Manual - Page 45

Recognized Standard Chords Chart, Chord Name/[Abbreviation], Normal Voicing, Chord C, Display

Page 45 highlights

Playing Auto Accompaniment Chords ● Recognized Standard Chords Chart Chord Name/[Abbreviation] Normal Voicing Chord (C) Display Major [M] 1 - 3 - 5 C C Add ninth [(9)] 1 - 2 - 3 - 5 C(9) C(9) Sixth [6] 1 - (3) - 5 - 6 C6 C6 Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9) * Major seventh [M7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 CM7 CM7 Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9) * Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 CM7(#11) CM7(#11)* Flatted fifth [(b5)] 1 - 3 - b5 C(b5) Cb5 * Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7b5 CM7b5 * Suspended fourth [sus4] 1 - 4 - 5 Csus4 Csus4 Augmented [aug] 1 - 3 - #5 Caug Caug Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug CM7aug * Minor [m] 1 - b3 - 5 Cm Cm Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm(9) Cm(9) Minor sixth [m6] 1 - b3 - 5 - 6 Cm6 Cm6 Minor seventh [m7] 1 - b3 - (5) - b7 Cm7 Cm7 Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7(9) Cm7(9) Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7(11) Cm7(11) * Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7 CmM7 Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7(9) CmM7(9) * Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm7b5 Cm7b5 Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7b5 CmM7b5 * Diminished [dim] 1 - b3 - b5 Cdim Cdim Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7 Cdim7 Seventh [7] 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 C7 C7 Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7(b9) C7(b9) Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7(b13) C7(b13) Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9) Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 C7(#11) C7(#11) Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13) Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9) Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7b5 C7b5 * Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug C7aug Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4 One plus two plus five [1+2+5] 1 - 2 - 5 C1+2+5 C * * These chords are not shown in the Chord Dictionary function. NOTE • Notes in parentheses can be omitted. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used-with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5 • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. • The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. PSR-E203/YPT-200 Owner's Manual 45

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68

Playing Auto Accompaniment Chords
PSR-E203/YPT-200
Owner’s Manual
45
Recognized Standard Chords Chart
* These chords are not shown in the Chord Dictionary function.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
C
Add ninth [(9)]
1 - 2 - 3 - 5
C(9)
C(9)
Sixth [6]
1 - (3) - 5 - 6
C6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6(9)
C6(9) *
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7(9)
CM7(9) *
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7(
#
11)
CM7(
#
11)*
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C(
b
5)
C
b
5 *
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
CM7
b
5
CM7
b
5 *
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Csus4
Augmented [aug]
1 - 3 -
#
5
Caug
Caug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
CM7aug
CM7aug *
Minor [m]
1 -
b
3 - 5
Cm
Cm
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Cm(9)
Cm(9)
Minor sixth [m6]
1 -
b
3 - 5 - 6
Cm6
Cm6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Cm7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Cm7(9)
Cm7(9)
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Cm7(11)
Cm7(11) *
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7(9)
CmM7(9) *
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
CmM7
b
5 *
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7(
b
9)
C7(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7(
b
13)
C7(
b
13)
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7(9)
C7(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7(
#
11)
C7(
#
11)
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7(13)
C7(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7(
#
9)
C7(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
C7
b
5 *
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
C7sus4
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C *
Notes in parentheses can
be omitted.
Playing two same root keys
in the adjacent octaves pro-
duces accompaniment
based only on the root.
A perfect fifth (1+5) pro-
duces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
The chord fingerings listed
are all in “root” position, but
other inversions can be
used—with the following
exceptions: m7, m7
b
5, 6,
m6, sus4, aug, dim7, 7
b
5,
6(9), 1+2+5
Inversion of the 7sus4 and
m7(11) chords are not rec-
ognized if the notes shown
in parentheses are omitted.
The auto accompaniment
will sometimes not change
when related chords are
played in sequence (e.g.
some minor chords fol-
lowed by the minor sev-
enth).
Two-note fingerings will pro-
duce a chord based on the
previously played chord.
NOTE