Mackie 1402-VLZ3 Why VLZ3 Is Better Than VLZPro
Mackie 1402-VLZ3 Manual
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- Mackie 1402-VLZ3 | Why VLZ3 Is Better Than VLZPro - Page 1
VLZPro vs. VLZ3 An obsessive overview of the VLZ3 advantage Mackie Designs +27 1642 VLZ pro 01/11/06 15:38:20 +24 +21 +18 +15 d B +12 r +9 +6 +3 -0 -3 20 50 100 200 500 1k 2k 5k 10k 20k 50k 100k Hz Frequency Response, Stereo channel EQ - Ch trim @min(0db); each band
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An obsessive overview of the VLZ3 advantage
VLZPro vs. VLZ3
-3
+27
-0
+3
+6
+9
+12
+15
+18
+21
+24
20
200k
50
100
200
500
1k
2k
5k
10k
20k
50k
100k
Hz
-3
+27
-0
+3
+6
+9
+12
+15
+18
+21
+24
20
200k
50
100
200
500
1k
2k
5k
10k
20k
50k
100k
Hz
EQ
MIC
PRE
10Hz
100Hz
1KHz
10KHz
100KHz
49dB
50dB
51dB
52dB
53dB
54dB
55dB
56dB
57dB
58dB
59dB
60dB
61dB
V(out1): (32.063Hz,56.9714dB)
WHY VLZ3 EQ
IS BETTER
These graphs may
look intimidating.
But trust us—VLZ3’s
EQ is more musical
and offers more
creative control
over the full
frequency range,
thanks to improved
interaction of the
separate EQ bands.
WHY XDR2 MIC PRES ARE BETTER
Our new XDR2 “Extended Dynamic Range” mic preamps have a
much wider frequency range, especially in the low end, even at
extremely high gain settings.
An obsessive overview of the VLZ3 advantage
Fader
-6dB +6dB
+10dB
Channels
Fader
-6dB
+16dB
Channels
1604 & 1642
Fader
0dB
+10dB
Channels
Fader
-6dB
+16dB
Channels
1202 & 1402
VLZ Pro
VLZ3
VLZ Pro
VLZ3
NEGATIVE SUMMING ARCHITECTURE
WHY VLZ3S
HAVE MORE HEADROOM AND LESS DISTORTION
High headroom and low noise have always been hallmarks of Mackie mixers. With the new
VLZ3s we’re able to get even more headroom and less noise thanks to a better use of negative
summing architecture. We mix all signals in the summing amp at –6dB, for lots of headroom right
off the bat. Then we add 6dB of gain to the standard 10dB found in the fader gain stage. The net
result is the ability to mix more hot signals without distortion.