Mackie ProFX16 Owner's Manual
Mackie ProFX16 Manual
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- Mackie ProFX16 | Owner's Manual - Page 1
ProFX16 and ProFX22 Professional Mic/Line Mixers with FX and USB I/O OWNER'S MANUAL USB SOURCE U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX 16 REVERB + DLY (250ms) LEVEL SET AUX MASTER U AUX U RETURN INTERNAL FX U RUDE SOLO + - Mackie ProFX16 | Owner's Manual - Page 2
use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears user of the presence of important operating and maintenance (servicing) instructions moisture. 2 ProFX16 and ProFX22 effective usage of natural resources. For more information - Mackie ProFX16 | Owner's Manual - Page 3
. You're a star! 3. Bring in other channels as mentioned above. USB The USB connection allows you to play two channels of audio from your computer, and to record the main mix to your computer. This feature is explained more thoroughly on pages 4, 9-10, 16 and 23. Notes For optimum sonic performance - Mackie ProFX16 | Owner's Manual - Page 4
mixer, we threw in the kitchen sink and packed this bad boy with a full set of processors allowing you to travel "rack free" while still making professional sounding mixes. For starters, we added our patented Running Man FX processors (RMFX™) featuring 16 "gig-ready" effects right into the board - Mackie ProFX16 | Owner's Manual - Page 5
Features How To Use This Manual • Professional 4•Bus live sound mixer with The first pages after the table of contents are the onboard effects and USB I/O hookup diagrams. These show typical setups for your • Low-noise, high-headroom Mackie mic preamps ProFX16 or ProFX22. with +50 dB gain - Mackie ProFX16 | Owner's Manual - Page 6
SUBS ASSIGN Switches 24 55. SUB 1-4 FADERS 24 56. MAIN MIX 24 APPENDIX A: SERVICE INFORMATION 25 APPENDIX B: CONNECTIONS 26 APPENDIX C: TECHNICAL INFORMATION 28 DIMENSIONS 29 BLOCK DIAGRAM 30 TRACK SHEET 31 APPENDIX D: TABLE of EFFECTS PRESETS 34 LIMITED WARRANTY 35 6 ProFX16 and ProFX22 - Mackie ProFX16 | Owner's Manual - Page 7
to create a stage monitor mix as desired. Headphones are used for monitoring and a footswitch allows you to mute/unmute the internal effects as desired. A laptop connects to the USB port and allows the 2-channel main mix of the performance to be recorded to a DAW. Two channels of audio can also play - Mackie ProFX16 | Owner's Manual - Page 8
) 16 REVERB + DLY (250ms) LEVEL SET AUX MASTER U AUX U RETURN INTERNAL FX U RUDE SOLO OO USB Desktop Mac or PC with Tracktion 3 for Recording This diagram shows a bass and effects processor attached to the channel 5 line-level input, microphones attached to channels 6, 7 and 8, a guitar - Mackie ProFX16 | Owner's Manual - Page 9
allowing you to record two streams from the mixer, or to input stereo playback from a computer and route it to nearly any output or pair of outputs on the mixer. The USB routing capabilities are as follows: USB input TO the mixer - playback: (1) Stereo channel 15/16 (on the ProFX16) and 21/22 - Mackie ProFX16 | Owner's Manual - Page 10
set to "L" and subgroup 2 is set to "R"). Any adjustments made to the subgroup drum levels during the show only pertain to the live show itself; recording levels are not adjusted in the DAW unless they are adjusted on the channels. Smashing Guitar Man Then, in the early 2000s, the graphic designers - Mackie ProFX16 | Owner's Manual - Page 11
U 5 5 5 3-4 3-4 3-4 3-4 10 10 10 20 L-R 30 PFL SOLO 40 50 60 20 L-R 30 PFL SOLO 40 50 60 20 L-R 30 PFL SOLO 40 50 60 L-R PFL SOLO OO Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels 9-16 on ProFX16 Channels 1-14 on ProFX22 Channels 15-22 on ProFX22 Owner's Manual 11 - Mackie ProFX16 | Owner's Manual - Page 12
instrument, effects device, CD player, etc. Level control is available -20 dB to +20 dB. If you are connecting a mono source, use the left (mono) input, and the mono signals will appear on both sides of the main mix. The first two stereo channels [9/10 and 11/12 on the ProFX16 and 15/16 and 17 - Mackie ProFX16 | Owner's Manual - Page 13
device) Ring = return (input from effects device) Sleeve = common ground Insert jacks may be used as channel direct outputs; post-gain, and pre-EQ. See the connector section on page 27 (figure G) showing three ways to use insert cables. "U" like Unity gain Mackie mixers have a "U" symbol on almost - Mackie ProFX16 | Owner's Manual - Page 14
L-R PFL SOLO OO Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels 9-16 on ProFX16 Channels 1-14 on ProFX22 Channels 15-22 on ProFX22 11. HI EQ The hi EQ provides up to +15 15 dB of boost or cut above +10 12 kHz, and it is also flat (no +5 0 boost or cut) at the detent. -5 Use it - Mackie ProFX16 | Owner's Manual - Page 15
those channels. If you are creating new tracks or bouncing existing ones, you will also use the 1-2 and 3-4 switches, but not the main mix switch. Here you do not want the groups sent back into the main mix bus, but sent out, via the sub out jacks [32], to your multitrack inputs. Owner's Manual 15 - Mackie ProFX16 | Owner's Manual - Page 16
SOLO 40 USB connection. Like any other input, this signal may also be EQ'd, sent to an aux bus, or mixed in with the other signals and assigned to subgroups or main outs. This switch overrides the TRS inputs [6, 7]. Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels 9-16 on ProFX16 - Mackie ProFX16 | Owner's Manual - Page 17
channels of the ProFX +20 mixer has an in-line compressor circuit with a variable threshold. This is very useful for compression of vocals, +15 and snare drums, for example, so you might consider connecting your vocal and drum mics to these channels the mix; it is very useful Owner's Manual 17 - Mackie ProFX16 | Owner's Manual - Page 18
in the band to hear themselves clearly on stage. This can be a good thing! The monitor mix may be carefully adjusted in level using the aux mon controls [16]. These tap a portion of each channel's signal to provide a 1/4" TRS output here to feed external stage monitors. These could either be passive - Mackie ProFX16 | Owner's Manual - Page 19
CD player, iPod® dock, or other line-level source. The tape in jacks accept an unbalanced signal using standard hi-fi hookup cables. The stereo unbalanced RCA outputs allow you to record the main stereo mix onto a tape deck, hard disk recorder, or automatic CD burner, for example. This lets you make - Mackie ProFX16 | Owner's Manual - Page 20
PROFESSIONAL MIC/LINE MIXER WITH FX 48V POWER 36 15 10 5 0 5 10 15 125 38 STEREO GRAPHIC EQ 37 250 500 1K MAIN MIX MON 1 2K 4K EQ IN BYPASS 15 10 5 0 5 10 15 8K 39 MAIN METERS 40 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R LEVEL SET 41 RUDE SOLO Stereo Graphic - Mackie ProFX16 | Owner's Manual - Page 21
room and headphones is the soloed channel(s). If you forget that you are in solo mode, you can easily be tricked into thinking that something is wrong with your mixer. Hence, the rude solo light. Please forgive its rudeness, it is only trying to help, and wants to be your friend. Owner's Manual 21 - Mackie ProFX16 | Owner's Manual - Page 22
of the 16 preset effects. When the internal FX in the case of the FX master mixer is turned on, the FX section will load up the last-used preset. 47. SIG / OL LED Signals passing through these controls go directly to the main mix and monitor mix where they are combined with signals from the channels - Mackie ProFX16 | Owner's Manual - Page 23
configuration (disengaged) allows the main L-R mix to be recorded for convenient stereo mixes of the show. Engaging the switch routes subgroups 1-2 over the USB connection to your favorite DAW software for an alternate 2-track recording. 50. 2-TRACK RETURN TAPE / USB Switch This determines if the - Mackie ProFX16 | Owner's Manual - Page 24
] and monitor level [42] first, as soloed channels may be loud. 54. SUBS ASSIGN Switches One popular use of the subs is to use them as master faders for a group of channels on their way to the main mix fader [56]. Let us say you have a drum kit hogging up seven channels and you are going to want - Mackie ProFX16 | Owner's Manual - Page 25
Appendix A: Service Information If you think your mixer has a problem, please check out the following troubleshooting tips and do your best to confirm the problem. Visit the Support section of our website (www.mackie.com) where you will find lots of useful information such as FAQs, documentation - Mackie ProFX16 | Owner's Manual - Page 26
Mackie mixers use guitars and electronic instruments • Unbalanced line-level connections • Speaker connections Don't use guitar center post and the ground (earth) or shield to the surrounding "basket." SLEEVE TIP SLEEVE TIP Figure D: RCA Plug Figure E: Does not appear in this owner's manual - Mackie ProFX16 | Owner's Manual - Page 27
. Insert only to first "click." MONO PLUG Channel Insert jack Direct out with signal interruption to master. Insert all the way in to the second "click." STEREO PLUG Channel Insert jack For use as an effects loop. (TIP = SEND to effect, RING = RETURN from effect.) Figure G Owner's Manual 27 - Mackie ProFX16 | Owner's Manual - Page 28
Physical Dimensions and Weight Front Height Rear Height 1.7 in / 44 mm (both) 3.8 in / 97 mm (both) Depth 16.0 in / 407 mm (both) Width 18.7 in / 475 mm (ProFX16) 25 to this manual: www.mackie.com. ©2011 LOUD Technologies Inc. All Rights Reserved. 28 ProFX16 and ProFX22 - Mackie ProFX16 | Owner's Manual - Page 29
Dimensions 3.8 in / PROFESSIONAL MIC/LINE MIXER 04 WARM THEATER 08 CATHEDRAL 12 TAPE SLAP 16 REVERB + DLY (250ms) RUDE SOLO -15 +15 U AUX AUX MASTER U USB SOURCE U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX Owner's Manual 29 - Mackie ProFX16 | Owner's Manual - Page 30
Main L Sum From Sub1 Main R Sum From Sub2 RUDE SOLO LED Main Sub 1-2 CR/Phones Level PFL Solo Solo Logic L Main Out R USB Out L Tape Out R L Control Room Out R Sub Assign To Main Mix L R To USB/Tape Out L (Sub 1) To USB/Tape Out R (Sub 2) Sub 1 sum to/from Graphic EQ (Only on Mon 1) Sub - Mackie ProFX16 | Owner's Manual - Page 31
Track Sheet - Mono Channels MIC MIC MIC MIC MIC MIC MIC MIC --- BAL /UNBAL --- BAL /UNBAL --- 30 30 30 30 30 30 30 30 PFL PFL PFL PFL PFL PFL PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 - Mackie ProFX16 | Owner's Manual - Page 32
Channels IN 10 LINE IN 12 LINE IN 14 LINE IN 16 U U U U MIC GAIN MIC GAIN MIC GAIN U MON 1 +15 U MON 2 FX +15 PAN -20 +20 GAIN LINE USB SOURCE U EQ -15 +15 HI 12kHz U -15 +15 MID 2.5kHz U PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 50 50 50 - Mackie ProFX16 | Owner's Manual - Page 33
SUB OUT PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM POWER 15 10 5 0 5 10 15 125 STEREO GRAPHIC EQ 250 500 1K MAIN MIX MON 1 2K 4K (300ms) 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) 16 REVERB + DLY (250ms) LEVEL SET RUDE SOLO AUX MASTER U AUX U RETURN INTERNAL FX U +15 U Owner's Manual 33 - Mackie ProFX16 | Owner's Manual - Page 34
vocals from solos to mix. faster the delay. 16 Reverb + DLY (250ms) This effect combines the Warm Theater reverb effect with Perfect for thickening vocals while adding the echoes of the 3-repeat delay effect. dimensions, it can also be used as a spacey effect on electric guitars. 34 ProFX16 - Mackie ProFX16 | Owner's Manual - Page 35
this Product Warranty will be valid unless set forth in a written instrument signed by the party to be bound thereby. Need help with your mixer? • Visit www.mackie.com and click Support to find: FAQs, manuals, addendums, and other useful information. • Email us at: [email protected]. • Telephone - Mackie ProFX16 | Owner's Manual - Page 36
16220 Wood-Red Road NE • Woodinville, WA 98072 • USA United States and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 • www.mackie.com E-mail: [email protected]
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Professional Mic/Line Mixers with FX and USB I/O
ProFX16 and ProFX22
OWNER’S MANUAL
48V
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
OL
4
6
3
10
15
7
10
20
30
0
2
0dB = 0dBu
LEVEL
SET
RUDE
SOLO
MAIN
METERS
R
L
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
GAIN
GAIN
+20
-20
GAIN
(MONO)
LINE IN 9
LINE IN 10
L
R
(MONO)
L
R
(MONO)
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
L
R
(MONO)
L
R
LINE IN 11
LINE IN 12
LINE IN 13
LINE IN 14
LINE IN 15
LINE IN 16
L
R
17/18
15/16
19/20
21/22
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
LINE IN
LINE IN
LINE IN
LINE IN
LINE IN
OL
R
L
PAN
7
dB
30
20
10
10
40
50
5
5
U
60
7
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
8
9
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11
12
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14
GAIN
U
+50
M
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G
A
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N
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+50
M
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G
A
I
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U
LOW CUT
LOW CUT
AUX
RETURN
MON
1
INTERNAL FX
MON
2
AUX
MASTER
U
+15
U
+15
U
+15
TO
MON 1
TO
MON 2
TO
MON 1
TO
MON 2
TO
MAIN
L-R
U
+10
U
+15
U
+15
U
+10
U
+15
U
+15
SOURCE
LINE
USB
PHANTOM
POWER
8
9
10
11
12
13
14
15/16
17/18
19/20
21/22
8K
4K
2K
1K
500
250
125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
STEREO GRAPHIC EQ
PHONES
L
R
(MONO)
L
R
1
2
3
4
1
2
R
L
R
L
R
L
R
L
SUB 2
SUB 3
SUB 1
INSERT
U
GAIN
M
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G
A
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U
+50
-20dB
+30dB
AUX
LINE IN
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R
L
PAN
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10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
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U
+15
-15
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+15
-15
U
+15
LOW CUT
U
GAIN
M
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C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
OL
OL
OL
OL
R
L
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
EQ
EQ
EQ
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
R
L
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
R
L
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
R
L
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
R
L
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
OFF
MAX
COMP
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
SUB 4
dB
30
20
10
10
40
50
5
5
U
60
CR/PHONES
MAX
2-TRACK RETURN
TAPE
USB OUT
MAIN
LEVEL
U
+15
INT FX
MUTE
SIG/OL
PROFESSIONAL MIC/LINE MIXER WITH FX
FX SEND
FOOTSWITCH
MON SEND
BALANCED
BALANCED
AUX RETURN
CR OUT
SUB OUT
MAIN OUT
IN
OUT
TAPE
L
R
dB
30
20
10
10
40
50
5
5
U
60
MAIN
+20
-20
U
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
6
dB
30
20
10
10
40
50
5
5
U
60
6
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
5
dB
30
20
10
10
40
50
5
5
U
60
5
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
4
dB
30
20
10
10
40
50
5
5
U
60
4
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
3
dB
30
20
10
10
40
50
5
5
U
60
3
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
2
dB
30
20
10
10
40
50
5
5
U
60
2
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
R
L
PAN
1
dB
30
20
10
10
40
50
5
5
U
60
1
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k
150
8k
100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
100Hz
INSERT
MAIN MIX
MON 1
EQ IN
BYPASS
USB
SUB 1-2
13 DELAY 1
(300ms)
14 DELAY 2
(380ms)
15 DELAY 3
(480ms)
16 REVERB + DLY
(250ms)
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
BREAK
(MUTES ALL CH)
FX
FX
TO
MAIN
L-R
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX
FX