Behringer FEEDBACK DESTROYER PRO DSP1124P Manual - Page 20

FEEDBACK DESTROYER PRO DSP1124P 10.2 MIDI connections The MIDI connectors found on the rear panel are on internationally standardized 5-pin DIN jacks. You need dedicated MIDI cables to connect the FEEDBACK DESTROYER PRO to other MIDI equipment. Normally, complete cables will be purchased for this use, but you can also make your own, using a high-quality two-conductor shielded cables (e.g. microphone cable) and two rugged 180° DIN plugs: pin 2 (center) = shield, pins 4 and 5 (right and left of pin 2) = internal conductors, pins 1 and 3 (the two outer pins) are not used. MIDI cables should have a maximum length not exceeding 15 meters. MIDI IN: Receives MIDI control data. The receive channel is determined in the SETUP menu. MIDI THRU: Provides an unchanged copy of the signal received at the MIDI IN, for example, to daisy-chain several FEEDBACK DESTROYER PROs. MIDI OUT: Transmits MIDI data to a connected computer or other FEEDBACK DESTROYER PROs. Transmitted are program data as well as status information for signal processing. 11. APPENDIX 11.1 Frequency chart Dis play 20 Hz 25 Hz 32 Hz 40 Hz 50 Hz 63 Hz 80 Hz 100 Hz 125 Hz 160 Hz -9/60 22,8 28,6 36,2 45,5 57 72,4 91 114 144 -8/60 23 28,9 36,6 46 58 73 92 115 146 -6/60 23,5 29,6 37,5 47 59 75 94 118 150 -4/60 24 30,2 38,3 48 60 77 96 120 153 -2/60 24,5 30,9 39,2 49 62 78 98 123 157 ISO 20 25 31,5 40 50 63 80 100 125 160 +2/60 20,5 25,7 32,4 41 51 65 82 103 129 164 +4/60 21 26,3 33,2 42 53 66 84 105 132 168 +6/60 21,5 27 34,1 43 54 68 86 108 136 172 +8/60 22 27,6 34,9 44 55 70 88 110 139 176 +10/60 22,5 28,3 35,8 45 57 71,5 90 113 143 180 Display 20 Hz 25 Hz 32 Hz 40 Hz 50 Hz 63 Hz 80 Hz 100 Hz 125 Hz 160 Hz ,20 kHz ,25 kHz ,32 kHz ,40 kHz ,50 kHz ,63 kHz ,80 kHz 1,00 kHz 1,25 kHz 1,60 kHz 182 228 286 362 455 572 724 910 1138 1443 184 230 289 366 460 578 732 920 1150 1460 188 235 296 375 470 591 749 940 1175 1495 192 240 302 383 480 604 766 960 1200 1530 196 245 309 392 490 617 783 980 1225 1565 200 250 315 400 500 630 800 1000 1250 1600 205 257 324 410 513 647 820 1025 1285 1640 210 263 332 420 526 664 840 1050 1320 1680 215 270 341 430 539 681 860 1075 1355 1720 220 276 349 440 552 698 880 1100 1390 1760 225 283 358 450 565 715 900 1125 1425 1800 ,20 kHz ,25 kHz ,32 kHz ,40 kHz ,50 kHz ,63 kHz ,80 kHz 1,00 kHz 1,25 kHz 1,60 kHz 2,0 kHz 2,5 kHz 3,2 kHz 4,0 kHz 5,0 kHz 6,3 kHz 8,0 kHz 10,0 kHz 12,5 kHz 16,0 kHz 20 kHz 1820 2275 2858 3618 4550 5715 7235 9100 11375 14425 18200 1840 2300 2890 3660 4600 5780 7320 9200 11500 14600 18400 1880 2350 2955 3745 4700 5910 7490 9400 11750 14950 18800 1920 2400 3020 3830 4800 6040 7660 9600 12000 15300 19200 1960 2450 3085 3915 4900 6170 7830 9800 12250 15650 19600 2000 2500 3150 4000 5000 6300 8000 10000 12500 16000 20000 2050 2565 3235 4100 5130 6470 8200 10250 12850 16400 2100 2630 3320 4200 5260 6640 8400 10500 13200 16800 2150 2695 3405 4300 5390 6810 8600 10750 13550 17200 2200 2760 3490 4400 5520 6980 8800 11000 13900 17600 2250 2825 3575 4500 5650 7150 9000 11250 14250 18000 2,0 kHz 2,5 kHz 3,2 kHz 4,0 kHz 5,0 kHz 6,3 kHz 8,0 kHz 10,0 kHz 12,5 kHz 16,0 kHz 20 kHz Tab. 11.1: Frequency chart In order to maintain a better survey only every second value is registered in the table. The adjustable values do not exactly fit into a 1/60 octave interval, because also the ISO frequencies do not perfectly fit into a physical 1/3 octave interval. Rather a linear approximation is used to specify the values. Background f1,f2, ... ISO frequencies 1 third = 20/60 octave (idealized ISO interval) 20 11. APPENDIX