Behringer P16-MB Brochure - Page 2
P16-I - 16-Channel 19 Input Module, with Analog and ADAT Optical Inputs, Easy Installation, - mic stand mount
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POWERPLAY 16 P16 Powered via external power supply (included) or P16-I / P16-D Mounts easily on a mic stand with the P16-MB mic stand mount (not included) P16-I - 16-Channel 19" Input Module with Analog and ADAT Optical Inputs Converts 16 analog inputs into 24-bit digital audio to be transmitted via standard CAT5e cable 2 x 8-channel ADAT optical inputs with auto detect and priority select 16 balanced, high-headroom TRS audio inputs State-of-the-art 24-bit A/D converters for premium audio quality 4-position gain switches per channel pair (-10, 0, +4, +22 dB) Digital inputs support 44.1 and 48 kHz sample rates Ultra-low system latency of less than 1 millisecond Signal Present and Clip LEDs per channel plus ADAT status LEDs Standard CAT5e connection delivers power and signals for up to 6 Personal Mixers ULTRANET expansion network connector (RJ45) Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving Page 2 of 5 Easy Installation A basic installation consists of one P16-I audio interface, which connects to the main mixing console, and up to six P16-M Personal Mixers, creating a system big enough to equip a typical recording studio, a small to medium-sized band, or a worship team. You'll also need a few standard audio and CAT5 cables. The optional P16- MB mounting bracket allows the P16-M Digital Personal Mixer to be attached to any standard microphone, music or drum stand. The system can easily be expanded via the P16-D Digital ULTRANET Distributor, six of which can be combined to drive up to forty-eight P16-M Personal Mixers. Extraordinary Value The POWERPLAY P16 puts total control of the monitor system where it belongs- in the hands of the performers, freeing up the engineer to sculpt the perfect front-of-house mix. The POWERPLAY P16 system is the easy, affordable way to tame runaway stage volume and give your musicians and vocalists what they really want-"more me!" Continued on next page