Behringer X32-TP Brochure - Page 20

Virtual FX Racks X32 includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from 37 high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more. Each FX algorithm has been completely re-imaged for stunning performance - typically costing several times the price of the X32. Custom-designed, and modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the X32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever! EXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies. Generate maximum punch, clarity and detail, without turning up the overall volume with X32's enhancers. (Inspired by Aphex Aural Exciter* and SPL Vitalizer*) Our TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalization, indispensable for monitoring. X32 provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation. Plus, the X32's motorized faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies-and you can even put this on a user defined hot-key for immediate access. (Modeled after KLARK TEKNIK DN360) VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early '80s, the role model delivered believable room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals and stays away from any sort of effect mush-highly valued in classical music and broadcasting environments. (Inspired by the Quantec QRS*) 20