Mackie 1402-VLZ Pro Spec Sheet

14-Channel Mic/Line Mixer

RM1402-VLZ Rack-Mount Brackets (not included),

1202-VLZ PRO 12-Channel Mic/Line Mixer, 1604-VLZ

PRO 16-Channel Mic/Line Mixer, 1642-VLZ PRO 16-

Channel Mic/Line Mixer, SRM350/SRM450 Active

2-Way SR Loudspeakers, M•800/M•1400i/M•1400

Power Amplifiers, C200/C300z passive 2-way SR Loud-

speakers

Features

Applications

Live sound mixing for churches, clubs, school audi-

toriums, school sports centers, hotel conference

centers, boardrooms, trade shows, presentations

Multitrack studio and field recording

Headphone or cue mixer, impedance or level match-

ing “tool kit”

A/V presentations, video post production, CD

authoring, multimedia

Live broadcast remotes, ENG, ad production

Mackie’s 1402-VLZ PRO

combines the compact

size of the 1202-VLZ PRO with added features and

60mm log-taper faders. Its six new “audiophile”

XDR™ Extended Dynamic Range mic preamps offer

the best RFI rejection of any compact mixer design.

Added benefits include maximum freedom from

ground loops and impeccable sonic performance

that meets or exceeds the specs of esoteric, out-

board mic preamplifiers. The XDR design is the only

compact mixer mic preamp that is totally impedance

independent: frequency response does not change

even with extremely long cable runs or exceptionally

high-impedance mic inputs.

A sharp, 18dB/octave 75Hz Low Cut filter on each

mic channel greatly reduces mic thumps, wind noise

and stage rumble. Mute/Alt 3-4 effectively creates a

second stereo bus. The Mute button on each channel

mutes that channel in the Main Mix, while simultane-

ously placing the signal on the Alt 3-4 stereo bus,

greatly increasing signal routing flexibility.

The EFX to Monitor feature allows routing of

reverb or other effects signals back into a monitor

mix via Aux Send 1. Aux 1 Master’s Pre/Post switch

can be set for pre-fader/post-EQ use, which is bene-

ficial for stage monitor mixes, or post-fader/post-EQ

for use with external effects. It also has a level con-

trol for added flexibility.

Control Room/Phones has its own level control,

stereo output pair and input matrix for selecting any

combination of Main Mix, Tape In and Alt 3-4 to

create custom headphone mixes, to monitor tape

levels, and more. A separate switch routes this

multi-source signal back into the Main Mix.

Because of its many features and durability, the

1402-VLZ PRO can be used for extra studio-grade

preamps, as aux inputs for a mixing console, or as

an impedance- or level-matching audio toolkit.

6 low noise/high headroom XDR™ (Extended

Dynamic Range) XLR mic inputs

with the best

RF rejection of any compact mixer design and

maximum freedom from ground loops

6 balanced/unbalanced mono line inputs

4 pairs of balanced/unbalanced stereo line inputs

60mm log-taper faders

48V global phantom power

3-band EQ (12kHz, 2.5kHz, 80Hz)

75Hz, 18dB/octave Low Cut filter on Channels 1–6

PFL/AFL Solo (in-place) on all channels (global)

Very Low Impedance (VLZ) architecture

EFX to Monitor switch

Alt 3-4 extra stereo bus

Balanced inputs and outputs (except RCAs and

channel inserts)

Balanced XLR Main L/R outputs with mic/line

level switch plus 1/4" Main L/R outputs

60dB Gain on Channels 1–6

Global Aux 1 Pre/Post-Fader switch

Level Setting LED and marker

Introduction

Mackie 1402-VLZ Pro Spec Sheet

Mackie 1402-VLZ Pro Manual

Mackie 1402-VLZ Pro manual content summary: