Mackie 1604-VLZ Pro Specifications - Page 7

Architect & Engineering Specifications - 16 channel mixer

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TRIM 1 U M-I1C0dGBAVIN 0 60 +15dB -45dB AUX U 1 +15 U OO OO OO OO 2 +15 PRE U 3 5 +15 U 4 6 +15 5/6 SHIFT EQ U HI 12k -15 +15 U MID -15 +15 800 200 2k 100 8k U LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT PAN LR 1 MUTE OL -20 SOLO 1-2 3-4 L - R OO 1604-VLZ PRO 12V 16-CHANNEL MIC/ LINE MIXER 0.5A WITH PREMIUM XDRTM MIC PREAMPLIFIERS LAMP U U U 1 +10 U 1 +20 U 1 TO AUX SEND 1 +15 EFFECTS TO U MONITORS OO OO OO OO OO OO 2 +10 AUX SEND 2 +20 U 2 TO AUX SEND 2 +15 ASSIGN OPTIONS 1 3 OO OO SOLO 2 +20 U MAIN MIX 1-2 TO SUBS 3-4 SOLO 4 PHAN PWR C-R / PHNS RETURNS +20 ONLY SOLO STEREO AUX RETURN OO MAX CTL ROOM / PHONES TAPE SUBS 1-2 SUBS 3-4 MAIN MIX CTL ROOM SOURCE U LEFT RIGHT 0 dB=0 dBu 28 OO +20 10 TAPE IN 7 4 TAPE TO 2 MAIN MIX 0 2 OO 4 MAX SOLO LEVEL SET 7 10 MODE NORMAL (AFL) LEVEL SET (PFL) 20 30 RUDE SOLO LIGHT ASSIGN TO MAIN MIX LEFT RIGHT 1 LEFT RIGHT 2 LEFT RIGHT 3 LEFT RIGHT 4 dB 10 PHONES MAIN MIX dB 10 5 5 U U 5 5 10 10 20 20 30 30 40 40 50 50 60 60 OO OO Architect & Engineering Specifications 1. GENERAL CONFIGURATION. The mixer shall accommodate 16 line and/or 16 microphone signals, channels 1-16; and shall include 16 Send/Return channel Inserts; 8 channel Direct Outputs, channels 1-8; 4 stereo pairs of Aux Return inputs; 1 stereo pair of Main Mix outputs; 1 Main Mix Mono output, 1 stereo pair of Control Room outputs; 4 Submaster outputs; 6 Aux Send outputs; 1 stereo pair of RCA-type phono Tape outputs; and 1 stereo Headphones output. The mixer shall be capable of placement on a table or installation in a standard 19-inch rack mount via rack rail brackets (included); shall be fitted with 1 rocker-type Power switch; 1 3-pin power receptacle with user-replaceable 5x20mm fuse drawer; 1 BNC socket, providing 12VDC for fitting an external lamp (not included); and shall be entirely self-contained. 2. MIXER INPUTS. CHANNELS 1-16: Each channel shall include an XDR™ (Extended Dynamic Range) electronically balanced microphone input, using an XLR-3-F-type connector, accepting nominal levels from -60dBu to +4dBu via a rotary Trim control. Phantom power shall be globally-controlled via a rocker-type switch. 16 Balanced/unbalanced (bal/unbal) line inputs shall be wired in parallel, using 1/4" TRS phone jacks, accepting nominal levels from -40dBu to +4dBu. Each channel shall include a pre-fader Insert point, using 1/4" TRS phone jacks (tip=send, ring=return, sleeve=ground), delivering and accepting nominal levels from -10dBV to +4dBu. OTHER INPUTS: The mixer shall include 8 bal/unbal Aux Return inputs, forming four stereo pairs, using 1/4" TRS phone jacks, accepting nominal levels from -10dBV to +4dBu; and 1 stereo pair of Tape In jacks, using unbalanced RCA-type phono jacks, accepting nominal levels from -10dBV to +4dBu. 3. MIXER OUTPUTS. MAIN OUTPUTS: The mixer's Main Mix stereo outputs shall be fitted in two ways: Using symmetrically balanced (also accepting unbalanced) 1/4" TRS phone jacks, delivering maximum output of +28dBu; and using unbalanced RCA-type phono jacks (labeled TAPE OUT), delivering nominal levels from -10dBV to +4dBu; and the Main Mix Mono output shall be fitted with one symmetrically balanced (also accepting unbalanced) 1/4" TRS phone jack, delivering nominal levels from -10dBV to +4dBu. OTHER OUTPUTS: Input channels 1-8 shall each include a post-fader Direct Output, using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from -10dBV to +4dBu. The mixer shall include 4 Submaster outputs, using bal/ unbal 1/4" TRS phone jacks, delivering nominal levels from -10dBV to +4dBu; 1 stereo pair of Control Room outputs, using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from -10dBV to +4dBu; 6 Aux Send outputs using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from -10dBV to +4dBu; and 1 stereo Headphones output, using an unbalanced 1/4" TRS phone jack (tip=left, ring=right, sleeve=ground). 4. MIXER INPUT SECTION. In addition to the controls listed in section 2 (MIXER INPUTS), each channel shall include 4 rotary Aux Send controls and 1 Shift switch, providing up to 15dB gain, routing signals to Aux Sends 1, 2, 3 and 4 when the Shift switch is disengaged, and to Aux 7

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Architect & Engineering Specifications
1. GENERAL CONFIGURATION. The mixer shall accommo-
date 16 line and/or 16 microphone signals, channels 1
–
16;
and shall include 16 Send/Return channel Inserts; 8 chan-
nel Direct Outputs, channels 1
–
8; 4 stereo pairs of Aux
Return inputs; 1 stereo pair of Main Mix outputs; 1 Main
Mix Mono output, 1 stereo pair of Control Room outputs;
4 Submaster outputs; 6 Aux Send outputs; 1 stereo pair
of RCA-type phono Tape outputs; and 1 stereo Headphones
output. The mixer shall be capable of placement on a table
or installation in a standard 19-inch rack mount via rack
rail brackets (included); shall be
fi
tted with 1 rocker-type
Power switch; 1 3-pin power receptacle with user-replace-
able 5x20mm fuse drawer; 1 BNC socket, providing 12VDC
for
fi
tting an external lamp (not included); and shall be
entirely self-contained.
2. MIXER INPUTS.
CHANNELS 1
–
16: Each channel shall include an XDR
™
(Extended Dynamic Range) electronically balanced micro-
phone input, using an XLR-3-F-type connector, accepting
nominal levels from
–
60dBu to +4dBu via a rotary Trim
control. Phantom power shall be globally-controlled via
a rocker-type switch. 16 Balanced/unbalanced (bal/unbal)
line inputs shall be wired in parallel, using 1/4" TRS
phone jacks, accepting nominal levels from
–
40dBu to
+4dBu. Each channel shall include a pre-fader Insert
point, using 1/4" TRS phone jacks (tip=send, ring=return,
sleeve=ground), delivering and accepting nominal levels
from
–
10dBV to +4dBu.
OTHER INPUTS: The mixer shall include 8 bal/unbal
Aux Return inputs, forming four stereo pairs, using 1/4"
TRS phone jacks, accepting nominal levels from
–
10dBV
to +4dBu; and 1 stereo pair of Tape In jacks, using unbal-
anced RCA-type phono jacks, accepting nominal levels from
–
10dBV to +4dBu.
3. MIXER OUTPUTS.
MAIN OUTPUTS: The mixer
’
s Main Mix stereo outputs
shall be
fi
tted in two ways: Using symmetrically balanced
(also accepting unbalanced) 1/4" TRS phone jacks, deliv-
ering maximum output of +28dBu; and using unbalanced
RCA-type phono jacks (labeled TAPE OUT), delivering nomi-
nal levels from
–
10dBV to +4dBu; and the Main Mix Mono
output shall be
fi
tted with one symmetrically balanced
(also accepting unbalanced) 1/4" TRS phone jack, delivering
nominal levels from
–
10dBV to +4dBu.
OTHER OUTPUTS: Input channels 1
–
8 shall each include
a post-fader Direct Output, using bal/unbal 1/4" TRS phone
jacks, delivering nominal levels from
–
10dBV to +4dBu.
The mixer shall include 4 Submaster outputs, using bal/
unbal 1/4" TRS phone jacks, delivering nominal levels
from
–
10dBV to +4dBu; 1 stereo pair of Control Room
outputs, using bal/unbal 1/4" TRS phone jacks, delivering
nominal levels from
–
10dBV to +4dBu; 6 Aux Send outputs
using bal/unbal 1/4" TRS phone jacks, delivering nominal
levels from
–
10dBV to +4dBu; and 1 stereo Headphones
output, using an unbalanced 1/4" TRS phone jack (tip=left,
ring=right, sleeve=ground).
4. MIXER INPUT SECTION. In addition to the controls
listed in section 2 (MIXER INPUTS), each channel shall
include 4 rotary Aux Send controls and 1 Shift switch, pro-
viding up to 15dB gain, routing signals to Aux Sends 1, 2,
3 and 4 when the Shift switch is disengaged, and to Aux
PAN
AUX
3
1
2
EQ
5
4
6
5/6
SHIFT
PRE
TRIM
1
SOLO
L - R
3–4
1–2
OL
-20
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
800
2k
200
8k
U
+15
-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
U
O
O
+15
1
MUTE
M
I
C
G
A
I
N
0
60
+15dB
-45dB
-
1
0
d
B
V
L
R
O
O
U
AUX
SEND
STEREO AUX RETURN
EFFECTS TO
MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
PWR
PHAN
SOLO
SOLO
1
2
1
2
3
4
1
2
C-R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1–2
3–4
U
O
O
+20
U
O
O
+20
U
O
O
+15
U
O
O
+15
U
O
O
+20
U
O
O
+20
U
O
O
+10
U
O
O
+10
LEFT RIGHT
PHONES
LAMP
12V
0.5A
TAPE IN
SOLO
RUDE
SOLO
LIGHT
CTL ROOM / PHONES
SUBS 3–4
SUBS 1–2
MAIN MIX
CTL ROOM
SOURCE
TAPE
TAPE TO
MAIN MIX
MAIN
MIX
RIGHT
1
2
3
4
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
28
10
7
4
2
2
0
4
7
10
20
30
ASSIGN TO MAIN MIX
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
U
O
O
+20
O
O
O
O
MAX
0 dB=0 dBu
MAX
dB
30
20
10
O
O
40
50
5
5
U
60
10
dB
30
20
10
O
O
40
50
5
5
U
60
10
1604-VLZ
PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS