Mackie SR244 VLZ Pro / SR324 VLZ Pro SR32•4 Specifications - Page 1

Mackie SR244 VLZ Pro / SR324 VLZ Pro Manual

Page 1 highlights

SR32•4-VLZ PRO MIXER SR32•4-VLZ PRO™ 32-Channel Sound Reinforcement Console Introduction  THE SR32•4-VLZ PRO is the latest update of our SR32•4 sound reinforcement console, incorporating our ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any sound reinforcement mixer design on the market.  Like all Mackie mixers, the SR32•4-VLZ PRO is designed for rugged, 24-hour-a-day use. With its multiple input/ output configurations, true 4-bus architecture, 6 aux sends, and extensive routing capabilities, it can be used in a variety of live sound and recording applications. Its sturdy steel construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60 mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they "ride" just above the steel chassis.  The SR32•4-VLZ PRO has 28 mono mic/line input chan- nels, with XLR mic inputs and 1/4" TRS line inputs, and 2 stereo line input channels with 1/4" TRS inputs. All mono channels have TRS insert jacks (tip = send, ring = return). Each channel strip has an input trim, 6 aux sends (2 prefader, 2 post-fader, and 2 switchable pre or post), 3-band EQ with sweepable midrange (4-band EQ on the stereo channels), pan control, and mute, solo, and bus assign switches. A 60 mm fader provides output gain for each channel.  Twenty-eight XDR mic preamps provide high-headroom and low-noise. They are impedance-independent, so the frequency response remains constant whether the mic preamp is presented with an extremely high- or low-impedance load. Additionally, each channel has its own switchable low-cut filter (18 dB/octave @ 75 Hz).  The mono channel EQs provide a range of ±15 dB at the following frequencies: 12 kHz shelving high-frequency EQ, 100 Hz to 8 kHz sweepable peaking mid-frequency EQ, and 80 Hz shelving low-frequency EQ. The stereo channels (21-24) provide ±15 dB of boost and cut at the following frequencies: 12 kHz shelving high-frequency EQ, 3 kHz peaking high-mid frequency EQ, 800 Hz peaking low-mid frequency EQ, and 80 Hz shelving low-frequency EQ. Features  Low noise/high headroom XDR™ (Extended Dynamic Range) mic preamps with excellent RFI rejection  New high-performance 2068 op-amps for incredibly low noise and distortion  Improved cooling for even greater thermal protection  28 mic/line mono, and 2 stereo line channels  True 4-bus design  Solo, pan, and 16 kHz Air EQ on each submaster  6 individual aux sends per channel (2 pre, 2 post, 2 switchable pre/post)  3-band swept midrange EQ on mic channels; 4-band fixed on stereo line channels  75 Hz low-cut filters on mic channels  Mute, solo, signal present and OL LEDs on every channel  6 aux send masters with individual solos  4 stereo aux returns with EFX monitor  Separate Talkback section with mic preamp  Double-bused sub outs for easy multi-track routing  Balanced stereo TRS & XLR main outputs  Balanced XLR mono output with level control (continued on page 2) RELATED PRODUCTS SR24•4-VLZ PRO Applications  Live sound mixing  Multi-track recording 1 OF 8 PAGES

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8

SR32•4-VLZ PRO
32-Channel
Sound Reinforcement Console
1
OF 8 PAGES
MIXER
SR32•4-VLZ PRO
Features
Low noise/high headroom XDR™ (Extended Dynamic
Range) mic preamps with excellent RFI rejection
New high-performance 2068 op-amps for incredibly low
noise and distortion
Improved cooling for even greater thermal protection
28 mic/line mono, and 2 stereo line channels
True 4-bus design
Solo, pan, and 16 kHz Air EQ on each submaster
6 individual aux sends per channel (2 pre, 2 post,
2 switchable pre/post)
3-band swept midrange EQ on mic channels;
4-band fixed on stereo line channels
75 Hz low-cut filters on mic channels
Mute, solo, signal present and OL LEDs on every channel
6 aux send masters with individual solos
4 stereo aux returns with EFX monitor
Separate Talkback section with mic preamp
Double-bused sub outs for easy multi-track routing
Balanced stereo TRS & XLR main outputs
Balanced XLR mono output with level control
Applications
Live sound mixing
Multi-track recording
Introduction
THE SR32•4-VLZ PRO is the latest update of our SR32•4
sound reinforcement console, incorporating our ultra-high
quality XDR™ (Extended Dynamic Range) mic preamps with
the best RFI rejection of any sound reinforcement mixer
design on the market.
Like all Mackie mixers, the SR32
4-VLZ PRO is designed
for rugged, 24-hour-a-day use. With its multiple input/
output configurations, true 4-bus architecture, 6 aux
sends, and extensive routing capabilities, it can be used
in a variety of live sound and recording applications. Its
sturdy steel construction houses rugged, double-sided
SMT-plated fiberglass circuit boards, and 60 mm faders
with ultra-tight lip seals for keeping out dust and other
contaminants. Impact-resistant knobs are mounted so they
“ride” just above the steel chassis.
The SR32•4-VLZ PRO has 28 mono mic/line input chan-
nels, with XLR mic inputs and 1/4" TRS line inputs, and 2
stereo line input channels with 1/4" TRS inputs. All mono
channels have TRS insert jacks (tip = send, ring = return).
Each channel strip has an input trim, 6 aux sends (2 pre-
fader, 2 post-fader, and 2 switchable pre or post), 3-band
EQ with sweepable midrange (4-band EQ on the stereo chan-
nels), pan control, and mute, solo, and bus assign switches.
A 60 mm fader provides output gain for each channel.
Twenty-eight XDR mic preamps provide high-headroom
and low-noise. They are impedance-independent, so the
frequency response remains constant whether the mic pre-
amp is presented with an extremely high- or low-impedance
load.
Additionally, each channel has its own switchable
low-cut filter (18 dB/octave @ 75 Hz).
The mono channel EQs provide a range of ±15 dB at the
following frequencies: 12 kHz shelving high-frequency EQ,
100 Hz to 8 kHz sweepable peaking mid-frequency EQ,
and 80 Hz shelving low-frequency EQ. The stereo channels
(21-24) provide ±15 dB of boost and cut at the following
frequencies: 12 kHz shelving high-frequency EQ, 3 kHz
peaking high-mid frequency EQ, 800 Hz peaking low-mid
frequency EQ, and 80 Hz shelving low-frequency EQ.
(continued on page 2)
RELATED PRODUCTS
SR24•4-VLZ PRO