Panasonic BT-3DL2550 Brochure - Page 3

Faithful Color Reproduction, Meets Broadcasting Needs, Display Functions for, Professional Use - bit

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Faithful Color Reproduction Meets Broadcasting Needs A Wide Color Space with Six Color Space Modes (3D/2D) A Wide Color Space with Six Color Space Modes (3D/2D) The color space of the BT-3DL2550 is 102% that of the NTSC standard, so it exceeds the EBU/SMPTE range that can be displayed by ordinary LCDs. It accurately reproduces colors that are not easily reproduced by conventional displays, including CRTs, to meet the needs of both broadcasters and image production companies, and to work in fields such as digital cinema, CG production, printing, publishing, advertising, and research. The BT-3DL2550 offers three wide color space modes of Adobe RGB =2.2, =1.8) and D-Cinema (=2.6) in addition to the three broadcast modes of SMPTE, EBU and ITU-709. 0.8 BT-LH2550 D-Cinema Adobe 0.6 ITU-709 0.4 Color Space Comparison (Simulation): The top part shows the color space when set to the 0.2 ITU-709 mode. The bottom part shows the color space in the WIDE3 (D-Cinema) mode. This screen image is simulated to show 0.00.0 0.2 0.4 0.6 0.8 the differences in colors High-performance Image Processing Engine for Superb Moving Image Quality (3D/2D) • Precise 10 bit image processing uses a three-dimensional LUT (Look Up Table) for each RGB color to achieve faithful color reproduction from low to high brightness levels. • The diagonal line compensation circuit minimizes jagged noise on diagonal lines. • The high-speed, high-performance I/P conversion circuit achieves superb motion response with a delay of less than one field between input and panel display. • Improved response time in intermediate gradations provides vivid and clear image displays without blurring. Gamma Compensation for Each Monitor  (3D/2D) In order to match the LCD monitor to professional broadcasting applications, compensation is conducted for each monitor in 256 discrete RGB steps, rated gamma properties (g = 2.2) are reproduced, and gradation suitable for broadcasting is achieved. Color temperature of 9300K/6500K/5600K; and 3000K to 9300K can be selected with the variable setting. Calibration Function The BT-3DL2550 comes installed with software that allows it to be calibrated without using a PC, by simply connecting a manufacturerdesignated display color analyzer and measurement probe to the monitor. (3D/2D) *Konica Minolta CA-210 Display Color Analyzer with CA-PU12/CA-PU15 Standard Measurement Probe. For more information on the Konica Minolta calibration system, please see the following website. . Display Functions for Professional Use Cine Gamma Compensation (3D/2D) The BT-3DL2550 is equipped with a cine-gamma (F-REC) compensation function for compatibility as a monitor for a Varicam camera recorder. This function supports the production of movies, film-like HDTV programs, and TV commercials. 2-Input Split-Screen Function (2D) This function displays two images on main screen and subscreen sections from two video inputs selected from VIDEO, SDI1, SDI2, YPBPR/ RGB or DVI-D. The main screen section displays moving images or still pictures, and settings such as gamma, color gamut, R gain and B gain can be adjusted on the image in the subscreen section. It is also possible to change the sizes of the main screen and subscreen sections to L/S, M/M or S/L. This function is especially useful for combining CGs, adjusting viewing angles of multiple camera images, and matching colors. Since this enables a single BT-3DL2550 to serve as two monitors, it also saves space. *It may not be possible to display both images simultaneously with certain input signal combinations. Various Markers (3D/2D) Various markers can be displayed in both 16:9 and 4:3 aspect ratios. • Aspect Marker (16:9): 4:3, 13:9, 14:9, CNSCO or VISTA, with background brightness control of Black (0%), Half (50%) or Normal (100%). • Safe Area Marker (16:9/4:3): Safe Area Marker/Center Marker 95%, 93%, 90%, 88% or 80%. In 16:9 mode, the BT-3DL2550 can display a superimposed safe area marker of both 16:9 and 4:3 simultaneously. • Center Marker (16:9/4:3): ON/OFF. The center marker can be displayed together with another marker, as shown in the example on the above. A Diversity of Display Functions • Cross Hatch Overlay (3D/2D): Displays grids with 120 pixel intervals. This is useful for horizontal/vertical adjustment. * Vertical lines are displayed with intervals equaling approximately 6% of the screen width. • HV Delay Display (2D): Displays the video blanking period. Cross Hatch ON • Audio Level Meter (3D/2D): Displays a skeleton bar meter showing the SDI embedded audio input level over the video image. The display can be selected from 2 channels, 4 channels, 8 channels or OFF. • Mono Mode (3D/2D): Displays images in black-and-white. 8ch Audio Level Meter • Time Code Display (3D/2D): Displays the time code selected from VITC, LTC or UB when an HD SDI signal is input. • Closed Caption Display (2D): Displays closed captions (32 characters x 15 lines) when a video (NTSC) signal is input.

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Faithful Color Reproduction
Meets Broadcasting Needs
A Wide Color Space with Six Color Space Modes
(3D/2D)
A Wide Color Space with Six Color Space Modes (3D/2D)
The color space of the BT-3DL2550 is 102% that of the NTSC
standard, so it exceeds the EBU/SMPTE range that can be
displayed by ordinary LCDs. It accurately reproduces colors that
are not easily reproduced by conventional displays, including CRTs,
to meet the needs of both broadcasters and image production
companies, and to work in fields such as digital cinema, CG
production, printing, publishing, advertising, and research.
The BT-3DL2550 offers three wide color space modes of Adobe
RGB
=2.2,
=1.8) and D-Cinema (
=2.6) in addition to the three
broadcast modes of SMPTE, EBU and ITU-709.
High-performance Image
Processing Engine
for Superb Moving Image Quality
(3D/2D)
• Precise 10 bit image processing uses a three-dimensional LUT
(Look Up Table) for each RGB color to achieve faithful color
reproduction from low to high brightness levels.
• The diagonal line compensation circuit minimizes jagged noise on
diagonal lines.
• The high-speed, high-performance I/P conversion circuit achieves
superb motion response with a delay of less than one field between
input and panel display.
• Improved response time in intermediate gradations provides vivid
and clear image displays without blurring.
Gamma Compensation for Each Monitor
(3D/2D)
In order to match the LCD monitor to professional broadcasting
applications, compensation is conducted for each monitor in 256
discrete RGB steps, rated gamma properties (g = 2.2) are
reproduced, and gradation suitable for broadcasting is achieved.
Color temperature of 9300K/6500K/5600K; and 3000K to 9300K
can be selected with the variable setting.
Calibration Function
(3D/2D)
The BT-3DL2550 comes installed
with software that allows it to be
calibrated without using a PC, by
simply connecting a manufacturer-
designated display color analyzer
and measurement probe to the
monitor.
Display Functions for
Professional Use
Cine Gamma Compensation
(3D/2D)
The BT-3DL2550 is equipped with a cine-gamma (F-REC)
compensation function for compatibility as a monitor for a Varicam
camera recorder. This function supports the production of movies,
film-like HDTV programs, and TV commercials.
2-Input Split-Screen Function
(2D)
This function displays two
images on main screen and
subscreen sections from two
video inputs selected from
VIDEO, SDI1, SDI2, YP
B
P
R
/
RGB or DVI-D. The main screen
section displays moving images
or still pictures, and settings
such as gamma, color gamut, R
gain and B gain can be adjusted on the image in the subscreen
section. It is also possible to change the sizes of the main screen
and subscreen sections to L/S, M/M or S/L. This function is
especially useful for combining CGs, adjusting viewing angles of
multiple camera images, and matching colors. Since this enables a
single BT-3DL2550 to serve as two monitors, it also saves space.
*It may not be possible to display both images simultaneously with certain input signal
combinations.
Various Markers
(3D/2D)
Various markers can be
displayed in both 16:9 and 4:3
aspect ratios.
• Aspect Marker (16:9):
4:3,
13:9, 14:9, CNSCO or VISTA,
with background brightness
control of Black (0%), Half (50%)
or Normal (100%).
• Safe Area Marker (16:9/4:3):
95%, 93%, 90%, 88% or 80%. In 16:9 mode, the BT-3DL2550 can
display a superimposed safe area marker of both 16:9 and 4:3
simultaneously.
• Center Marker (16:9/4:3):
ON/OFF. The center marker can be
displayed together with another marker, as shown in the example
on the above.
A Diversity of Display Functions
• Cross Hatch Overlay
(3D/2D)
:
Displays grids with 120 pixel
intervals. This is useful for
horizontal/vertical adjustment.
* Vertical lines are displayed with intervals
equaling approximately 6% of the screen
width.
• HV Delay Display
(2D)
:
Displays the video blanking
period.
• Audio Level Meter
(3D/2D)
:
Displays a skeleton bar meter
showing the SDI embedded
audio input level over the video
image. The display can be
selected from 2 channels, 4
channels, 8 channels or OFF.
• Mono Mode
(3D/2D)
:
Displays
images in black-and-white.
• Time Code Display
(3D/2D)
:
Displays the time code selected from
VITC, LTC or UB when an HD SDI signal is input.
• Closed Caption Display
(2D)
:
Displays closed captions
(32 characters x 15 lines) when a video (NTSC) signal is input.
Safe Area Marker/Center Marker
8ch Audio Level Meter
0.0
0.2
0.4
0.6
0.8
0.0
0.2
0.4
0.6
0.8
ITU-709
Adobe
D-Cinema
BT-LH2550
Color Space Comparison
(Simulation):
The top part shows
the color space when set to the
ITU-709 mode. The bottom part
shows the color space in the
WIDE3 (D-Cinema) mode. This
screen image is simulated to show
the differences in colors
Cross Hatch ON
*Konica Minolta CA-210 Display Color
Analyzer with CA-PU12/CA-PU15
Standard Measurement Probe.
For more information on the
Konica Minolta calibration system, please
see the following website. <http://www.
konicaminolta.com/instruments/index.
html>.