Panasonic P2 Handheld Camcorder Understanding P2 Workflow: Final Cut Pro
Panasonic P2 Handheld Camcorder Manual
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- Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 1
Using P2 HD with - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 2
AVC-Intra Codec required (see below). Minimum NLE software version for P2 support Final Cut Pro Version 5.04, 5.14 Highly Recommended Minimum NLE P2 workflow described here is available for use with all Panasonic P2 HD camcorders. Please contact Panasonic for further details, or, visit www.panasonic - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 3
mechanism. AVC-Intra is standard in the Panasonic AJ-HPX3000 2/3" Native 1080p 2.2M P2 HD camcorder, and as an option in the ultra-versatile AJ-HPX2000 2/3" 1.1M P2 HD camcorder and the AJ-HPM110 P2 Mobile Recorder / Player. All of these products support the DVCPRO formats too. Because the AVC - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 4
one to transfer to FCP and one to create offline archives. I will load P2 card clones from the field drive using Log and Transfer. This way I can .dvfilm.com). Raylight creates Quicktime aliases from the MFX files on your P2 volume. It can scan cards automatically or when you want. This eliminates - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 5
scratch disk, a USB 2.0 connection for a P2 card reader would work best. If an AG-HVX200 handheld P2 HD Camcorder is going to be used as a card reader erased in the P2 Store prior to going back into a camera. FCP does not directly support the MXF data format. Using FCP to ingest P2 clips will - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 6
on your Mac prior to attempting ingest. Using the File menu, choose Log and Transfer. FCP will locate the mounted P2 volumes and present the clips contained on those cards. The contents of the cards can be displayed as a list of clips, or segmented by card. - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 7
First, from the FS-100 Utilities menu, choose Organize P2. Then use the HDD Menu to choose DD Drive. Connect your Firewire cable from the Computer I/O port to your Mac. Choose Enable. The drive will - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 8
own logging information such as reel, clip name, log notes, etc. Sub clipping is a powerful feature that FCP provides. It is a strategic part of the P2 workflow. By sub clipping your raw footage, one can reduce the amount of unwanted data that will be captured. This will save time in the - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 9
you heed this advice, your editing will go smoothly. The ingest process in FCP is a background process. This means that you can place the Import P2 window in the background and continue to edit as the clips are ingested. The clips will show up in the designated logging bin as soon - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 10
panasonic.com/business/provideo/support/software_downloads.asp See Apple's publications, "Final Cut Pro Working With High Definition and Broadcast Formats", and ProRes Whitepaper Article L342568A for detailed information. View these documents at http://manuals consume 1GB on a P2 card, but at ProRes - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 11
any clips. Do so by choosing the preferences in the Log and Transfer window. From here you will decide either ProRes or ProRes HQ. Reconnecting P2 Media After completion of a project, I will remove the media from the FCP system. Occasionally, jobs will need to be revised, and subsequently, the media - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 12
FCP does not show your card(s), you may need to point FCP to the location manually. Do this by selecting "Add Folder" and navigating to the appropriate location. Occasionally, your P2 volumes may not mount on the desktop after insertion. If this occurs, a quick trip to the Disk Utility application - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 13
allow the user to view all metadata stored on the P2 cards and transfer some of that data into FCP. It is complete, the data ideally resides in two places; the P2 Store and a portable hard drive, or the P2 cards and a P2 Store. Since the P2 Store will be used on the next shoot, another method of - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 14
1980s. Quantum offers a special DLT drive, Model 600A, that offers MXF data support and an easy to use Ethernet connectivity. Simply drag your files from your local will average about 16 cards per hour or about 4 minutes per 8GB P2 card. It is important to consider how you wish to handle the archive - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 15
Simply drag your archived P2 Card folders into the main window. Tell Toast what type of media you are using. Toast 8 will tell you how many discs you will need. - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 16
you have hooked your DLT up to) from the Network Status drop down. Now we must place the Mac on the same subnet by choosing Manual from the Configure IPv4 drop down menu. Use 10.10.10.1 as your address and leave the rest of the settings as is. Click Apply - Panasonic P2 Handheld Camcorder | Understanding P2 Workflow: Final Cut Pro - Page 17
the Volumes folder and doubleclicking. Locate the sub volume with your archived P2 Folders in it and drag them to the right window. You will Instructor in Final Cut Pro and runs a video production facility using the P2 workflow for broadcast and corporate clients. The New Jersey Final Cut Pro
Using P2 HD with