TEAC HS-2000 TASCAM Pro Audio Brochure 2011 - Page 6
Pro Tools, Logic, SONAR and Nuendo. The optional IF-FW/DM mkII inter - price
View all TEAC HS-2000 manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 6 highlights
The TASCAM DM-4800 and DM-3200 are the ultimate digital consoles for professional users who demand flexible mix platforms that configure to fit their needs. The 64-channel DM-4800 features a "fat channel" strip in the center of the board, providing instant access to 4-band parametric EQ, dynamics and aux controls. A pair of effects processors include TC Reverbs for polished mixes. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard complement of analog and digital I/O is more than you'll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAM's DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. Its Remote layer provides 24-fader Mackie HUI or Mackie Control emulation for control of premiere workstations like Pro Tools, Logic, SONAR and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. The 48-channel DM-3200 packs many of the features of the DM-4800 into a smaller size and price, with 16 mic pres and 16 busses for great sounding productions. Options include the MU-1000 meter bridge (pictured) and analog and digital expansion cards. No matter what your application, the TASCAM DM-4800 and DM-3200 adapt to the needs of any professional audio installation. • 48 channels and 16 returns for 64 total • Flexible routing allows any input to be inputs (DM-3200: 48 inputs) routed to any channel or output • 24 busses (16 busses on DM-3200) • Save data to Compact Flash media using • 12 Aux Sends (8 on DM-3200) built-in CF slot • 24 XLR mic/line inputs with analog • (3x) 8-channel TDIF digital inputs and inserts plus phantom power for condenser outputs (24 channels) mics (16 on DM-3200) • 8-channel ADAT optical digital input and • 4 expansion card slots support optional output expansion cards (2 on DM-3200) • (2) Stereo AES/EBU and S/PDIF digital • Dedicated cascade port supports cascade inputs and outputs of two consoles • Stereo XLR balanced line outputs • Channel Strip section for EQ, Dynamics • (8) 1/4" TRS balanced assignable insert and Aux control of selected channel (DM- sends (4 on DM-3200) 4800 only) • (8) 1/4" TRS balanced assignable insert • LED ring encoders for pan, aux sends returns (4 on DM-3200) and EQ • RCA timecode input • Built-in DAW control layer compatible • MIDI In, Out and Thru connectors with Pro Tools®, Logic Pro™, SONAR™, • BNC Word Sync Input and Out/Thru with Cubase™, Nuendo™, and Digital termination Performer™ • GPI output for parallel control • Transport buttons control DAW software, • RS-422 connector for device control RS-422 devices or MMC devices • USB connector for DAW control modes • Powerful automation with touch-sensitive • 1/4" Footswitch jack motorized faders • 4-band EQ, compression and gating on Optional expantion cards include: each channel • Compression for each aux, buss and main output • Two built-in effects processors, each able to run TC Reverb programs • Analog • AES/EBU • ADAT • TDIF • FireWire • Aviom • Cobranet • Surround Monitoring