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NTR Note Transposition Rule, Highest Key, PHRASE 1 and PHRASE 2.

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Style Creator G NTR (Note Transposition Rule) Two settings are available: • ROOT TRANS When the root note is transposed, the pitch relationship between notes is maintained. For example, the notes C3, E3, and G3 in the key of C will become F3, A3, and C4 when transposed to F. Use this setting for parts that contain melodic lines. • ROOT FIXED The note is kept as close as possible to the previous note range. For example, the notes C3, E3, and G3 in the key of C will become C3, F3, and A3 when transposed to F. Use this setting for chordal parts. G NTT(Note Transposition Table) This sets the note transposition table to be used for source pattern transposition. Six table types are available: • BYPASS No transposition. • MELODY Suitable for melody line transposition. Use for melody parts such as PHRASE 1 and PHRASE 2. • CHORD Suitable for chord transposition. Use for the CHORD 1 and CHORD 2 parts when they contain piano or guitar-like chordal parts. • BASS Suitable for bass line transposition. This table is basically similar to the MELODY table, but recognizes "on-bass" chords allowed in the FINGERED 2 ﬁngering mode. Use primarily for bass lines. • MELODIC MINOR This table lowers the third scale degree by a semitone when changing from a major to a minor chord, or raises the minor third scale degree a semitone when changing from a minor to a major chord. Other notes are not changed. • HARMONIC MINOR ......... This table lowers the third and sixth scale degrees by a semitone when changing from a major to a minor chord, or raises the minor third and ﬂatted sixth scale degrees a semitone when changing from a minor to a major chord. Other notes are not changed. G Highest Key This sets the highest key (upper limit of the octaves) of the note transposing for the Source Chord Root setting. The notes designated higher than the highest key will actually be played back in the octave just below the highest key. This setting is effective only when the NTR parameter (above) is set to ROOT TRANS. Example) When highest key is "F". Root change Notes played CM C3-E3-G3 C#M C#3-F3-G#3 FM F3-A3-C4 F#M F#2-A#2-C#3 136 Reference 134

Section	Page
Cover	1
PRECAUTIONS	4
Packing List	6
Panel logos	6
How to use the manual	7
Contents	8
Top Panel & Connections	10
Music stand	10
Rear Panel & Connections	12
Starting Up	14
Lamp	15
Quick Guide	16
Playing Voices	16
Playing a Voice	16
Playing Two or Three Voices Simultaneously	17
Playing Different Voices with the Left and Right Hands	18
Adjusting the Octave setting	18
Organ Flutes	19
Auto Accompaniment	20
Using Auto Accompaniment	20
Accompaniment Sections	22
One Touch Setting	24
Track Muting & Volume Control	24
Disk Direct Function	25
Music Database	26
Using the Music Database	26
Searching the Music Database	27
Registration Memory	28
Using the Preset Registration Memory	28
Registering the Panel Settings	29
Disk Song Playback	30
Playback of Song Disks	30
Vocal Harmony	32
Setting Up	32
Vocal Harmony with Accompaniment Playback	32
Vocal Harmony with Song Playback	33
The Multi Pads	34
Playing the Multi Pads	34
Chord Match	34
Voice Effects	35
Applying the Voice Effects	35
Song Creator	36
Quick Recording	36
Multi Track Recording	38
Sampling	40
Recording a Sample	40
Using the Optional Plug-in Board	42
Playing a Plug-in Voice	42
Basic Operation	44
Display-based Controls	44
Display Messages	45
Name Entry	46
Computer Keyboard Functions	46
Direct Access	48
Function Tree	50
Memory Structure	54
Reference	56
Demonstration	56
Voices	57
Parts: Right1, Right2, Right3 and Left	57
Voices	58
PITCH BEND Wheel & MODULATION Wheel	59
Voice Effects	60
Other Keyboard-related Functions	61
Organ Flutes	62
Plug-in Voices	64
Plug-in Manager	66
Auto Accompaniment	70
Chord Fingerings	70
Fade-ins and Fade-outs	72
Tempo Control	72
Synchro Stop	73
One Touch Setting	73
Style Manager	74
Music Database	76
Creating the Music Database	76
The Multi Pads	77
Turning Chord Match and Repeat On/Off	77
Disk Song Playback	78
Selecting a Song	78
Other Functions: Viewing the Lyrics and Fast Forward/Reverse	79
Song Setup	79
Vocal Harmony	80
Applying the Vocal Harmony Effect	80
Selecting/Producing the Vocal Harmony effect	81
Changing the Vocal Harmony/Microphone Settings	82
Sampling	84
Recording a Sample	86
Importing Wave Files from Disk	87
Clearing Wave Data	87
Editing Wave data	88
Custom Voice Creating	92
Easy Editing	93
Full Editing	94
Creating Plug-in Custom Voices	100
Voice Editing	102
Native System Parameter Editing	105
Voice Editing on a Computer	106
Board Custom Voice Backup	108
Song Creator	110
Track Setting for Recording (Multi Track Recording)	112
Track Setting for Recording (Quick Recording)	113
Song Edit Functions (Multi Track Recording)	114
Song Setup (Multi Track Recording)	115
Step Recording (Multi Track Recording)	116
Chord Step (Quick Recording)	122
Style Creator	126
Style Assembly — Creating a Style	129
Revoice (Easy Edit)	130
Groove & Dynamics (Easy Edit)	131
Style Recording (Full Edit)	132
Style Editing (Full Edit)	134
Custom Style Recording via an External Sequence Recorder	138
Step Recording (Full Edit)	140
Multi Pad Creator	141
Multi Pad Recording	142
Clear	142
Copy	142
Turning Chord Match and Repeat On/Off	142
Step Recording	143
Mixing Console	144
Part Settings	144
Effect Type Settings	146
Master Equalizer Settings	147
Line Out Settings	148
Disk/SCSI Operations	150
Loading Data from a Disk to Flash ROM	152
Saving Data from Flash ROM to a Disk	153
Copying Files & Copying Floppy Disks	154
Backing Up/Restoring the Data in Flash ROM	154
Converting files	155
Renaming/deleting Disk Files	155
Renaming/deleting/creating Directories	156
Formatting a Disk	156
Checking a Disk	157
The 9000Pro “Functions”	158
Master Tuning/Scale Tuning	158
Split Point/Chord Fingering	159
Controller Assignment	159
Registration/Freeze Group/Voice Set Settings	163
Harmony/Echo Settings	164
Video Monitor Settings	165
Talk Setting	165
Utility Settings	166
MIDI Functions	168
System Settings	175
Transmit Settings	175
Receive Settings	176
Root Settings	177
Chord Detect Settings	177
Storing the MIDI Settings	177
MFC10 Settings	178
Installing Optional Hardware	180
Optional Plug-in Board Installation	181
Optional Hard Disk Installation	184
Optional SIMM Installation	185
Troubleshooting	188
Appendix	192
Voice List	192
Keyboard Drum Assignments	200
Plug-in Voice List	204
Style List	212
Multi Pad Bank List	213
Parameter Chart	214
Effect Type List	220
Effect Parameter List	222
Effect Data Value Assign Table	227
MIDI Data Format	228
MIDI Implementation Chart	244
Specifications	246

Match case Limit results 1 per page

Style Creator

136

Reference

●

NTR (Note Transposition Rule)

Two settings are available:

•

ROOT TRANS

...................

When the root note is transposed, the pitch relationship between notes is

maintained. For example, the notes C3, E3, and G3 in the key of C will

become F3, A3, and C4 when transposed to F. Use this setting for parts

that contain melodic lines.

•

ROOT FIXED

....................

The note is kept as close as possible to the previous note range. For exam-

ple, the notes C3, E3, and G3 in the key of C will become C3, F3, and A3

when transposed to F. Use this setting for chordal parts.

●

NTT(Note Transposition Table)

This sets the note transposition table to be used for source pattern transposition. Six table

types are available:

•

BYPASS

............................

No transposition.

•

MELODY

...........................

Suitable for melody line transposition. Use for melody parts such as

PHRASE 1 and PHRASE 2.

•

CHORD

.............................

Suitable for chord transposition. Use for the CHORD 1 and CHORD 2 parts

when they contain piano or guitar-like chordal parts.

•

BASS

................................

Suitable for bass line transposition. This table is basically similar to the

MELODY table, but recognizes

“

on-bass

”

chords allowed in the FINGERED

ﬁ

ngering mode. Use primarily for bass lines.

•

MELODIC MINOR

.............

This table lowers the third scale degree by a semitone when changing from

a major to a minor chord, or raises the minor third scale degree a semitone

when changing from a minor to a major chord. Other notes are not

changed.

•

HARMONIC MINOR

.........

This table lowers the third and sixth scale degrees by a semitone when

changing from a major to a minor chord, or raises the minor third and

ﬂ

atted

sixth scale degrees a semitone when changing from a minor to a major

chord. Other notes are not changed.

●

Highest Key

This sets the highest key (upper limit of the octaves) of the note transposing for the Source

Chord Root setting. The notes designated higher than the highest key will actually be played

back in the octave just below the highest key.

This setting is effective only when the NTR parameter (above) is set to ROOT TRANS.

C3-E3-G3

F3-A3-C4

2-A

2-C

3-F3-G

Root change

Notes played

Example) When highest key is

“

”

134