Yamaha CL1 Cl Stagemix V3.0 User Guide - Page 20

Parametric Eq Editing

Page 20 highlights

Yamaha Commercial Audio 5.2 PARAMETRIC EQ EDITING CL StageMix V3.0 User Guide The current channel's Name, Color, Fader, Level Meters, [ON] and [CUE] buttons are shown in the left column. At the bottom-left, there are "previous" and "next" arrow buttons for navigating to different channels. Note: the In/Out meters display the levels going In and Out of the EQ section. One band of Parametric EQ can be adjusted at a time. Press one of the green circles to select the band, and it will be highlighted yellow. EQ bands in StageMix are labelled as follows: HP = HPF (input channels only) 1 = Low Band 2 = Low-Mid Band 3 = High-Mid Band 4 = High Band The current values for Freq, Gain and Q will be displayed for the currently selected EQ band. Gain and Frequency can be adjusted by dragging the circle around the graph. Q is adjusted by using the iPad's "pinch" gesture: hold one finger (or thumb) on the screen while moving another finger closer to or further away from the first. Page 20

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Yamaha Commercial Audio
CL StageMix V3.0 User Guide
5.2
PARAMETRIC EQ EDITING
The current channel’s Name, Color, Fader, Level Meters, [ON] and [CUE]
buttons are shown in the left column.
At the bottom-left, there are “previous”
and “next” arrow buttons for navigating to different channels.
Note: the In/Out meters display the levels going In and Out of the EQ section.
One band of Parametric EQ can be adjusted at a time. Press one of the green
circles to select the band, and it will be highlighted yellow.
EQ bands in
StageMix are labelled as follows:
HP = HPF (input channels only)
1 = Low Band
2 = Low-Mid Band
3 = High-Mid Band
4 = High Band
The current values for Freq, Gain and Q will be displayed for the currently
selected EQ band.
Gain and Frequency can be adjusted by dragging the circle around the graph.
Q is adjusted by using the iPad’s “pinch” gesture: hold one finger (or thumb)
on the screen while moving another finger closer to or further away from the
first.
Page 20