Yamaha EZ-30 Owner's Manual - Page 57

Inversion of the 7sus4 and m711 chords are not recognized if the notes shown

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Page 57 highlights

Chord Name/[Abbreviation] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1 - 2 - 5 Chord (C) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 Display CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C • Notes in parentheses can be omitted. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5. • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. • The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. • The split point for the auto accompaniment function is the same as that for the split voices. (See page 44.) 57

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57
•
Notes in parentheses can be omitted.
•
A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth
which can be used with both major and minor chords.
•
Playing two same root keys in the adjacent octaves produces accompaniment
based only on the root.
•
The chord fingerings listed are all in “root” position, but other inversions can be
used - with the following exceptions:
m7, m7
b
5, 6, m6, sus4, aug, dim7, 7
b
5, 6(9), 1+2+5.
•
Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown
in parentheses are omitted.
•
The auto accompaniment will sometimes not change when related chords are
played in sequence (e.g. some minor chords followed by the minor seventh).
•
Two-note fingerings will produce a chord based on the previously played chord.
•
The split point for the auto accompaniment function is the same as that for the
split voices. (See page 44.)
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7(9)
CmM7(9)
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
CmM7
b
5
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7(
b
9)
C7(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7(
b
13)
C7(
b
13)
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7(9)
C7(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7(
#
11)
C7(
#
11)
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7(13)
C7(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7(
#
9)
C7(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
C7
b
5
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
C7sus4
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display