Yamaha IIs Data List - Page 25

Effect Parameter Description LCD AMDepth Amp Attack CchDlay ChoSend ChoRetrn CtofOfst Depth Detune DlayOfst DlayTm Diffusion Drive Dry/Wet Edge F/RDpth FBDlay FBDlay1 FBDlay2 FBLevel ErBalance HiDamp HiFreq HiGain HPF HPFFreq HPRQ InitDlay Input L/RDpth L→R Delay LchDlay L_FBLvl LFO LoFreq LoGain LPF LPFFreq LPFQ MidFreq MidGain MidWidth MIDI Ctl# MIDI Sens Parameter name AM Depth AMP Type Attack Cch Delay Chorus Send Chorus Return Cutoff Frequency Offset LFO Depth Detune Delay Offset Delay Time Diffusion Drive Dry/Wet Edge F/R Depth Feedback Delay Feedback Delay1 Feedback Delay2 Feedback Level Er/Rev Balance High Damp High Frequency High Gain HPF Cutoff Frequency HPF Cutoff Frequency HPF Q Initial Delay Input Select L/R Depth L→R Delay Lch Delay Lch Feedback Level LFO Frequency Low Frequency Low Gain LPF Cutoff Frequency LPF Cutoff Frequency LPF Q Mid Frequency Mid Gain Mid Width MIDI Control Change Number MIDI Control Sensitivity Effect types in which the parameter exists Explanation of parameter TREMOLO Depth of volume modulation AMPSIM Select the type of amp to be simulated COMP Time until the compressor effect begins to apply NOISEGATE Time until the gate begins to open Delay LCR Length of the center channel delay All types Send level of insertion effect output to system chorus effect System Chorus only Return level of system chorus effect WAH type Frequency offset value that will control the wah filter CHORUS type, FLANGER type, SYMPHONIC Depth of delay modulation ROTARY Depth of modulation caused by speaker rotation PHASER Depth of phase modulation AUTOWAH Depth at which the wah filter will be controlled ENSEMBLE Amount of pitch shift CHORUS type, FLANGER type, SYMPHONIC Offset value of delay modulation KARAOKE type Spacing of reflections for karaoke echo REVERB type, PHASER Control the spaciousness DISTORTION type Depth of distortion ENHANCER Depth at which the excite is applied All types Balance between dry sound and effect sound DISTORTION, OVERDRIVE Curve of distortion characteristics (sharp (127) distorts suddenly, mild (0) distorts gradually) AUTOPAN Depth of front/back panning (valid when PAN Direction = Lturn, Rturn) DelayLCR Length of feedback delay DelayLR Length of feedback delay 1 DelayLR Length of feedback delay 2 System Reverb only Feedback amount of initial delay Delay LCR, Delay LR, Cross Delay Feedback amount KARAOKE type Setting for repeated reflections CHORUS type, FLANGER type Level at which delay output is again returned to the input (negative values invert the phase) PHASER Level at which phaser output is again returned to the input (negative values insert the phase) REVERB type Level balance between the early reflections and the reverberation Delay LCR, Delay LR Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly) 3 BAND EQ, 2 BAND EQ Center frequency for boosting or cutting higher frequencies 3 BAND EQ, 2 BAND EQ Gain level for boosting or cutting higher frequencies REVERB type, KARAOKE type, ENHANCER Frequency below which frequencies are cut off by high-pass filter FILTER Frequency below which frequencies are cut off by high-pass filter FILTER Q value for high-pass filter REVERB type Delay time until the early reflections Cross Delay Input select AUTOPAN Depth of left/right panning Cross Delay Delay time from left (input) to right (output) Delay LCR, Delay LR, ECHO, ENSEMBLE Length of left channel delay ECHO Amount of left channel feedback CHORUS type, FLANGER type, SYMPHONIC Frequency of delay modulation ROTARY Frequency at which the speaker will rotate TREMOLO Modulation frequency AUTOPAN Autopan frequency PHASER Phase modulation frequency AUTOWAH Frequency at which wah filter will be controlled 3 BAND EQ, 2 BAND EQ Center frequency for boosting or cutting lower frequencies 3 BAND EQ, 2 BAND EQ Gain level for boosting or cutting lower frequencies REVERB type, KARAOKE type, DISTORTION type Frequency above which frequencies are cut off by low-pass filter FILTER Frequency above which frequencies are cut off by low-pass filter FILTER Q value for low-pass filter 3 BAND EQ Center frequency for boosting or cutting middle frequencies 3 BAND EQ Gain level for boosting or cutting middle frequencies 3 BAND EQ Bandwidth for boosting or cutting middle frequencies All types Controller number used for real-time control of the effect All types Sensitivity used for real-time control of the effect 25