Yamaha YPG-235 Owner's Manual - Page 69

Recognized Standard Chords, All chords in the chart are C-root chords. - voice list

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Style (Auto-accompaniment) Functions ■Recognized Standard Chords All chords in the chart are "C-root" chords. Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] Suspended second [sus2] Normal Voicing Chord (C) Display 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 C C (9) C6 C(69) CM7 C (9) M7 C (#11) M7 C (b5) C (b5) M7 Csus4 C C(9) C6 C6(9) * CM7 CM7(9) * CM7(#11) * Cb5 * CM7b5 * Csus4 1 - 3 - #5 Caug Caug 1 - (3) - #5 - 7 CM7aug CM7aug * 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 Cm C(m9) Cm6 Cm Cm(9) Cm6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 Cm7 C (9) m7 C(m117) CmM7 C (9) mM7 C (b5) m7 C (b5) mM7 Cdim Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim 1 - b3 - b5 - 6 Cdim7 Cdim7 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 C7 C (b9) 7 C (b13) 7 C(79) C(7#11) C(713) C(7#9) C7b5 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * 1 - 3 - #5 - b7 C7aug C7aug 1 - 4 - (5) - b7 C7sus4 C7sus4 1 - 2 - 5 Csus2 C * * These chords are not shown in the Dictionary function. NOTE • Notes in parentheses can be omitted. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used-with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2. NOTE • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. • The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. DGX-230/YPG-235 Owner's Manual 69

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Style (Auto-accompaniment) Functions
DGX-230/YPG-235
Owner’s Manual
69
■
Recognized Standard Chords
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All chords in the chart are “C-root” chords.
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
Add ninth [(9)]
1 - 2 - 3 - 5
C
(9)
Sixth [6]
1 - (3) - 5 - 6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6
(9)
*
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7
(9)
*
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7
(
#
11)
*
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C
b
5
*
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
CM7
b
5
*
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Augmented [aug]
1 - 3 -
#
5
Caug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
CM7aug *
Minor [m]
1 -
b
3 - 5
Cm
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Cm
(9)
Minor sixth [m6]
1 -
b
3 - 5 - 6
Cm6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Cm7
(9)
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Cm7
(11)
*
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7
(9)
*
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
*
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7
(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7
(
b
13)
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7
(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7
(
#
11)
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7
(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7
(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
*
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
C7sus4
Suspended second [sus2]
1 - 2 - 5
C *
C
C
(
9
)
C
6
(
9
)
C
6
C
M7
C
M7
(
9
)
C
M7
(
#
11
)
C
(
b
5
)
C
M7
(
b
5
)
C
sus4
C
aug
C
M7aug
C
m
(
9
)
C
m
C
m6
C
m7
C
m7
(
9
)
C
m7
(
11
)
C
mM7
C
mM7
(
9
)
C
m7
(
b
5
)
C
mM7
(
b
5
)
C
dim
C
dim7
C
7
C
7
(
b
9
)
C
7
(
b
13
)
(
9
)
C
7
(
#
11
)
C
7
(
13
)
C
7
(
#
9
)
C
7
C
7
b
5
C
7aug
C
7sus4
C
sus2
•
Notes in parentheses can be omitted.
•
Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
•
A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
•
The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9), sus2.
NOTE
•
Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
•
The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
•
Two-note fingerings will produce a chord based on the previously played
chord.
NOTE