Alesis M1Active MKII User Manual - Page 18

Tereo Nearfield Placement Of The, Ctive - studio monitors

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Speaker Installation STEREO NEARFIELD PLACEMENT OF THE M1 ACTIVE MK2 NOTE: We recommend that the M1 Active Mk2 speakers be placed with the tweeters to the inside, not the outside, of the listening triangle. The "classic" studio monitor layout used to be that the tweeters be placed to the outside of a horizontally-oriented speaker. In the past, this configuration was actually beneficial in time aligning the tweeter with the woofer if the cabinets were not toed-in toward the listener. However, this configuration is highly prone to comb filtering effects if the listener's head is moved from side-to-side while mixing. This "comb filtering" causes the mid-to-high frequency tones to get louder, then softer, then louder again as you move your head from side-to-side, making it very confusing when trying to mix with precision. Some people still believe that stereo separation is "improved" with tweeters to the outside, but this is advice left over from the early days (the sixties) of stereo recordings when "correct" stereo often meant a complete hard right or hard left placement of an instrument (or singer). As stereo mixing techniques changed toward placing the vocalist (for example) in the center, the old "tweeters-out" orientation would indeed widen the image if one's head were kept in the exact center position. But this set-up proves to be very tiring, very quickly for the recording engineer. And, to others who are listening to the mix from either side of the engineer, the sound will seem to be coming primarily from the speaker closest to them. Fortunately, recording techniques have changed radically since the sixties. Engineers have learned to how to "place" an instrument or singer within the mix so that an accurate re-creation of the actual instrument and vocal positioning (left-to-right and front-to-back) is achieved. In the M1 Active Mk2, advances in crossover design technologies and improvements in the offaxis response of tweeter domes and woofer cone materials and profile have made the requirement for tweeters to be placed to the outside of the cabinet obsolete. In fact, using a non-toed-in, tweeters-out orientation with a modern, wide dispersion design like the M1 Active Mk2 will increase the likelihood of hearing unwanted first reflections and a variety of phase anomalies in your mix. 20 M1 Active Reference Manual

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Speaker Installation
20
M1 Active Reference Manual
S
TEREO NEARFIELD PLACEMENT OF THE
M1 A
CTIVE
M
K
2
NOTE:
We recommend that the M1 Active Mk2 speakers be placed with the
tweeters to the
inside
, not the outside, of the listening triangle.
The “classic” studio monitor layout used to be that the tweeters be placed to
the
outside
of a horizontally-oriented speaker. In the past, this configuration
was actually
beneficial in time aligning the tweeter with the woofer
if
the
cabinets were not toed-in toward the listener.
However, this configuration is
highly prone to comb filtering effects if the listener’s head is moved from
side-to-side while mixing. This “comb filtering” causes the mid-to-high
frequency tones to get louder, then softer, then louder again as you move
your head from side-to-side, making it very confusing when trying to mix
with precision.
Some people still believe that stereo separation is “improved” with tweeters
to the outside, but this is advice left over from the early days (the sixties) of
stereo recordings when “correct” stereo often meant a complete hard right or
hard left placement of an instrument (or singer).
As stereo mixing techniques
changed toward placing the vocalist (for example) in the center, the old
“tweeters-out” orientation would indeed widen the image
if
one’s head were
kept in the
exact center
position.
But this set-up proves to be very tiring, very
quickly for the recording engineer.
And, to others who are listening to the
mix from either side of the engineer, the sound will seem to be coming
primarily from the speaker closest to them.
Fortunately, recording techniques have changed radically since the sixties.
Engineers have learned to how to “place” an instrument or singer within the
mix so that an accurate re-creation of the actual instrument and vocal
positioning (left-to-right and front-to-back) is achieved. In the M1 Active
Mk2, advances in crossover design technologies and improvements in the off-
axis response of tweeter domes and woofer cone materials and profile have
made the requirement for tweeters to be placed to the outside of the cabinet
obsolete.
In fact, using a non-toed-in, tweeters-out orientation with a
modern, wide dispersion design like the M1 Active Mk2 will increase the
likelihood of hearing unwanted first reflections and a variety of phase
anomalies in your mix.