Behringer 1202FX Manual - Page 7

Connector array of the main Main - pa mixer

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7 XENYX 1202FX/1002FX User Manual 2.3 Connector array of the main section Recording: For mastering, using a stereo compressor such as the COMPOSER PRO-XL MDX2600 can be recommended. Use it to custom-tailor the dynamic characteristics of your signal to the dynamic range of the recording equipment you are using. The signal is in this case passed on from the compressor into the recorder. Fig. 2.3: Connectors of the main section FX SEND The FX SEND connector outputs the signal you picked up from the individual channels using the FX controls. You can connect this to the input of an external effects device in order to process the FX bus' master signal. Once an effects mix is created, the processed signal can then be routed from the effects device outputs back into a stereo input. ◊ If the connected effects processor receives no input signal, the FX SEND control is probably too low. This also goes for the built-in effects processor. ◊ Adjust your external effects processor to 100% wet (effects signal only), because the effects signal is added to the main mix along with the "dry" channel signals. ◊ In this instance, the FX control of the channel being used as an effects return should be turned fully counterclockwise, otherwise feedback problems can occur! CD/TAPE INPUT The CD/TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected. Alternatively the line or tape output of a hi-fi amplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources (e.g. cassette recorder, minidisk player, sound card etc.). TAPE OUTPUT These connections are laid out as RCA connectors and are wired parallel to MAIN OUT. Connect the inputs of a computer sound card or a recorder here. The output signal level is set up using the highly accurate MAIN MIX fader. 2.4 Main section PHONES/CTRL ROOM OUT The stereo PHONES connector (at the top of the connector panel) is where headphones are connected. The unbalanced CTRL ROOM OUT connectors carry the summed effects and main mix signals as well as soloed channel signals. The PHONES/CONTROL ROOM control in the main section adjusts the level of both headphones and main monitor outputs. MAIN OUT The MAIN OUT connectors are unbalanced mono connectors. The main mix signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. Depending on how you wish to use your mixer and which gear you own, you can connect the following equipment: Live PA systems: A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo power amplifier for full-range loudspeakers with passive crossovers. If you wish to use multi-way loudspeaker systems without an integrated crossover, you have to use an active crossover and several power amplifiers. Often, limiters are already built into active crossovers (e.g. BEHRINGER SUPER-X PRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are implemented directly before the power amplifier, and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed on to the corresponding loudspeakers. Fig. 2.4: Control elements of the main section +48 V The red "+48 V" LED lights up when the phantom power is turned on. Phantom power is required to operate condenser microphones and is activated using the +48 V switch located above the +48 V LED. ◊ Connect microphones before you switch on the phantom power supply. Please do not connect microphones to the mixer (or the stagebox/ wallbox) while the phantom power supply is switched on. In addition, the monitor/PA loud­speakers should be muted before you activate the phantom power supply. After switching on, wait approx. one minute to allow for system stabilization. ◊ Caution! You must never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors if you want to use the phantom power supply.

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7
XENYX 1202FX/1002FX User Manual
2.3
Connector array of the main section
Fig. 2.3: Connectors of the main section
FX SEND
The
FX SEND
connector outputs the signal you picked up from the individual
channels using the FX controls. You can connect this to the input of an external
effects device in order to process the FX bus’ master signal. Once an effects mix is
created, the processed signal can then be routed from the effects device outputs
back into a stereo input.
If the connected effects processor receives no input signal,
the FX SEND control is probably too low. This also goes for the built-in
effects processor.
Adjust your external effects processor to 100% wet (effects signal
only), because the effects signal is added to the main mix along with
the “dry” channel signals.
In this instance, the FX control of the channel being used as an effects
return should be turned fully counterclockwise, otherwise feedback
problems can occur!
PHONES/CTRL ROOM OUT
The stereo
PHONES
connector (at the top of the connector panel) is where
headphones are connected. The unbalanced
CTRL ROOM OUT
connectors carry
the summed effects and main mix signals as well as soloed channel signals.
The PHONES/CONTROL ROOM control in the main section adjusts the level of both
headphones and main monitor outputs.
MAIN OUT
The
MAIN OUT
connectors are unbalanced mono connectors. The main mix
signal appears here at a level of 0 dBu. The
MAIN MIX
fader adjusts the volume of
these outputs. Depending on how you wish to use your mixer and which gear you
own, you can connect the following equipment:
Live PA systems:
A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo
power amplifier for full-range loudspeakers with passive crossovers.
If you wish to use multi-way loudspeaker systems without an integrated
crossover, you have to use an active crossover and several power amplifiers.
Often, limiters are already built into active crossovers (e.g. BEHRINGER
SUPER-X PRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are
implemented directly before the power amplifier, and they divide the frequency
range into several segments that are first amplified in the amplifiers and then
passed on to the corresponding loudspeakers.
Recording:
For mastering, using a stereo compressor such as the COMPOSER PRO-XL
MDX2600 can be recommended. Use it to custom-tailor the dynamic
characteristics of your signal to the dynamic range of the recording equipment
you are using. The signal is in this case passed on from the compressor into
the recorder.
CD/TAPE INPUT
The
CD/TAPE INPUT
s are used to bring an external signal source (e.g. CD player,
tape deck, etc.) into the console. They can also be used as a standard stereo line
input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can
be connected. Alternatively the line or tape output of a hi-fi amplifier with source
selection switch could also be hooked up here, allowing you to easily listen to
additional sources (e.g. cassette recorder, minidisk player, sound card etc.).
TAPE OUTPUT
These connections are laid out as RCA connectors and are wired parallel to
MAIN OUT. Connect the inputs of a computer sound card or a recorder here.
The output signal level is set up using the highly accurate MAIN MIX fader.
2.4
Main section
Fig. 2.4: Control elements of the main section
+48 V
The red “
+48 V
” LED lights up when the phantom power is turned on.
Phantom power is required to operate condenser microphones and is activated
using the +48 V switch located above the +48 V LED.
Connect microphones before you switch on the phantom power supply.
Please do not connect microphones to the mixer (or the stagebox/
wallbox) while the phantom power supply is switched on. In addition,
the monitor/PA loudspeakers should be muted before you activate the
phantom power supply. After switching on, wait approx. one minute to
allow for system stabilization.
Caution! You must never use unbalanced XLR connectors
(PIN 1 and 3 connected) on the MIC input connectors if you want to
use the phantom power supply.