Behringer BASS V-AMP PRO Product Information Document - Page 3

Stunning in the Studio, Stellar on Stage, Professional Connections Galore - effects

Page 3 highlights

Product Information Document Bass Effect Processors BASS V-AMP PRO The Ultimate Tone Toolbox for Bass / Acoustic / Electric Guitar and Keyboard Amp Modeling Stunning in the Studio The BASS V-AMP PRO features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use Bank Up/Down buttons to select a configuration. When using headphones, the BASS V-AMP PRO switches into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn't apply the additional 3-band EQ to the signal, but most recording programs come with their own EQ. In Studio Mode 2 (S2), the BASS V-AMP PRO sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks - or record the "dry" left output while monitoring the right output. Professional Connections Galore The BASS V-AMP PRO features myriad routing options, such as a balanced XLR DI out with ground lift and switchable ULTRA-G cabinet simulation; post-DSP stereo inserts for connection to external effects; BNC wordclock input for externals sample rate synchronization - up to 96 kHz. There are also AES/EBU and S/PDIF connectors, so you can use the BASS V-AMP PRO as an all-purpose audio-to-digital converter - with 24-bit/96 kHz digital output. Stellar on Stage The BASS V-AMP PRO has three live configurations. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an additional 3-band EQ. Live Mode 2 allows you to run the BASS V-AMP PRO into the FX return inputs of 2 different amps. This configuration lets the amplifier's natural speaker sound to go unaltered, since the amps would be mic'd to get the sound to the house mixer, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's FX return for onstage volume, while the right output is fed to the main mixer. 3 of 5

  • 1
  • 2
  • 3
  • 4
  • 5

The Ultimate Tone Toolbox for
Bass / Acoustic / Electric Guitar and
Keyboard Amp Modeling
Bass Effect Processors
BASS V-AMP PRO
Product Information Document
3 of 5
Stunning in the Studio
The BASS V-AMP PRO features several configurations that make it an invaluable asset in the studio.
Access the configuration menu by pressing the B and D buttons at the same time. Then use Bank
Up/Down buttons to select a configuration. When using headphones, the BASS V-AMP PRO switches
into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects,
amp and speaker modeling. It doesn’t apply the additional 3-band EQ to the signal, but most
recording programs come with their own EQ. In Studio Mode 2 (S2), the BASS V-AMP PRO sends a
signal with amp and speaker simulation, but only the right output has effects. You can either record
both left and right outputs to separate tracks – or record the “dry” left output while monitoring the
right output.
Stellar on Stage
The BASS V-AMP PRO has three live configurations. Live Mode 1 is the best choice for running
the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an
additional 3-band EQ. Live Mode 2 allows you to run the BASS V-AMP PRO into the FX return inputs
of 2 different amps. This configuration lets the amplifier’s natural speaker sound to go unaltered,
since the amps would be mic’d to get the sound to the house mixer, and having a dedicated monitor
would be less important. In Live Mode 3, you can send the left output to an amp’s FX return for
onstage volume, while the right output is fed to the main mixer.
Professional Connections Galore
The BASS V-AMP PRO features myriad routing options, such as a balanced XLR DI out with
ground lift and switchable ULTRA-G cabinet simulation; post-DSP stereo inserts for connection to
external effects; BNC wordclock input for externals sample rate synchronization – up to 96 kHz.
There are also AES/EBU and S/PDIF connectors, so you can use the BASS V-AMP PRO as an all-purpose
audio-to-digital converter – with 24-bit/96 kHz digital output.