Behringer EURODESK SX4882 Quick Start Guide - Page 14
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26 EURODESK SX4882 EURODESK SX4882 Controls (1) (2) (12) (13) (14) (5) (3) (4) (6) (7) (11) (10) (9) (8) (16) (15) (17) Rear panel 27 Quick Start Guide EURODESK SX4882 Controls (EN) Controls (1) Expander port bus inputs. If you want to add another console to your EURODESK SX4882, the expander port bus inputs give access to all subgroups, auxes and mix busses via an array of 1/4" jacks, situated top left on the rear panel. (2) Auxiliary sends. Unbalanced 1/4" jacks, wired tip = signal (+ve) and sleeve = ground/screen. They operate at +4 dBu. (3) Auxiliary returns. All six stereo pairs, to be located immediately below the aux sends, are on unbalanced 1/4" jacks and operate at 0 dBu. (4) Subgroup inserts. Unbalanced send and return from a single stereo jack socket, wired tip = out, ring = in and sleeve = ground/screen. (5) 2-track in/out. RCA sockets for use with tape recorders, etc., signal = main mix, wired center post = signal (+ve) and sleeve = ground/screen. (6) 2-track/external inputs. Two additional stereo inputs, this time on unbalanced 1/4" jacks, wired tip = signal (+ve) and sleeve = ground/screen. (7) Main inserts. As above, but for the main mix. (8) Stereo outputs. The control room output (monitors) main mix, MIX-B and studio output are all on a pair of unbalanced 1/4" jacks, nominal output level +4 dBu. (9) Phones 1/2. These are on stereo jacks, wired tip = left signal, ring = right signal and sleeve = ground/screen. (10) Meter/analyzer out. Unbalanced jacks at +4 dBu for use with external measuring equipment, e.g. the built-in real-time analyzer of our BEHRINGER ULTRACURVE PRO DEQ2496 (signal = master LED meters). (11) Master balanced outputs. Balanced XLR for connecting to the mastering recorder. Wired pin 1 ground/screen, pin 2 hot and pin 3 cold. Maximum level is +28 dBu. (12) A-channel line inputs. The A-channel line inputs accept balanced or unbalanced ¼" jacks, tip = hot, ring = cold and sleeve = ground/screen. (13) Mic inputs. These are via XLR-type connectors, wired pin 1 = ground, pin 2 = hot and pin 3 = cold, for balanced low-level operation. Since most quality capacitor microphones require a 48 V DC offset to charge the plates, phantom power is provided and can be switched on or off in three blocks of eight via a switch situated below channels 8, 16 and 24. (14) Channel inserts. These provide for unbalanced send and return from a single stereo jack socket. Wiring is: tip = out, ring = in and sleeve = ground/screen. (15) Direct outputs. This tap comes from just after the channel fader. Unbalanced 1/4" jacks. (16) B-channel inputs/tape returns. They also accept balanced or unbalanced 1/4" jacks and are switchable, in groups of eight, between -10 dBV (unbalanced) and +4 dBu (balanced), corresponding to the standard semi-professional and professional operating levels and configurations respectively. (17) Subgroup outputs/tape sends. The eight subgroups are each connected to two stereo jack sockets, for easy patching into 16 track recording systems (or 24 track, if you use Y-adaptors). Once again, the operating level is switchable between +4 dBu and -10 dBV in two banks of (2x) 4. For more details on the full functionality of this product, see the product page on behringer.com and download the full manual.