Behringer EURORACK UB502 Quick Start Guide - Page 1

Behringer EURORACK UB502 Manual

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1 2 3 4 ULTRA- LOW NOISE DESIGN 12 - INPUT 2 - BUS MIC/ LINE MIXER FX SEND PHONES MAIN OUT L R BAL OR UNBAL MIC LINE IN BAL OR UNBAL GAIN MIC LINE IN BAL OR UNBAL GAIN MIC LINE IN BAL OR UNBAL GAIN MIC LINE IN 5/6 LINE IN 7/8 LINE IN 9/10 LINE IN 11/12 LINE MONO L MONO L MONO L MONO L IN BAL BAL BAL BAL OR OR OR OR GAIN UNBAL R UNBAL R UNBAL R UNBAL R +10 - 10 + 40 + 60 +10 - 10 + 40 + 60 +10 - 10 + 40 + 60 +10 - 10 + 40 + 60 CTRL ROOM OUT L R L R OUT 2- TRACK IN L R 0 EQ HIGH 12 kHz 0 EQ HIGH 12 kHz 0 EQ HIGH 12 kHz 0 EQ HIGH 12 kHz -15 +15 0 MID 2.5 kHz -15 +15 0 MID 2.5 kHz -15 +15 0 MID 2.5 kHz -15 +15 0 MID 2.5 kHz -15 +15 0 LOW 80 Hz -15 +15 0 LOW 80 Hz -15 +15 0 LOW 80 Hz -15 +15 0 LOW 80 Hz -15 +15 LOW CUT 0 -15 +15 LOW CUT 0 -15 +15 LOW CUT 0 -15 +15 LOW CUT 0 0 +15 +4 - 10 BAL L R 0 LEVEL +15 5/6 0 +15 PAN CLIP L R 0 +15 PAN CLIP L R 0 +15 PAN CLIP L R 0 +15 PAN CLIP L R 0 +15 +4 - 10 BAL L R 0 0 +15 +4 - 10 BAL L R 0 PHANTOM 0 +15 FX SEND LEVEL +15 9 /10 0 2-TRACK TO CTRL ROOM +15 L R 0 +4 - 10 BAL 2- TRACK TO MIX 2- TRACK FX TO CTRL ROOM PHONES/ CONTROL ROOM POWER + 48 V + CLIP 6 0 20 LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL +15 +15 +15 +15 +15 +15 MAX MAIN MIX 1 2 3 4 7/8 11/12 MAIN SECTION (Check Out behringer.com for Full Manual) EURORACK UB1202/UB1002 Ultra-Low Noise Design 12/10-Input 2-Bus Mic/Line Mixer UB802/UB502 Ultra-Low Noise Design 8/5-Input 2-Bus Mixer

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(Check Out behringer.com for Full Manual)
EURORACK
UB1202/UB1002
Ultra-Low Noise Design 12/10-Input 2-Bus Mic/Line Mixer
UB802/UB502
Ultra-Low Noise Design 8/5-Input 2-Bus Mixer
LINE
IN
BAL
OR
UNBAL
GAIN
–
10
+
4
0
MIC
1
+
10
+
60
LINE
IN
BAL
OR
UNBAL
GAIN
MIC
–
10
+
4
0
+
10
+
60
–
10
+
4
0
+
10
+
60
–
10
+
4
0
+
10
+
60
LINE
IN
BAL
OR
UNBAL
GAIN
4
LINE
IN
BAL
OR
UNBAL
GAIN
MIC
2
3
MIC
BAL
OR
UNBAL
R
BAL
OR
UNBAL
R
BAL
OR
UNBAL
R
BAL
OR
UNBAL
R
FX SEND
PHONES
MAIN OUT
ULTRA
–
LOW NOISE DESIGN
1
2
–
INPUT
2
–
BUS MI
C
/
LINE MIXER
L
R
MONO
L
MONO
L
MONO
L
MONO
L
LINE IN
5
/
6
LINE IN 7
/
8
LINE IN
9
/
1
0
LINE IN
1
1
/
1
2
CTRL ROOM OUT
R
L
L
L
2
-
TRACK
R
1
1
/
12
CLIP
LEVEL
PAN
L
R
L
R
L
R
L
R
HIGH
1
2 kHz
MID
2.5 kHz
LOW
80 Hz
LOW CUT
EQ
1
2
9
/
10
7
/
8
5
/
6
BAL
3
4
0
–
15
+
15
0
–
15
+
15
0
–
15
+
15
0
+
15
0
+
1
5
LEVEL
0
+
1
5
LEVEL
0
+
1
5
LEVEL
0
+
1
5
LEVEL
0
+
1
5
LEVEL
0
+
1
5
CLIP
PAN
HIGH
1
2 kHz
MID
2.5 kHz
LOW
80 Hz
LOW CUT
EQ
0
–
15
+
15
0
–
15
+
15
0
–
15
+
15
0
+
15
CLIP
PAN
HIGH
1
2 kHz
MID
2.5 kHz
LOW
80 Hz
EQ
0
–
15
+
15
0
–
15
+
15
0
–
15
+
15
0
+
15
CLIP
PAN
HIGH
1
2 kHz
MID
2.5 kHz
LOW
80 Hz
L
R
BAL
L
R
LOW CUT
EQ
0
–
15
+
15
0
–
15
+
15
0
–
15
+
15
0
+
15
0
+
15
0
+
15
+
4
–
1
0
+
4
–
1
0
BAL
LEVEL
0
+
1
5
LEVEL
0
+
1
5
L
R
BAL
L
R
0
+
15
0
+
15
+
4
–
1
0
+
4
–
1
0
POWER
+
48 V
CLIP
+
6
0
20
F
X SEND
PHONE
S
/
CONTROL ROOM
F
X TO CTRL ROOM
2
-
TRACK
TO MIX
2
-
TRACK
TO
CTRL ROOM
PHANTOM
MAIN MIX
MAIN SECTION
2
-
TRACK
0
+
15
MAX