Behringer FBQ6200 Product Information Document - Page 1

Product Information Document Equalizers 6-53"(3"1)
130 '#2 Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System # Audiophile 31-band stereo graphic equalizer for live and studio applications # Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer # Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion # Pink noise generator provides test signals to adapt your sound system to any room acoustics # Mono subwoofer output with dedicated level control and adjustable crossover frequency # Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc. # Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting # Ultra-low noise audio operational amplifiers for highest signal integrity # Relay-controlled hard bypass with an auto-bypass function during power failure (failsafe relay) # Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors # Shielded toroidal power transformer for ultra-low noise performance # High-quality components and exceptionally rugged construction ensure long life # 3-Year Warranty Program* # Conceived and designed by BEHRINGER Germany *Warranty details can be found at music-group.com. Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little... until now! The ULTRAGRAPH PRO FBQ6200 takes the graphic equalizer a giant leap forward technologically, providing robust feature sets and our proprietary FBQ Feedback Detection System - at a price that makes them a must-have for anyone who records or operates a live sound system. How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of "lanes". Each of these lanes represents a specific frequency band. • The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums • The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals • The right-hand lanes have all the high-frequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix