Behringer FBQ800 Product Information Document - Page 2

Special Tools for Low Frequencies, FBQ - Totally Feedback-Free, To Boost or to Cut, That is - equalizer

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Product Information Document Equalizers .*/*'#2 '#2 Ultra-Compact 9-Band Graphic Equalizer with FBQ Special Tools for Low Frequencies The low-frequency sound range requires special attention. That's why the FBQ800 features a special Low-Cut filter that helps remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp's headroom. This added control gives the FBQ800 the power to clean up your system's overall sound, creating crystal clear and dynamic output - with incredibly tight and punchy bottom-end! FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple! To Boost or to Cut, That is the Question Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass-heavy," lowering the 63 and 125 Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8 and 16 kHz sliders can add sparkle to a somewhat "dark" mix. Are the vocals getting lost in the mix? Raising the level of the 1 kHz slider can help bring them out. It's important to note that raising a single fader level is not always the best solution; it's often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom. 2 of 5

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Ultra-Compact 9-Band Graphic
Equalizer with FBQ
Equalizers
MINIFBQ
FBQ800
Product Information Document
2 of 5
Special Tools for Low Frequencies
The low-frequency sound range requires special attention. That’s why the FBQ800 features a special
Low-Cut filter that helps remove non-essential bass content, such as floor rumble, room resonance
and electrical hum, etc., which really uses up your power amp’s headroom. This added control gives
the FBQ800 the power to clean up your system’s overall sound, creating crystal clear and dynamic
output – with incredibly tight and punchy bottom-end!
FBQ - Totally Feedback-Free
For more than 20 years,
BEHRINGER
has designed and manufactured some of the most successful
FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology,
as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your
sound system is completely feedback-free, allowing you to focus on your performance. Utilizing
an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame
feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED
on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome
the feedback. That simple!
To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the frequency response of any room’s
acoustics. For instance, if the room you’re in is “bass-heavy,” lowering the 63 and 125 Hz faders can
help eliminate an overall “boomy” or “muddy” sound. Likewise, gently boosting the 8 and 16 kHz
sliders can add sparkle to a somewhat “dark” mix. Are the vocals getting lost in the mix? Raising the
level of the 1 kHz slider can help bring them out.
It’s important to note that raising a single fader level is not always the best solution; it’s often better
to lower the bands surrounding the frequency you want to bring out, and then boost the overall
volume level to achieve better headroom.