Behringer SPRING REVERBERATION 636 Quick Start Guide - Page 9

SPRING REVERBERATION 636 Controls

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16 SPRING REVERBERATION 636 SPRING REVERBERATION 636 Controls Quick Start Guide 17 (EN) Step 2: Controls SPRING LINES We recommend that the Spring Type 636 is mounted in a place where it will not be knocked or subject to vibration to avoid unwanted noise from the spring lines. Top Panel 1. POWER SWITCH 2. POWER INDICATOR 3. OUTPUT SOCKET - use this 3.5mm TS jack socket to connect the Type 636 to amplifiers, mixing desks or audio interfaces. 4. FOOTSWITCH INPUT - use this socket to connect a suitable footswitch to bypass the reverberation effect. 5. HIGH LEVEL LINE INPUT - use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 636. 6. LOW LEVEL LINE INPUT - use this socket to connect low level audio sources such as guitars to the Type 636. 7. BALANCED MICROPHONE INPUT - use this socket to connect balanced microphones to the Type 636. 8. UNBALANCED MICROPHONE INPUT - use this socket to connect unbalanced microphones to the Type 636. 9. REVERBERATE - use this control to set the reverberation output level. 10. OVERLOAD INDICATOR - this indicator lights up when a signal on either input is overloading. 11. AUX CHANNEL - use this control to set the input level for line sources connected to the auxiliary channel. 12. MIC CHANNEL - use this control to set the input level for microphone(s) connected to the microphone channel. Back Panel 13. OUTPUT SOCKET - use this 6.35mm TS jack socket to connect the Type 636 to amplifiers, mixing desks or audio interfaces. Duplicates socket 3 on top panel. 14. FOOTSWITCH INPUT - use this socket to connect a suitable footswitch to bypass the reverberation effect. Duplicates socket 4 on top panel. 15. HIGH LEVEL LINE INPUT - use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 636. Duplicates socket 5 on top panel. 16. LOW LEVEL LINE INPUT - use this socket to connect low level audio sources such as guitars to the Type 636. Duplicates socket 6 on top panel. 17. BALANCED MICROPHONE INPUT - use this socket to connect balanced microphones to the Type 636. Duplicates socket 7 on top panel. 18. UNBALANCED MICROPHONE INPUT - use this socket to connect unbalanced microphones to the Type 636. Duplicates socket 8 on top panel. 19. DC POWER INPUT - use this socket to connect the supplied 12 V DC power supply.

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SPRING REVERBERATION 636 Controls
(EN)
Step 2: Controls
SPRING LINES
We recommend that the Spring Type 636 is mounted in a place where it will not be knocked or subject to vibration to avoid unwanted
noise from the spring lines.
Top Panel
1.
POWER SWITCH
2.
POWER INDICATOR
3.
OUTPUT SOCKET
– use this 3.5mm TS jack socket to connect the Type 636 to amplifiers, mixing desks or audio interfaces.
4.
FOOTSWITCH INPUT
– use this socket to connect a suitable footswitch to bypass the reverberation effect.
5.
HIGH LEVEL LINE INPUT
– use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 636.
6.
LOW LEVEL LINE INPUT
– use this socket to connect low level audio sources such as guitars to the Type 636.
7.
BALANCED MICROPHONE INPUT
– use this socket to connect balanced microphones to the Type 636.
8.
UNBALANCED MICROPHONE INPUT
– use this socket to connect unbalanced microphones to the Type 636.
9.
REVERBERATE
– use this control to set the reverberation output level.
10.
OVERLOAD INDICATOR
– this indicator lights up when a signal on either input is overloading.
11.
AUX CHANNEL
– use this control to set the input level for line sources connected to the auxiliary channel.
12.
MIC CHANNEL
– use this control to set the input level for microphone(s) connected to the microphone channel.
Back Panel
13.
OUTPUT SOCKET
– use this 6.35mm TS jack socket to connect the Type 636 to amplifiers, mixing desks or audio interfaces.
Duplicates socket 3 on top panel.
14.
FOOTSWITCH INPUT
– use this socket to connect a suitable footswitch to bypass the reverberation effect.
Duplicates socket 4 on
top panel.
15.
HIGH LEVEL LINE INPUT
– use this socket to connect high level audio sources such as keyboards or mixing desks to the Type 636.
Duplicates socket 5 on top panel.
16.
LOW LEVEL LINE INPUT
– use this socket to connect low level audio sources such as guitars to the Type 636.
Duplicates socket 6 on
top panel.
17.
BALANCED MICROPHONE INPUT
– use this socket to connect balanced microphones to the Type 636.
Duplicates socket 7 on
top panel.
18.
UNBALANCED MICROPHONE INPUT
– use this socket to connect unbalanced microphones to the Type 636.
Duplicates socket 8 on
top panel.
19.
DC POWER INPUT
– use this socket to connect the supplied 12 V DC power supply.
16
17
Quick Start Guide
SPRING REVERBERATION 636