Behringer UMX610 Product Information Document - Page 3
More than MIDI, Assignable Controllers, Why You Need a UMX Controller - midi keyboard
View all Behringer UMX610 manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 3 highlights
Product Information Document Keyboard Controllers 6$0/5306.9 The Ultimate Studio in a Box: 61-Key USB/MIDI Controller Keyboard with Separate USB/Audio Interface More than MIDI As an added bonus, we've included our UCA222 USB/Audio Interface for plug and play recording directly to your PC or Mac* computer. You can use the UCA222 to connect sound modules directly to any free computer USB port, and listen to either the direct input, or the low-latency output signal via your headphones or active studio monitors. The UCA222 also has an additional S/PDIF optical output for direct digital conversion and is completely powered via USB - no external power supply needed. With the UCA222, you can connect virtually any line-level device instantly to your computer - including mixers or tape decks. 22 Assignable Controllers When it comes to remote control, you get 8 knobs, 10 assignable switches, 2 wheels (Pitch Bend & Modulation), 1 pedal port and 1 fader, for a total of 22 assignable controllers - which means total control of your operating environment. Once you've assigned the parameters for a particular scenario, simply store it in your user preset. Controller assignment is ultra-easy, providing realtime control of FX parameters and DAW functions - all right at your fingertips. And the octave shift function allows you to perform over a full 128 tone range! Why You Need a UMX Controller • Playing external sound modules, rack synthesizers and virtual instruments • Editing sound parameters of synthesizers, sound samplers and GM/GS/XG sound generators • Controlling parameters on outboard equipment and software plug-ins, such as effects processors, compressors and digital equalizers • Remotely controlling software mixers (functions for volume, pan, mute, etc.) • Live control of volume and sound parameters of sound modules on stage 3 of 9