Behringer XENYX Q1002USB Quick Start Guide - Page 10

Step 2: Controls - mixer

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18 XENYX Q1202USB/Q1002USB/Q802USB/Q502USB 19 Quick Start Guide XENYX Q1202USB/Q1002USB/Q802USB/Q502USB Co ntrols (EN) Step 2: Controls This chapter describes the various control elements (9) CLIP - The CLIP LED's of the mono channels of your mixing console. All controls, switches and illuminate when the input signal is driven connectors will be discussed in detail. too high, which could cause distortion. If this (1) MIC - Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable happens, use the GAIN control to reduce the preamp level until the LED does not light anymore. +48/+15 V phantom power supply for (10) LINE IN - Each stereo channel has two condenser microphones. The XENYX preamps balanced line level inputs on ¼" jacks for left provide undistorted and noise-free gain and right channels. If only the jack marked "L" as is typically known only from costly (left) is used, the channel operates in mono. outboard preamps. The stereo channels are designed to handle (2) LINE IN - Each mono input also features a balanced line input on a ¼" connector. typical line level signals. Both inputs will also accept unbalanced jacks. Unbalanced devices (mono jacks) can also be (11) FX - The FX sends of the stereo channels connected to these inputs. Please remember function similar to those of the mono that you can only use either the microphone channels. However, since the FX send buses or the line input of a channel at any one time. are both mono, a mono sum is first taken from You can never use both simultaneously! the stereo input before it is sent to the FX bus. (3) GAIN - Use the GAIN control to adjust the The Q502USB is not equipped with FXsends. input gain. This control should always be (12) BAL - The BAL(ANCE) control determines the turned fully counterclockwise whenever you levels of left and right input signals relative connect or disconnect a signal source to one of to each other before both signals are then the inputs. routed to the main stereo mix bus. If a channel (4) EQUALIZER - All mono input channels include a 3-band equalizer, except for the Q502USB, which is equipped with a 2-band is operated in mono via the left line input, this control has the same function as the PAN control used in the mono channels. EQ. All bands provide boost or cut of up to (13) +4/-10 - The stereo inputs of the XENYX 15 dB. In the central position, the equalizer Q1002USB and Q1202USB have an input is inactive. sensitivity switch which selects between (5) LOW CUT - In addition, the mono channels (Q1002USB and Q1202USB) are equipped with a steep LOW CUT filter (slope at 18 dB/ oct., -3 dB at 75 Hz) designed to eliminate +4 dBu and -10 dBV. At -10 dBV (homerecording level), the input is more sensitive (requires less level to drive it) than at +4 dBu (studio level). unwanted low-frequency signal components. (14) STEREO AUX RETURN - Q802USB only: (6) FX (Q802USB/Q1002USB/Q1202USB only) - FX sends (or AUX sends) enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console's FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the aux return connectors (Q802USB) or normal channel inputs. Each FX send is mono and features up to +15 dB gain. the STEREO AUX RETURN connectors are used to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. You can instead use these connectors as additional inputs, but any effects device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish. If only the left connector is used, the AUX RETURN automatically operates in mono. Use the AUX (7) PAN - The PAN control determines the RETURN control to determine how much of the position of the channel signal within effects signal is sent to the main mix. the stereo image. This control features a constant-power characteristic, which means the signal is always maintained at a constant level, irrespective of position in the stereo panorama. (15) FX SEND - The FX SEND output (does not apply for Q502USB) should be connected to the input of an external effects unit. The post-fader FX signal you created using the input channel FX controls is sent to the (8) LEVEL - The LEVEL control determines the effects unit via the FX SEND ouput. Use the level of the channel signal in the main mix. FX SEND control of the main section to adjust the overall send level (Q1002USB and Q1202USB only). (16) PHONES/CTRL ROOM - The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals, as well as soloed channel signals. The PHONES/ CTRL ROOM control adjusts the level of both headphones and main monitor outputs. The Q502USB is not equipped with control room outputs. (26) COMP - This knob adjusts the amount of compression effect on the channel. (27) PHANTOM - Press this knob to send +48 V of phantom power to the XLR inputs for use with condenser microphones. The Q502USB supplies +15 V of phantom power. (28) USB/2-TR TO PHONES/CTRL RM - button routes USB/2-Track playback to PHONES/CTRL ROOM. (17) MAIN MIX - The MAIN OUT connectors are (29) USB/2-TR TO MAIN MIX - button routes unbalanced mono jacks. The main mix signal USB/2-Track playback to MAIN MIX and mutes appears here at a level of 0 dBu. The MAIN the 2-TR OUT/USB recording signal. MIX fader adjusts the volume of these outputs. The XENYX Q802USB and Q502USB mixing consoles feature a rotary control for (30) USB CONNECTOR - Connect your mixer to a computer using a standard USB cable. this purpose. (31) AC POWER IN - Connect the included power (18) 2-TRACK INPUT - The 2-TRACK INPUTs are cable here. used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. ! They can also be used as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected. The mixer cannot be bus-powered via USB. Always use the included power adapter to supply power to the mixer. (19) 2-TRACK OUTPUT - These connectors are wired in parallel with the MAIN OUT and carry the main mix signal (unbalanced). Connect the 2-TRACK OUTPUT to the inputs of your recording device. The output level is adjusted via the high-precision MAIN MIX fader or rotary control (Q802USB/Q502USB). (20) USB/2-TR to MAIN - When pressed, this button sends the audio from the USB and 2-TRACK inputs to the main mix (Q502USB only). (21) USB/2-TR to PHONES - When pressed, this button sends the audio from the USB and 2-TRACK inputs to the PHONES jack (Q502USB only). (22) FX TO CTRL ROOM - If you want to monitor only the FX send signal in your headphones or monitor speaker(s), press the FX TO CTRL switch. This mutes the main mix signal while routing the FX SEND output to the monitor(s). The XENYX Q802USB and Q502USB do not feature this switch. (23) +48 V - The red +48 V LED lights up when phantom power is on. The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels. (24) POWER - The POWER LED indicates that the console is powered on. (25) LEVEL INDICATOR - The high-precision 4-segment display accurately displays the relevant signal level.

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18
XENYX Q1202USB/Q1002USB/Q802USB/Q502USB
19
Quick Start Guide
(EN)
Step 2: Controls
This chapter describes the various control elements
of your mixing console. All controls, switches and
connectors will be discussed in detail.
(1)
MIC
– Each mono input channel offers a
balanced microphone input via the XLR
connector and also features switchable
+48/+15 V phantom power supply for
condenser microphones. The XENYX preamps
provide undistorted and noise-free gain
as is typically known only from costly
outboard preamps.
(2)
LINE IN
– Each mono input also features
a balanced line input on a ¼" connector.
Unbalanced devices (mono jacks) can also be
connected to these inputs. Please remember
that you can only use either the microphone
or the line input of a channel at any one time.
You can never use both simultaneously!
(3)
GAIN
– Use the GAIN control to adjust the
input gain. This control should always be
turned fully counterclockwise whenever you
connect or disconnect a signal source to one of
the inputs.
(4)
EQUALIZER
– All mono input channels
include a 3-band equalizer, except for the
Q502USB, which is equipped with a 2-band
EQ. All bands provide boost or cut of up to
15 dB. In the central position, the equalizer
is inactive.
(5)
LOW CUT
– In addition, the mono channels
(Q1002USB and Q1202USB) are equipped
with a steep LOW CUT filter (slope at 18 dB/
oct., -3 dB at 75 Hz) designed to eliminate
unwanted low-frequency signal components.
(6)
FX (Q802USB/Q1002USB/Q1202USB
only)
– FX sends (or AUX sends) enable you
to feed signals via a variable control from
one or more channels and sum these signals
to a bus. The bus appears at the console’s FX
send output and can be fed from there to
an external effects device. The return from
the effects unit is then brought back into
the console on the aux return connectors
(Q802USB) or normal channel inputs. Each FX
send is mono and features up to +15 dB gain.
(7)
PAN
– The PAN control determines the
position of the channel signal within
the stereo image. This control features
a constant-power characteristic, which
means the signal is always maintained at a
constant level, irrespective of position in the
stereo panorama.
(8)
LEVEL
– The LEVEL control determines the
level of the channel signal in the main mix.
(9)
CLIP
– The CLIP LED’s of the mono channels
illuminate when the input signal is driven
too high, which could cause distortion. If this
happens, use the GAIN control to reduce
the preamp level until the LED does not
light anymore.
(10)
LINE IN
– Each stereo channel has two
balanced line level inputs on ¼" jacks for left
and right channels. If only the jack marked “L”
(left) is used, the channel operates in mono.
The stereo channels are designed to handle
typical line level signals. Both inputs will also
accept unbalanced jacks.
(11)
FX
– The FX sends of the stereo channels
function similar to those of the mono
channels. However, since the FX send buses
are both mono, a mono sum is first taken from
the stereo input before it is sent to the FX bus.
The Q502USB is not equipped with FXsends.
(12)
BAL
– The BAL(ANCE) control determines the
levels of left and right input signals relative
to each other before both signals are then
routed to the main stereo mix bus. If a channel
is operated in mono via the left line input,
this control has the same function as the PAN
control used in the mono channels.
(13)
+4/-10
– The stereo inputs of the XENYX
Q1002USB and Q1202USB have an input
sensitivity switch which selects between
+4 dBu and -10 dBV. At -10 dBV (home-
recording level), the input is more sensitive
(requires less level to drive it) than at +4 dBu
(studio level).
(14)
STEREO AUX RETURN
– Q802USB only:
the STEREO AUX RETURN connectors are used
to bring the output of the external effects
device (whose input is derived from the
aux sends) back into the console. You can
instead use these connectors as additional
inputs, but any effects device will then have
to be brought back into the console via a
normal stereo channel. This does, however,
give you the ability to use the channel EQ on
the effects return signal if you wish. If only
the left connector is used, the AUX RETURN
automatically operates in mono. Use the AUX
RETURN control to determine how much of the
effects signal is sent to the main mix.
(15)
FX SEND
– The FX SEND output (does not
apply for Q502USB) should be connected
to the input of an external effects unit.
The post-fader FX signal you created using
the input channel FX controls is sent to the
effects unit via the FX SEND ouput. Use the
FX SEND control of the main section to
adjust the overall send level (Q1002USB and
Q1202USB only).
(16)
PHONES/CTRL ROOM
– The stereo PHONES
jack (at the top of the connector panel)
is where you connect headphones. The
unbalanced CTRL ROOM OUT jacks carry the
summed effects and main mix signals, as
well as soloed channel signals. The PHONES/
CTRL ROOM control adjusts the level of both
headphones and main monitor outputs.
The Q502USB is not equipped with control
room outputs.
(17)
MAIN MIX
– The MAIN OUT connectors are
unbalanced mono jacks. The main mix signal
appears here at a level of 0 dBu. The MAIN
MIX fader adjusts the volume of these
outputs. The XENYX Q802USB and Q502USB
mixing consoles feature a rotary control for
this purpose.
(18)
2-TRACK INPUT
– The 2-TRACK INPUTs are
used to bring an external signal source (e.g. CD
player, tape deck, etc.) into the console.
They can also be used as a standard stereo
line input, so the output of a second XENYX
or BEHRINGER ULTRALINK PRO MX882 can
be connected.
(19)
2-TRACK OUTPUT
– These connectors are
wired in parallel with the MAIN OUT and carry
the main mix signal (unbalanced). Connect the
2-TRACK OUTPUT to the inputs of your
recording device. The output level is adjusted
via the high-precision MAIN MIX fader or
rotary control (Q802USB/Q502USB).
(20)
USB/2-TR to MAIN
When pressed,
this button sends the audio from the
USB and 2-TRACK inputs to the main mix
(Q502USB only).
(21)
USB/2-TR to PHONES
– When pressed,
this button sends the audio from the USB and
2-TRACK inputs to the PHONES jack (Q502USB
only).
(22)
FX TO CTRL ROOM
– If you want to monitor
only the FX send signal in your headphones
or monitor speaker(s), press the FX TO CTRL
switch. This mutes the main mix signal while
routing the FX SEND output to the monitor(s).
The XENYX Q802USB and Q502USB do not
feature this switch.
(23)
+48 V
– The red +48 V LED lights up when
phantom power is on. The PHANTOM switch
activates the phantom power supply on the
XLR connectors of all mono channels.
(24)
POWER
– The POWER LED indicates that the
console is powered on.
(25)
LEVEL INDICATOR
– The high-precision
4-segment display accurately displays the
relevant signal level.
(26)
COMP
– This knob adjusts the amount of
compression effect on the channel.
(27)
PHANTOM
– Press this knob to send +48 V
of phantom power to the XLR inputs for use
with condenser microphones. The Q502USB
supplies +15 V of phantom power.
(28)
USB/2-TR TO PHONES/CTRL RM
button routes USB/2-Track playback to
PHONES/CTRL ROOM.
(29)
USB/2-TR TO MAIN MIX
– button routes
USB/2-Track playback to MAIN MIX and mutes
the 2-TR OUT/USB recording signal.
(30)
USB CONNECTOR
– Connect your mixer to a
computer using a standard USB cable.
(31)
AC POWER IN
– Connect the included power
cable here.
!
The mixer cannot be bus-powered via USB.
Always use the included power adapter to supply
power to the mixer.
XENYX Q1202USB/Q1002USB/Q802USB/Q502USB Co ntrols