Behringer XENYX QX1002USB Quick Start Guide - Page 14
XENYX QX1202USB/QX1002USB Getting started, Presets List
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26 XENYX QX1202USB/QX1002USB XENYX QX1202USB/QX1002USB Getting started (EN) Step 3: Getting started (ES) Paso 3: Puesta en marcha (FR) Etape 3 : Mise en oeuvre (DE) Schritt 3: Erste Schritte (PT) Passo 3: Primeiros Passos (EN) To correctly set the gains of the channels, first set the LEVEL controls of the input channels to their center positions (0 dB). Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter. When recording to digital recorders, the recorder's peak meter should not go into overload. While analog recorders can be overloaded to some extent, creating only a certain amount of distortion (which is common and often desirable), digital recorders distort quickly when overloaded. In addition, digital distortion is not only undesirable, but also renders your recording completely useless. The peak meters of your XENYX display the level virtually independent of frequency. A recording level of 0 dB is recommended for all signal types. (ES) Para ajustar el nivel debe posicionar el regulador LEVEL de los canales de entrada en la posición central (0 dB) y aumentar mediante el regulador GAIN la amplificación de entrada a 0 dB. En la grabación con grabadores digitales, los medidores punta del grabador no deben superar los 0 dB. Esto se debe a que, al contrario que en la grabación analógica, ya las más pequeñas sobrealimentaciones (que también surgen de forma muy repentina) conducen a desagradables distorsiones digitales. Los medidores punta de su XENYX muestran el nivel más o menos independientemente de la frecuencia. Se recomienda un nivel de grabación de 0 dB para todos los tipos de señal. (FR) Reglage : Pour régler le niveau des signaux, placez la commande de niveau LEVEL de chaque canal en position neutre 0 dB et ajustez l'amplification d'entrée sur 0 dB via le potentiomètre GAIN. Pour l'enregistrement en numérique, l'afficheur de crêtes de votre enregistreur ne doit pas excéder 0 dB. En effet, contrairement aux magnétos analogiques, les enregistreurs numériques génèrent des distorsions très désagréables dès le moindre dépassement, même minime, du maximum numérique. Les indicateurs de crêtes de votre XENYX affichent le niveau de façon quasiment indépendante de la fréquence. Nous vous conseillons un niveau d'enregistrement de 0 dB quel que soit le signal. (DE) Aussteuerung: Zum Einpegeln sollten Sie den LEVEL-Regler der Eingangskanäle in Mittelstellung (0 dB) bringen und mit dem GAIN-Regler die Eingangsverstärkung auf 0 dB anheben. Bei der Aufnahme mit Digitalrekordern sollten die Peak-Meter des Rekorders 0 dB nicht übersteigen. Das hat den Grund, dass im Gegensatz zur Analogaufnahme bereits kleinste Übersteuerungen (die auch sehr plötzlich auftreten) zu unangenehmen, digitalen Verzerrungen führen. Die Peak-Meter Ihres XENYX zeigen den Pegel nahezu frequenzunabhängig an. Empfehlenswert ist ein Aufnahmepegel von 0 dB für alle Signalarten. (PT) Modulação: Para a regulação do nível deverá colocar o regulador LEVEL dos canais de entrada na posição central (0 dB) e com o regulador GAIN aumentar a amplificação de entrada para 0 dB. Aquando da gravação com gravadores digitais, os medidores de peak do gravador não devem ultrapassar os 0 dB. O motivo é que, contrariamente à gravação analógica, as mais ínfimas sobremodulações (que também surgem muito repentinamente) podem originar distorções digitais desagradáveis. Os medidores do peak do seu XENYX indicam o nível de forma mais ou menos independente da frequência. Recomenda-se um nível de gravação de 0 dB para todos os tipos de sinais. 27 Quick Start Guide Presets List Reverb 00 Small Chamber 01 Mid Chamber 02 Big Chamber 03 Theater 04 Small Room 1 05 Small Room 2 06 Mid Room 1 07 Mid Room 2 08 Large Room 09 Small Hall 10 Concert Hall 11 Mid Hall 12 Big Hall 13 Ambient Hall 14 Church 15 Short Plate 16 Mid Plate 17 Long Plate 18 Gold Plate 19 Vint250Verb 1 20 Vint250Verb 2 21 Mid Spring 22 Long Spring 23 Gated Reverb Short 24 Gated Reverb Mid 25 Gated Reverb Long 26 Gated Alive 27 Reverse Short 28 Reverse Mid 29 Reverse Long Early Reflections / Delay 30 Short Ambience 31 Mid Ambience 32 Live Ambience 33 Big Ambience 34 Stadium 35 Early Reflections 1 36 Early Reflections 2 37 Early Reflections 3 38 Early Reflections 4 39 Slap Delay Early Reflections / Delay 40 Short Delay 1 41 Short Delay 2 42 Mid Delay 1 43 Mid Delay 2 44 Mid Delay 3 45 Long Delay 1 46 Long Delay 2 47 Long Delay 3 48 Stereo Delay 49 Ping-Pong Delay 50 Short Echo 51 Mid Echo 1 52 Mid Echo 2 53 Long Echo 1 54 Long Echo 2 Modulation 55 Soft Chorus 56 Warm Chorus 57 Phat Chorus 58 Classic Flanger 59 Warm Flanger 60 Stereo Flanger 61 Classic Phaser 62 Warm Phaser 63 Heavy Phaser 64 Stereo Phaser 65 Slow Tremolo 66 Fast Tremolo 67 Panner 1 68 Panner 2 69 Detune 1 70 Detune 2 71 Minor Third Up 72 Major Third Up 73 Quint Up 74 Fourth Down 75 Octave Down 76 Minor Chord 77 Major Chord 78 Jazzy Multi 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 Special FX 94 95 96 97 98 99 Delay + Chorus 1 Delay + Chorus 2 Delay + Chorus 3 Delay + Flanger 1 Delay + Flanger 2 Delay + Pitch 1 Delay + Pitch 2 Delay + Reverb 1 Delay + Reverb 2 Delay + Reverb 3 Chorus + Reverb 1 Chorus + Reverb 2 Flanger + Reverb 1 Flanger + Reverb 2 Detune + Reverb LFO Filter 1 LFO Filter 2 Talkbox 1 Talkbox 2 Overdrive Distortion