Canon A-1 Instruction Manual - Page 67

Ais ICamera

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Multiple exposures are not possible when the Motor Drive MA or Power Winder A is mounted on the A•I and in operation. They are possible even when these accessories are mounted if you switch them off and advance the film manually. There are some situations which seem to call fora multiple exposure but which are better handled in another way. One of these is recording multiple bursts offireworks on the same frame. Rather than using the multiple exposure leper, mount the Camera on a tripod, set the shutter speed at "B', and set the aperture ring manually to the appro- priate flstop according to the following table. Hold the shutter open with a cable release until several bursts are registered on the frame. ASA 25 50 100 200 400 (triton 5.6 8 II 16 22 Exposure in Multiple Exposures Generally, the first exposure of a multiple exposure should be of a relatively dark subject so that the image in the next exposure will show up clearly. For best results in multiple exposures, it is also advisable to decrease the exposure for each shot. Depending on the situation, there are several ways to do this. One way is to change the ASA to a higher value as described earlier. In this method, you must first decide how many exposures you want to make on the same frame. If a double exposure, make both exposures at twice the normal ASA; if a triple exposure, make all three exposures at three times the normal ASA; if a quadruple exposure, make all four exposures at four times the normal ASA, etc. Another way to correct exposure is to use the exposure compensation dial at the settings outlined in the table below. Number of Multiple Exposure Compen- Exposures sation Scale Double Triple Quadruple 12 Between 1.2 and 1/4 I4 The method when using the exposure compensation dial for this purpose is the same as that of changing the ASA. That is, for a double exposure, the dial should be set to 1/2 for both exposures and so on. Actually, both methods described above are only general guidelines, and your technique will benefit greatly from experience.

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Multiple
exposures
are
not
possible
when
the
Motor
Drive
MA
or
Power
Winder
A
is
mounted
on
the
A•I
and
in
operation.
They
are
possible
even
when
these
accessories
are
mounted
if
you
switch
them
off
and
advance
the
film
manually.
There
are
some
situations
which
seem
to
call
fora
multiple
exposure
but
which
are
better
handled
in
another
way.
One
of
these
is
recording
multiple
bursts
of
fireworks
on
the
same
frame.
Rather
than
using
the
multiple
exposure
leper,
mount
the
Camera
on
a
tripod,
set
the
shutter
speed
at
"B',
and
set
the
aperture
ring
manually
to the
appro-
priate
flstop
according
to
the
following
table.
Hold
the
shutter
open
with
a
cable
release
until
several
bursts
are
registered
on
the
frame.
ASA
25
50
100
200
400
(triton
5.6
8
II
16
22
Exposure
in
Multiple
Exposures
Generally,
the
first
exposure
of
a
multiple
exposure
should
be
of
a
relatively
dark
subject
so
that
the
image
in
the
next
ex-
posure
will
show
up
clearly.
For
best
results
in
multiple
exposures,
it
is
also
advisable
to
decrease
the
exposure
for
each
shot.
De-
pending
on
the
situation,
there
are
several
ways
to
do
this.
One
way
is
to
change
the
ASA
to
a
higher
value
as
described
earlier.
In
this
method,
you
must
first
decide
how
many
exposures
you
want
to
make
on
the
same
frame.
If
a
double
exposure,
make
both
exposures
at
twice
the
normal
ASA;
if
a
triple
exposure,
make
all
three
exposures
at
three
times
the
normal
ASA;
if
a
quad-
ruple
exposure,
make
all
four
exposures
at
four
times
the
normal
ASA,
etc.
Another
way
to
correct
exposure
is
to
use
the
exposure
compensation
dial
at
the
set-
tings
outlined
in
the
table
below.
Number
of
Multiple
Exposures
Double
Triple
Quadruple
Exposure
Compen-
sation
Scale
12
Between
1.2
and
1/4
I
4
The
method
when
using
the
exposure
com-
pensation
dial
for
this
purpose
is
the
same
as
that
of
changing
the
ASA.
That
is,
for
a
double
exposure,
the
dial
should
be
set
to
1/2
for
both
exposures
and
so
on.
Actually,
both
methods
described
above
are
only
general
guidelines,
and
your
technique
will
benefit
greatly
from
experience.