Carvin C3240 Instruction Manual - Page 6

INSERTS AND DIRECT OUTS FULL INSERT The insert jack is a Tip Ring Sleeve (TRS) 1/4" phone jack, where the tip is the send, the ring is the return and the sleeve is ground. When used as an insert point or in full insert mode, the channel is opened up to allow an external piece of equipment to be inserted into the channels signal path. The channel signal coming from the microphone preamplifier will be forced to go through the external equipment before it can continue back through the channel re-entering before the channel tone controls. Most external equipment is not set up for the TRS plug directly so an adapter cable is required. The adapter cable will have on one end the TRS plug and two mono plugs either male or female, on the other end. The two plugs each have the ground connected to the sleeve, one has the return on its tip and the other has the send on its tip. This allows the send to be connected to the input of the external equipment and the return to its output completing the insert loop back to the channel. HALF INSERT DIRECT OUT The half insert connection creates a send sig nal without breaking the channels signal path. The insert in this mode is no longer used as an insert but it becomes what is called an "insert direct out". An insert direct out functions as a normal direct out but the plug has to be half inserted. If an insert is needed on the same channel, special cabling is required to perform both functions. The half insertion connects the tip of the plug being inserted to the ring of the jack. See the fig. If the jack is fully inserted to where the tip of the plug connects to the tip of the jack, the internal jack switch will open and the channel's signal path will be broken. The connection will still function as a direct out but the channel's signal will stop at the insert and not continue on to the rest of the channel and the masters. The result of the half insert is multiple outputs for use in multi-track recording. MULTI-TRACK RECORDING TWO-TRACK TAPE RECORDER 1 LINE MIC 2 LINE MIC 3 LINE MIC 4 LINE MIC 5 LINE MIC 6 LINE MIC 7 PHPAONWTEORM 8 LINE 1-8 MIC MIC 9 LINE 10 LINE 11 LINE 12 LINE 13 LINE 14 LINE 15 16 PHPAONWTEORM LINE 9-16 MIC MIC MIC MIC MIC MIC MIC MIC 17 LINE 18 LINE 19 LINE 20 LINE 21 LINE 22 LINE 23 24 PHPAONWTEORM LINE 17-24 MIC MIC MIC MIC MIC MIC MIC MIC DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT AUX SENDS 1 3 GROUPS 5 1 3 2 1L RETURN LEFT 4 TAP6E OU2 T 4 2L 3L RETURN RETURN TAPE OUT 4L RIGHT L R 1R 2R 3R 4R TAPE IN CENTER 0 50 GAIN HI 0 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT HI LOCUT 0 50 GAIN 0 HI LOCUT 0 50 GAIN 0 0 50 GAIN HI 0 LOCUT LOCUT 0 50 GAIN HI 0 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT HI LOCUT 0 50 GAIN 0 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT LOCUT 0 50 GAIN HI 0 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT 0 50 GAIN HI 0 LOCUT LOCUT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 MID 0 MID SHIFT - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 - 15 +15 LOW 0 15 25 35 45 0 10 5 0 10 0 10 STEREO RETURNS 5 5 0 10 5 0 10 AUX 1 0 10 AUX 1 0 10 AUX 2 0 10 AUX 2 5 0 10 TAPEIN L-R AUX 3-4 SOTOUAURPTECE CORNOTORMOL POWER L-R CONTROL ROOM LISTEN PHONES MULTI-TRACK RECORDER - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 - 15 +15 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX 1 5 AUX - 15 +15 1 5 AUX - 15 +15 1 5 AUX - 15 +15 1 5 AUX - 15 +15 - 15 +15 15 AUX 1 5 AUX - 15 +15 - 15 +15 - 15 +15 1 5 AUX 1 5 AUX 1 5 AUX 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 2 5 25 PREPOST 2 5 PREPOST 2 5 PREPOST 2 5 PREPOST 25 PREPOST 2 5 PREPOST 2 5 PREPOST PREPOST 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 2 5 2 5 PREPOST 25 PREPOST 2 5 PREPOST 2 5 PREPOST 2 5 PREPOST 25 PREPOST 2 5 PREPOST PREPOST 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 2 5 2 5 PREPOST 2 5 PREPOST 25 PREPOST 2 5 PREPOST 2 5 PREPOST 2 5 PREPOST 2 5 PREPOST PREPOST 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 3-5 5 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN SENDS 5 5 5 0 10 AUX 1 PFL 5 0 10 AUX 3 PFL 5 0 10 AUX 5 PFL 5 0 10 AUX 2 PFL 0 10 AUX 4 PFL 0 10 AUX 6 PFL GROUPS C C C C LR LR LR LR PEAK +18 +12 +6 0 - 6 - 12 - 18 - 24 - 30 dB LR LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK + 12 +6 0 - 12 - 24 - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 + 12 MUTE +6 PFL 0 1-2 - 12 3-4 - 24 L-R - 30 MUTE PFL 1-2 3-4 L-R - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 LR LR LR LR LR LR LR LR LR 1/2 INSERT DIRECT OUT SIG PEAK SIG PEAK SIG PEAK SIG PEAK SIG PEAK SIG PEAK SIG PEAK SIG PEAK SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK LR SIG PEAK + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 + 12 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 +6 PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 12 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 30 L-R - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 - 50 L-R L-R L-R L-R L SUB TO R SUB TO CENTER CENTER CENTER CENTER CENTER CENTER + 12 + 12 + 12 + 12 + 12 + 12 + 12 +6 +6 +6 +6 +6 +6 +6 0 0 0 0 0 0 0 - 12 - 12 - 12 - 12 - 12 - 12 - 12 - 24 - 24 - 24 - 24 - 24 - 24 - 24 - 30 - 30 - 30 - 30 - 30 - 30 - 30 - 50 - 50 - 50 - 50 - 50 - 50 - 50 5 0 10 CORNOTORMOL 5 0 10 PHONES MPFL ultitrack IN L-R CENTER GROUP 1-2 GROUP 3-4 12345678 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 1 2 3 4LRC A multi-track recorder can be connected to the Channel Direct Out jacks. This set up could be used with a live set up to record a live show. Also shown in this illustration, is the connection of a 2 track tape recorder connected to the RCA tape outs. One of the great features of the C2440 is the Tape Out Source switch. By assigning AUX 3-4 to the Tape Out Source, the operator can create an alternate mix for 2 track recording and maintain an unaltered main mix. If a 4 track recorder is used, assign the channels to the 4 group faders and use the group outputs for a 4 track recorder. For an 8 track recorder, parallel the 4 groups using group 1 for tracks 1 and 5, group 2 for 2 and 6, etc. Then use the 8 track recorder's track enable switches to select the track. Also both methods can be combined using the groups and Direct Outs for multitracking. 1 MULTI-TRACK RECORDER 2 3 4 1 2 3 4 Multitrack IN MULTI-TRACK RECORDER AUX SENDS 1 3 2 4 GROUPS 5 1 3 6 2 4 LEFT 1L 2L 3L RETURN RETURN RETURN TAPE OUT 4L RIGHT L R Multitrack Out 1 LINE MIC 2 LINE MIC 3 LINE MIC 4 LINE MIC 5 LINE MIC 6 LINE MIC 7 PHANTOM POWER 1-8 8 LINE MIC MIC 9 LINE 10 LINE 11 LINE 12 LINE 13 LINE 14 LINE 15 PHANTOM POWER 16 LINE 9-16 MIC MIC MIC MIC MIC MIC MIC MIC 17 LINE 18 LINE 19 LINE 20 LINE 21 LINE 22 LINE 23 24 PHANTOM POWER LINE 17-24 MIC MIC MIC MIC MIC MIC MIC MMIICC DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT DIR - INSERT IN L &R OUT AUX SENDS 1 3 2 4 GROUPS 5 1 3 6 2 4 LEFT 1L 2L 3L RETURN RETURN RETURN 4L TAPE OUT RIGHT L R 1R 2R 3R 4R TAPE IN CENTER 0 50 GAIN HI 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 LOCUT 0 50 GAIN HI 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 LOCUT 0 50 GAIN HI 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 0 50 HI LOCUT GAIN 0 LOCUT -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID 0 MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT SMHIIFDT -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID 0 MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT SMHIIFDT -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID 0 MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT MID 0 SMHIIFDT SMHIIFDT -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 -15 +15 LOW 0 15 25 35 45 0 10 5 0 10 AUX 1 0 10 0 10 STEREO RETURNS 5 5 0 10 AUX 1 0 10 AUX 2 0 10 5 0 10 AUX 2 5 0 10 TAPEIN L-R AUX 3-4 S OTOAUUPRTEC E CORNOTORMOL POWER L-R CLIOSNTTERNOL ROOM PHONES -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX -15 +15 1 5 AUX 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 0 10 2 5 0 10 2 5 PPORSET PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 0 10 2 5 PPORSET PPORSET 0 10 2 5 PPORSET 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 2 5 PPORSET 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 3-5 5 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 4-6 5 5-6 5-6 5-6 5-6 5-6 5-6 5-6 5-6 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN 0 10 C PAN L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 +6 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE +6 PFL 0 MUTE PFL 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 -12 -12 -12 -12 -12 -12 -12 -12 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 -24 -24 -24 -24 -24 -24 -24 -24 -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -50 -50 -50 -50 -50 -50 -50 -50 L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE +6 +6 +6 +6 +6 +6 +6 +6 PFL PFL PFL PFL PFL PFL PFL PFL 0 0 0 0 0 0 0 0 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 -12 -12 -12 -12 -12 -12 -12 -12 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 -24 -24 -24 -24 -24 -24 -24 -24 -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -50 -50 -50 -50 -50 -50 -50 -50 L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG L R SIG PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 PEAK + 12 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE +6 +6 +6 +6 +6 +6 +6 +6 PFL PFL PFL PFL PFL PFL PFL PFL 0 0 0 0 0 0 0 0 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 -12 -12 -12 -12 -12 -12 -12 -12 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 -24 -24 -24 -24 -24 -24 -24 -24 -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -30 L-R -50 -50 -50 -50 -50 -50 -50 -50 SENDS 5 5 5 0 10 AUX 1 PFL 0 10 AUX 3 PFL 0 10 AUX 5 PFL 5 5 5 0 10 AUX 2 PFL 0 10 AUX 4 PFL 0 10 AUX 6 PFL GROUPS C C C C PEAK +18 +12 +6 0 - 6 -12 -18 -24 -30 L R dB 5 0 10 CORNOTORMOL 5 L R L R L R L R L-R L-R L-R L-R L SUB TO R SUB TO CENTER CENTER CENTER CENTER CENTER CENTER + 12 + 12 + 12 + 12 + 12 + 12 + 12 +6 +6 +6 +6 +6 +6 +6 0 0 0 0 0 0 0 -12 -12 -12 -12 -12 -12 -12 -24 -24 -24 -24 -24 -24 -24 -30 -30 -30 -30 -30 -30 -30 -50 -50 -50 -50 -50 -50 -50 0 10 PHONES PFL L-R CENTER GROUP 1-2 GROUP 3-4 12345678 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 1 2 3 4 L RC MULTI-TRACK MIXDOWN AUX EFFECTS PROCESSOR TWO-TRACK TAPE RECORDER Follow this set up for mixing down to a two track recorder. Connect the Multi-track recorders' outputs to the line inputs of the channels. Use the headphones or connect a professional power amplifier (Carvin's DCM power amps) and high quality studio monitors to your main LEFT & RIGHT outputs to monitor your mixdown sessions. Mixing is a practiced skill. A trained ear will know when to add EQ, effects, compression, gate, and when not to. Listen to your favorite CD through the same headphones or monitoring system you plan to mix through. Note each instrument's level and position in the stereo mix. Use this as a guide to help mix your project. Mixing down to a digital format such as DAT or to an analog reel to reel will yield different results. Digital recorders are meant to accurately represent the original sound source, therefore you should get exactly what you heard while mixing.