Casio WK3300DX User Guide - Page 57
Track 1 Contents After Real-time, Recording, Mixer Mode Settings, Memory Capacity, Memory Data
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Song Memory Function Track 1 Contents After Real-time Recording In addition to keyboard notes and accompaniment chords, the following data is also recorded to Track 1 during realtime recording. This data is applied whenever Track 1 is played back. • Tone number • Rhythm number • INTRO/ENDING 1 button, INTRO/ENDING 2 button, VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2 button, SYNCRHO/FILL-IN NEXT button operations • Pedal operations (option) The following data is recorded in the header whenever you start a recording of a track. • Mixer settings of other tracks • Effect type • Accompaniment volume • Reverb Level • Chorus Level • DSP Hold On/Off • Mixer Hold On/Off • Pitch bend wheel operation • Modulation wheel operation (WK-3800/WK-8000) • Modulation button operation (WK-3300) • Pitch bend range Mixer Mode Settings Channel 1 Mixer parameters (page E-40) are automatically recorded to Track 1. You can use the Mixer to change each of the parameters. Memory Capacity The keyboard has memory for approximately 10,000 notes. • The measure number and note number flash on the display whenever remaining memory is less than 100 notes. • Recording automatically stops (and auto-accompaniment and rhythm stops playing if they are being used) whenever memory becomes full. • Initially, nothing is stored in song memory. Memory Data Storage • Whenever you make a new recording, anything previously stored in memory is replaced. • Turning off the keyboard while a record operation is in progress causes the contents of the track your are currently recording to be lost. • You can save memory data to external media, if you want. See "Saving Data" on page E-83 for more information. • Remember that you can dump memory contents to a computer using the procedure described under "Internet Data Expansion System" on page E-82. Track 1 Real-time Recording Variations The following describes a number of different variations you can use when recording to Track 1 using real-time recording. All of these variations are based upon the procedure described under "To record with real-time recording" on page E-54. To start recording with synchro start In place of step 4, press the SYNCHRO/FILL-IN NEXT button. Auto-accompaniment and recording will both start when you play a chord on the accompaniment keyboard. To record using an intro, ending, or fill-in During recording, the INTRO/ENDING 1/2, SYNCHRO/ FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons (pages E-36 to 37) can all be used as they normally are. To synchro start Auto Accompaniment with an intro pattern In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then INTRO/ENDING 1 or INTRO/ENDING 2 button. Auto-accompaniment will start with the intro pattern when you play a chord on the accompaniment keyboard. To start Auto Accompaniment part way into a recording In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then play something on the melody keyboard to start recording without Auto Accompaniment. When you reach the point where you want accompaniment to start, play a chord on the accompaniment keyboard to start Auto Accompaniment. E-55