Fender M-80 Head Owner Manual - Page 3

conjunction - bass head

Page 3 highlights

1 2 INPUTS .,0 VOLUME 6 3 7 2 8 9 10 TREBLE 4 6 3 7 2 8 1 9 0 MID 4 6 3 7 2 8 1 9 0 10 BASS N 1 6 3 7 2 8 1 9 0 10 CLEAN CHANNEL REVERB 6 9 A C E F M-80 FRONT PANEL FUNCTIONS (The diagram above corresponds to the M-80 combo amp. The front panel functions are identical for the M-80 head, only the order is reversed.) A. INPUT 1-A high impedance, high sensitivity plug-in connection for instruments. B. INPUT 2 -Plug-in connection for instruments. This input exhibits a lower input impedance and sensitivity than INPUT 1 and is useful with active preamp guitars, and will provide a darker tone with passive guitars. Both inputs are identical when used simultaneously. C. VOLUME -Adjusts the overall loudness of the CLEAN channel. D. TREBLE -Adjusts the amount of boost (accentuation) or cut (attenuation) in the high frequency range of the CLEAN channel. E. MID -Adjusts the amount of boost or cut in the mid frequency range of the CLEAN channel. F. BASS -Adjusts the amount of boost or cut in the low frequency range of the CLEAN channel. G. REVERB-Adjusts the overall amount of reverberated signal mixed with the original dry signal for both the CLEAN and OVERDRIVE channels. H. GAIN -Adjusts the amount of preamp amplification while in the OVERDRIVE channel. Cleaner sound is achieved at lower gain settings, high gain settings will produce more sustain and distortion. This control works in conjunction with the OVERDRIVE-VOLUME control to set the overall loudness at the output. I. CONTOUR -Adjusts the overall tone quality of the OVERDRIVE channel. Low contour settings will provide emphasis in the midrange frequencies whereas a higher setting will notch the midrange to produce a "Crunch" sound, characteristic of most Heavy Metal music. J. PRESENCE -Adjusts the amount of boost or cut in the upper high frequency range while in the OVERDRIVE channel. This control occurs post preamp distortion and is useful in adjusting the distortion characteristic from smooth to brash. K. SELECT -Activates the OVERDRIVE channel. NOTE: This switch disables the Channel Select Footswitch.

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1
2
INPUTS
A
VOLUME
TREBLE
MID
BASS
N
.,0
6
4
6
4
6
1
6
3
7
3
7
3
7
3
7
2
8
2
8
2
8
2
8
9
1
9
1
9
1
9
0
0
10
0
10
10
CLEAN
CHANNEL
C
E
F
REVERB
6
9
M-80
FRONT
PANEL
FUNCTIONS
(The
diagram
above
corresponds
to
the
M-80
combo
amp.
The
front
panel
functions
are
identical
for
the
M-80
head,
only
the
order
is
reversed.)
A.
INPUT
1—A
high
impedance,
high
sensitivity
plug-in
connection
for
instruments.
B.
INPUT
2
—Plug-in
connection
for
instruments.
This
input
exhibits
a
lower
input
impedance
and
sensitivity
than
INPUT
1
and
is
useful
with
active
preamp
guitars,
and
will
provide
a
darker
tone
with
passive
guitars.
Both
inputs
are
identical
when
used
simultaneously.
C.
VOLUME
—Adjusts
the
overall
loudness
of
the
CLEAN
channel.
D.
TREBLE
—Adjusts
the
amount
of
boost
(accentuation)
or
cut
(attenuation)
in
the
high
frequency
range
of
the
CLEAN
channel.
E.
MID
—Adjusts
the
amount
of
boost
or
cut
in
the
mid
frequency
range
of
the
CLEAN
channel.
F.
BASS
—Adjusts
the
amount
of
boost
or
cut
in
the
low
frequency
range
of
the
CLEAN
channel.
G.
REVERB—Adjusts
the
overall
amount
of
reverberated
signal
mixed
with
the
original
dry
signal
for
both
the
CLEAN
and
OVERDRIVE
channels.
H.
GAIN
—Adjusts
the
amount
of
preamp
amplification
while
in
the
OVERDRIVE
channel.
Cleaner
sound
is
achieved
at
lower
gain
settings,
high
gain
settings
will
produce
more
sustain
and
distortion.
This
control
works
in
conjunction
with
the
OVERDRIVE
-VOLUME
control
to
set
the
overal
l
loudness
at
the
output.
I.
CONTOUR
—Adjusts
the
overall
tone
quality
of
the
OVERDRIVE
channel.
Low
contour
settings
will
provide
emphasis
in
the
midrange
frequencies
whereas
a
higher
setting
will
notch
the
midrange
to
produce
a
"Crunch"
sound,
characteristic
of
most
Heavy
Metal
music.
J.
PRESENCE
—Adjusts
the
amount
of
boost
or
cut
in
the
upper
high
frequency
range
while
in
the
OVERDRIVE
channel.
This
control
occurs
post
preamp
distortion
and
is
useful
in
adjusting
the
distortion
characteristic
from
smooth
to
brash.
K.
SELECT
—Activates
the
OVERDRIVE
channel.
NOTE:
This
switch
disables
the
Channel
Select
Footswitch.