Fender PA 100 Owners Manual - Page 4

Panel, Functions - for bass

Page 4 highlights

F r1" PA L INPUT INPUT INPUT INPUT JACKS VOLUME JACKS VOLUME JACKS VOLUME JACKS VOLUME CONTROL/WITH CONTROL/WITH CONTROL/WITH CONTROL/WITH REVERB SWITCH REVERB SWITCH REVERB SWITCH REVERB SWITCH MASTER REVERB MASTER VOLUME ' C 1N PU/S s/. E . 6 5 VOLUME'S I'sO ..., PULL FOR 0., .... REVERB 0, \ Ai 01, A N .41 7rtsa S. • . ' :4 11.1 BASS TREE , s NEL 65 4, VOLUME / .... ,.,:,, PRUELL EFROBR 2 ' en , 0, S ry , ,,.. ,. I. 4 ,, it ,y. N , 0 •:. v, C) y. AS TE E s. NE ea en S , ° • t, qii.• BASS VOLUME PULL FOR REVERB , i 4;06 t., / 9H NNEL 6 SX4 VOLUME\ AM...) PULL FOR O 4 7,ufi 0, . REVERB ' I NP TS , o ./. c) ,,,,isiii : o ..! , # 4, t., TR E N. A It LE .1 6 5f :INso. .,.?, .% 5 `®y 0, PA 100 et REVERB VOLUME MASTER CONTROLS FENDER MUSICAL INSTRUMENTS TONE CONTROLS TONE CONTROLS FR, MIT PANEL FUNCTIONS TONE CONTROLS TONE CONTROLS JEWELED PILOT LIGHT INPUT .IA(KS The Fender PA 100 is designed to operate up to 8 microphones simultaneously. For best results, the popular "high" impedance microphones should be used. However, in the event that microphone cables in excess of 20 feet are necessary, the use of "low" impedance microphones with a plug-in impedance matching transformer is recommended in order to maintain the treble 2 response. CONTROLS Volume Control/Reve.r -Controls volume for individual channel output. Pull knob out to switch reverb,, "on," for each channel. C.)ntrol -Provides additional high frequencies as required. Bross Cor4-c)l-Regulates desired amount of bass response. MASTER CONTROL Pr --4-b Contre-I -Regulates amount of reverb for all channels simultaneously. Volume Control -Simultaneously controls the output of all channels of the amplifier. JEWELED PILOT Indicates when amplifier is turned on.

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8

F
r1"
PA
L
2
INPUT
INPUT
INPUT
INPUT
JACK
S
VOLUME
JACKS
VOLUME
JACKS
VOLUME
JACKS
VOLUME
CONTROL/WITH
CONTROL/WITH
CONTROL/WITH
CONTROL/WITH
REVERB
SWITCH
REVERB
SWITCH
REVERB
SWITCH
REVERB
SWITCH
MASTER
REVERB
MASTER
VOLUME
'
C
1
N
PU/S
s
/
.
N.
E
\
Ai
01,
7
rtsa
.
S.
BASS
VOLUME
'S
6
5
.
I
's
...,
PULL
FOR
PULL
0.,
....
REVERB
O
0,
A
.41
' :
4
11
.
1
TREE
,
N
s
NEL
2
S
ry
,
,,..
,.
I.
4
it
,
y
.
y
.
AS
....
65
4
,
'
en
0,
,,
VOLUME
,.,:,,
PULL
R
E
E
F
R
O
B
R
,
, 0
:.
v
,
TE
E
/
NE
N
S
C)
,
°
qii.•
s.
BASS
ea
en
t
,
VOLUME
FOR
REVERB
,
i
4;06
t.,
TR
E
/
9H
NNEL
6
S
X
4
VOLUME
\
AM...)
PULL
FOR
O
4
7,
fi
u
.
REVERB
'
I
NP
TS
,
o
./.
o
.
.!
c)
,,,,
is
iii
:
, #
4,
t.,
A
It
LE
6
5
0,
f
No.
..?
.%
5
:Is
,,
`®y
0,
REVERB
VOLUME
MASTER
CONTROLS
PA
100
et
FENDER
MUSICAL
INSTRUMENTS
.1
TONE
CONTROLS
TONE
CONTROLS
FR
,
MIT
PANEL
FUNCTIONS
INPUT
.IA(KS
The
Fender
PA
100
is
designed
to
operate
up
to
8
microphones
simultaneously.
For
best
results,
the
popular
"high"
impedance
microphones
should
be
used.
However,
in
the
event
that
microphone
cables
in
excess
of
20
feet
are
necessary,
the
use
of
"low"
impedance
microphones
with
a
plug-in
im-
pedance
matching
transformer
is
recom-
mended
in
order
to
maintain
the
treble
response.
TONE
CONTROLS
TONE
CONTROLS
CONTROLS
Volume
Control/Reve.r
—Controls
vol-
ume
for
individual
channel
output.
Pull
knob
out
to
switch
reverb,,
"on,"
for
each
chan-
nel.
C.)ntrol
—Provides
additional
high
frequencies
as
required.
Bross
Cor
4
-c)l—
Regulates
desired
amount
of
bass
response.
JEWELED
PILOT
LIGHT
MASTER
CONTROL
Pr
--
4-b
Contre-I
—Regulates
amount
of
reverb
for
all
channels
simultaneously.
Volume
Control
—Simultaneously
con-
trols
the
output
of
all
channels
of
the
ampli-
fier.
JEWELED
PILOT
Indicates
when
amplifier
is
turned
on.